℗ 2013 Chandos
| Released | September 3, 2013 |
| Duration | 1h 01m 02s |
| Record Label | Chandos |
| Catalogue No. | CHAN10789 |
| Genre | Classical (Orchestral) |
Mascagni in Concert (includes premiere recordings)
Luciano Ganci, Filarmonica '900 del Teatro Regio, Torino, Gianandrea Noseda
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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L'apoteosi della cicogna
Pietro Mascagni; Filarmonica '900 del Teatro Regio Torino; Gianandrea Noseda |
4:16 | |||
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1.2
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Visione lirica
Pietro Mascagni; Filarmonica '900 del Teatro Regio Torino; Gianandrea Noseda |
4:01 | |||
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1.3
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La gavotta delle bambole
Pietro Mascagni; Filarmonica '900 del Teatro Regio Torino; Gianandrea Noseda |
2:42 | |||
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1.4
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Danza esotica
Pietro Mascagni; Filarmonica '900 del Teatro Regio Torino; Gianandrea Noseda |
8:03 | |||
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1.5
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Ave Maria
Pietro Mascagni; Luciano Ganci; Filarmonica '900 del Teatro Regio Torino; Gianandrea Noseda |
3:07 | |||
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1.6
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Padre nostro
Pietro Mascagni; Luciano Ganci; Filarmonica '900 del Teatro Regio Torino; Gianandrea Noseda |
4:37 | |||
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1.7
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Mein erster Walzer
Pietro Mascagni; Filarmonica '900 del Teatro Regio Torino; Gianandrea Noseda |
9:27 | |||
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1.8
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Serenata
Pietro Mascagni; Luciano Ganci; Filarmonica '900 del Teatro Regio Torino; Gianandrea Noseda |
3:04 | |||
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Suite from ‘The Eternal City’
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1.9
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I. Prelude ‘Silver Trumpets March’. Allegro brillante – Un poco maestoso – Andante molto sostenuto – Tempo I – Un poco meno – Con molta anima – Con molto spirito
Pietro Mascagni; Filarmonica '900 del Teatro Regio Torino; Gianandrea Noseda |
3:44 | |||
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1.10
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II. Intermezzo between Acts I and II. Andante molto sostenuto – Meno sostenuto – Largo e ben sostenuto – Tempo I
Pietro Mascagni; Filarmonica '900 del Teatro Regio Torino; Gianandrea Noseda |
3:38 | |||
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1.11
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III. Interlude between Acts II and III. Sostenuto – Andantino molto sostenuto – Sostenuto – A tempo ben sostenuto – Andante sostenuto – A tempo sostenuto
Pietro Mascagni; Filarmonica '900 del Teatro Regio Torino; Gianandrea Noseda |
3:54 | |||
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1.12
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IV. Interlude between Acts III and IV. Allegretto vivace e spigliato – Con anima – Calmo – Con anima – Calmo – A tempo con brio – Calmo – Allegretto vivace e spigliato
Pietro Mascagni; Filarmonica '900 del Teatro Regio Torino; Gianandrea Noseda |
4:41 | |||
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1.13
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V. Interlude between Acts IV and V. Andante maestoso e sostenuto – Largo appassionato – A tempo con moto – Tempo I (Andante maestoso e sostenuto) – Estremamente lento
Pietro Mascagni; Filarmonica '900 del Teatro Regio Torino; Gianandrea Noseda |
5:48 | |||
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Digital Booklet
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"... Noseda conducts fluent, dynamic performances. Chandos’s sound is warm and detailed ... I can recommend this appealing CD."
- Fanfare
"Four Stars ... abound in the searching harmonic progressions Mascagni later explored ... Noseda and his impeccable Turin players manage them with distinction, as they do everything on the disc.”
- BBC Music Magazine
"Some agreeably spick-and-span playing from the Turin orchestra under Gianandrea Noseda's sympathetic baton and Chandos's unobtrusively natural sound grace an anthology that Mascagni diehards will want to hear."
- Gramophone
On this collection which includes four world premieres, the Filarmonica '900 del Teatro Regio Torino presents works for the concert hall by Italian composer Pietro Mascagni, better known for his operatic output. Gianandrea Noseda leads these idiomatic, musically rich and harmonic performances, featuring tenor Luciano Ganci as soloist on three pieces.
96 kHz / 24-bit PCM – Chandos Studio Masters
Recording venue: Auditorium RAI ‘Arturo Toscanini’, Turin, Italy; 26 – 28 September 2012 Executive producer: Ralph Couzens Recording producer: Peter Newble Sound engineers: Rainer Maillard and Philip Krause, Emil Berliner Studios, Berlin Editor Peter: Newble A & R administrator Sue Shortridge Front cover: ‘View or Rome and its roofs from Piazza Venezia at sunset’, photograph © sisifo73photography by Marco Romani / Getty Images Back cover: Photograph of Gianandrea Noseda by Sussie Ahlburg Design and typesetting: Cassidy Rayne Creative Booklet editor: Finn S. Gundersen Publishers: Edizioni Bongiovanni, Bologna (L’apoteosi della cicogna), Edizioni Curci, Milan (Visione lirica), G. Ricordi & C. Editori, Milan (La gavotta delle bambole), Casa Musicale Sonzogno di Piero Ostali, Milan (Danza esotica, Ave Maria), Filarmonica ’900 Musica, Turin (Padre nostro, ‘Serenade’ and Suite from The Eternal City), Fürstner (Mein erster Walzer)
Recording venue: Auditorium RAI ‘Arturo Toscanini’, Turin, Italy; 26 – 28 September 2012 Executive producer: Ralph Couzens Recording producer: Peter Newble Sound engineers: Rainer Maillard and Philip Krause, Emil Berliner Studios, Berlin Editor Peter: Newble A & R administrator Sue Shortridge Front cover: ‘View or Rome and its roofs from Piazza Venezia at sunset’, photograph © sisifo73photography by Marco Romani / Getty Images Back cover: Photograph of Gianandrea Noseda by Sussie Ahlburg Design and typesetting: Cassidy Rayne Creative Booklet editor: Finn S. Gundersen Publishers: Edizioni Bongiovanni, Bologna (L’apoteosi della cicogna), Edizioni Curci, Milan (Visione lirica), G. Ricordi & C. Editori, Milan (La gavotta delle bambole), Casa Musicale Sonzogno di Piero Ostali, Milan (Danza esotica, Ave Maria), Filarmonica ’900 Musica, Turin (Padre nostro, ‘Serenade’ and Suite from The Eternal City), Fürstner (Mein erster Walzer)
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.61 -20.05 to -0.16 | -31.36 -42.07 to -24.42 | -27.46 -38.40 to -19.60 | 13 12 to 15 | |
| 1 | L'apoteosi della cicogna | -0.16 | -24.42 | -19.6 | 14 |
| 2 | Visione lirica | -6.06 | -28.96 | -25.3 | 13 |
| 3 | La gavotta delle bambole | -20.05 | -42.07 | -38.4 | 12 |
| 4 | Danza esotica | -5.87 | -30.96 | -26.6 | 14 |
| 5 | Ave Maria | -8.06 | -30.58 | -27.2 | 13 |
| 6 | Padre nostro | -9.84 | -33.24 | -29.3 | 15 |
| 7 | Mein erster Walzer | -8.02 | -31.07 | -27.5 | 14 |
| 8 | Serenata | -4.77 | -28.04 | -24.4 | 14 |
| 9 | I. Prelude ‘Silver Trumpets March’. Allegro brillante – Un poco maestoso – Andante molto sostenuto – Tempo I – Un poco meno – Con molta anima – Con molto spirito | -6.19 | -27.48 | -24.4 | 13 |
| 10 | II. Intermezzo between Acts I and II. Andante molto sostenuto – Meno sostenuto – Largo e ben sostenuto – Tempo I | -12.12 | -32.43 | -28.5 | 12 |
| 11 | III. Interlude between Acts II and III. Sostenuto – Andantino molto sostenuto – Sostenuto – A tempo ben sostenuto – Andante sostenuto – A tempo sostenuto | -14.11 | -35.29 | -31.6 | 12 |
| 12 | IV. Interlude between Acts III and IV. Allegretto vivace e spigliato – Con anima – Calmo – Con anima – Calmo – A tempo con brio – Calmo – Allegretto vivace e spigliato | -7.49 | -31.47 | -26.9 | 14 |
| 13 | V. Interlude between Acts IV and V. Andante maestoso e sostenuto – Largo appassionato – A tempo con moto – Tempo I (Andante maestoso e sostenuto) – Estremamente lento | -9.21 | -31.72 | -27.3 | 13 |