℗ 1959 Teldec Classics, a Warner Music UK Division
Released | February 7, 2020 |
Duration | 2h 28m 09s |
Record Label | Warner Classics |
Genre | Classical |
Beethoven: Sonatas & Variations for Cello and Piano
Elly Ney, Ludwig Hoelscher
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Cello Sonata No. 1 in F Major, Op. 5 No. 1
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1.1
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I. (a) Adagio sostenuto
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
2:51 | |||
1.2
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I. (b) Allegro
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
15:17 | |||
1.3
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II. Allegro vivace
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
8:00 | |||
Cello Sonata No. 2 in G Minor, Op. 5 No. 2
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1.4
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I. Adagio sostenuto ed espressivo
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
5:05 | |||
1.5
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II. Allegro molto più tosto presto
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
8:24 | |||
1.6
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III. Rondo. Allegro
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
9:19 | |||
Cello Sonata No. 3 in A Major, Op. 69
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1.7
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I. Allegro ma non tanto
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
12:35 | |||
1.8
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II. Scherzo. Allegro molto
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
6:24 | |||
1.9
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III. Adagio cantabile - Allegro vivace
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
9:22 | |||
Cello Sonata No. 4 in C Major, Op. 102 No. 1
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1.10
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I. Andante - Allegro vivace
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
8:21 | |||
1.11
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II. Adagio - Tempo d'andante - Allegro vivace
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
7:30 | |||
7 Variations on "Bei Männern, welche Liebe fühlen" from The Magic Flute in E-Flat Major, WoO 46
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1.12
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Theme. Andante
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:55 | |||
1.13
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Variation I
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:45 | |||
1.14
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Variation II
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:54 | |||
1.15
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Variation III
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
1:19 | |||
1.16
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Variation IV
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
1:24 | |||
1.17
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Variation V
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:46 | |||
1.18
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Variation VI
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
2:36 | |||
1.19
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Variation VII
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
2:16 | |||
Cello Sonata No. 5 in D Major, Op. 102 No. 2
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1.20
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I. Allegro con brio
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
6:40 | |||
1.21
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II. Adagio con molto sentimento d'affetto -
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
9:18 | |||
1.22
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III. Allegro - Allegro fugato
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
5:03 | |||
12 Variations on "Ein Mädchen oder Weibchen", from The Magic Flute in F Major, Op. 66
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1.23
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Theme. Allegretto
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:35 | |||
1.24
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Variation I
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:36 | |||
1.25
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Variation II
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:35 | |||
1.26
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Variation III
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:34 | |||
1.27
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Variation IV
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:37 | |||
1.28
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Variation V
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:35 | |||
1.29
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Variation VI
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:32 | |||
1.30
|
Variation VII
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:42 | |||
1.31
|
Variation VIII
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:36 | |||
1.32
|
Variation IX
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:36 | |||
1.33
|
Variation X
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
1:22 | |||
1.34
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Variation XI
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
1:04 | |||
1.35
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Variation XII
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
2:03 | |||
12 Variations on "See, the Conqu'ring Hero Comes", from Handel's Judas Maccabaeus in G Major, WoO 45
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1.36
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Theme
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:52 | |||
1.37
|
Variation I
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:45 | |||
1.38
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Variation II
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:43 | |||
1.39
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Variation III
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:46 | |||
1.40
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Variation IV
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:47 | |||
1.41
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Variation V
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:49 | |||
1.42
|
Variation VI
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:42 | |||
1.43
|
Variation VII
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:40 | |||
1.44
|
Variation VIII
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:45 | |||
1.45
|
Variation IX
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:46 | |||
1.46
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Variation X
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
0:49 | |||
1.47
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Variation XI
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
3:02 | |||
1.48
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Variation XII
Ludwig van Beethoven; Elly Ney; Ludwig Hoelscher |
1:12 |
German Romantic pianist and Beethoven specialist, Elly Ney, joins the legendary German cellist Ludwig Hoelscher to form a duo of Classical music royalty for this stunning legacy recording of Beethoven's Sonatas and Variations for Cello and Piano.
Beethoven was the first great composer of cello sonatas. In the early 19th century, sonatas for piano and instrument were usually advertised as piano sonatas with instrumental accompaniment. The cello sonata was especially so plagued, as it grew out of sonatas for continuo; as late as the beginning of the 19th century it was still common for the cello in cello sonatas to double the left hand of the piano part, with the piano right hand playing obbligato figurations and melodies. Beethoven, indeed, is credited with composing one of the first cello sonatas with a written-out piano part.
This programme presents Beethoven's great works in incredible form by two experts – a reference for all.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Warner Classics Studio Masters
Tracks 1-48 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-48 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.13 -15.23 to -1.92 | -26.34 -33.00 to -19.84 | -23.37 -30.00 to -15.70 | 12 9 to 15 | |
1 | I. (a) Adagio sostenuto | -8.25 | -27.78 | -24.3 | 11 |
2 | I. (b) Allegro | -2.34 | -23.36 | -20.7 | 13 |
3 | II. Allegro vivace | -4.41 | -24.33 | -21.1 | 12 |
4 | I. Adagio sostenuto ed espressivo | -5.10 | -27.22 | -23.8 | 14 |
5 | II. Allegro molto più tosto presto | -2.81 | -23.38 | -20.3 | 13 |
6 | III. Rondo. Allegro | -4.38 | -25.61 | -23.0 | 15 |
7 | I. Allegro ma non tanto | -2.39 | -22.69 | -19.7 | 13 |
8 | II. Scherzo. Allegro molto | -4.15 | -22.84 | -19.7 | 11 |
9 | III. Adagio cantabile - Allegro vivace | -3.41 | -24.33 | -20.7 | 13 |
10 | I. Andante - Allegro vivace | -2.24 | -22.57 | -19.3 | 13 |
11 | II. Adagio - Tempo d'andante - Allegro vivace | -2.12 | -22.89 | -19.3 | 13 |
12 | Theme. Andante | -6.62 | -27.93 | -24.9 | 14 |
13 | Variation I | -5.75 | -24.23 | -21.6 | 12 |
14 | Variation II | -7.04 | -24.58 | -21.6 | 10 |
15 | Variation III | -5.59 | -25.82 | -23.1 | 12 |
16 | Variation IV | -7.43 | -24.79 | -21.8 | 9 |
17 | Variation V | -5.86 | -24.22 | -21.3 | 11 |
18 | Variation VI | -9.70 | -29.88 | -27.0 | 11 |
19 | Variation VII | -5.27 | -23.74 | -20.3 | 12 |
20 | I. Allegro con brio | -1.92 | -22.54 | -19.6 | 13 |
21 | II. Adagio con molto sentimento d'affetto - | -10.01 | -30.70 | -27.9 | 13 |
22 | III. Allegro - Allegro fugato | -3.09 | -22.58 | -19.5 | 12 |
23 | Theme. Allegretto | -6.52 | -25.65 | -23.1 | 9 |
24 | Variation I | -12.95 | -31.21 | -28.3 | 12 |
25 | Variation II | -11.44 | -28.25 | -25.2 | 11 |
26 | Variation III | -9.67 | -26.29 | -23.5 | 11 |
27 | Variation IV | -12.98 | -30.06 | -27.0 | 9 |
28 | Variation V | -5.54 | -23.74 | -21.0 | 13 |
29 | Variation VI | -8.97 | -25.96 | -23.4 | 10 |
30 | Variation VII | -12.36 | -30.75 | -28.2 | 10 |
31 | Variation VIII | -4.55 | -22.27 | -19.3 | 11 |
32 | Variation IX | -5.17 | -26.16 | -22.4 | 12 |
33 | Variation X | -12.21 | -32.18 | -29.2 | 12 |
34 | Variation XI | -9.85 | -31.16 | -28.0 | 11 |
35 | Variation XII | -5.93 | -24.50 | -21.5 | 11 |
36 | Theme | -6.07 | -26.47 | -23.6 | 12 |
37 | Variation I | -12.03 | -29.20 | -26.6 | 11 |
38 | Variation II | -10.68 | -27.60 | -25.1 | 11 |
39 | Variation III | -9.64 | -28.19 | -25.5 | 13 |
40 | Variation IV | -13.19 | -29.76 | -27.1 | 10 |
41 | Variation V | -8.23 | -31.96 | -28.9 | 13 |
42 | Variation VI | -6.41 | -25.99 | -23.6 | 10 |
43 | Variation VII | -6.14 | -27.97 | -25.4 | 12 |
44 | Variation VIII | -2.07 | -19.84 | -15.7 | 10 |
45 | Variation IX | -12.63 | -30.87 | -27.8 | 12 |
46 | Variation X | -4.88 | -20.71 | -18.0 | 10 |
47 | Variation XI | -15.23 | -33.00 | -30.0 | 11 |
48 | Variation XII | -7.26 | -26.79 | -23.8 | 13 |