20/20 (Stereo)
The Beach Boys
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Do It Again
The Beach Boys |
2:29 | |||
1.2
|
I Can Hear Music
The Beach Boys |
2:38 | |||
1.3
|
Bluebirds Over The Mountain
The Beach Boys |
2:54 | |||
1.4
|
Be With Me
The Beach Boys |
3:16 | |||
1.5
|
All I Want To Do
The Beach Boys |
2:05 | |||
1.6
|
The Nearest Faraway Place
The Beach Boys |
2:42 | |||
1.7
|
Cotton Fields (The Cotton Song)
The Beach Boys |
2:25 | |||
1.8
|
I Went To Sleep
The Beach Boys |
1:39 | |||
1.9
|
Time To Get Alone
The Beach Boys |
2:44 | |||
1.10
|
Never Learn Not To Love
The Beach Boys |
2:34 | |||
1.11
|
Our Prayer
The Beach Boys |
1:09 | |||
1.12
|
Cabinessence
The Beach Boys |
3:38 |
UK Albums Chart - #3, 1969
UK Singles Chart - #1, 1968 - Do It Again
UK Singles Chart - #10, 1969 - I Can Hear Music
"... a collage of several different phases of the group's career. Do It Again is the best California rock song they've done since Help Me, Rhonda ..."
- Rolling Stone
"Maybe one of the best contractual obligation albums ever ... a rag bag of everything ... Do It Again ironically recalled their best days of innocent fun the group tried so hard to avoid."
- Sputnikmusic
This 1969 release fared much better in the UK than it did in the US, spawning the number one British hit Do It Again and a top 10 cover of Phil Spector's I Can Hear Music, while the album itself peaked at number three on the UK Albums Chart. Recorded largely without Brian Wilson, who was hospitalized at the time, 20/20 allows his brothers Dennis and Carl to come to the forefront as songwriters, vocalists and producers.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Capitol Records Studio Masters
This title is a high-resolution digital transfer of material originating from an analogue recording. It may be limited in bandwidth and dynamic range by the technology available at the time of its original creation, and is offered as a high-quality documentation of a historical release.
This title is a high-resolution digital transfer of material originating from an analogue recording. It may be limited in bandwidth and dynamic range by the technology available at the time of its original creation, and is offered as a high-quality documentation of a historical release.
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.68 -2.19 to 0.00 | -17.61 -20.41 to -15.79 | -14.77 -17.00 to -13.20 | 10 7 to 12 | |
1 | Do It Again | -1.36 | -18.79 | -15.7 | 11 |
2 | I Can Hear Music | -1.80 | -17.53 | -14.9 | 11 |
3 | Bluebirds Over The Mountain | 0.00 | -18.32 | -15.9 | 12 |
4 | Be With Me | -2.15 | -20.41 | -17.0 | 12 |
5 | All I Want To Do | -1.52 | -17.58 | -14.6 | 11 |
6 | The Nearest Faraway Place | -2.19 | -17.97 | -15.1 | 9 |
7 | Cotton Fields (The Cotton Song) | -1.64 | -16.16 | -13.4 | 10 |
8 | I Went To Sleep | -2.08 | -19.16 | -16.7 | 12 |
9 | Time To Get Alone | -1.74 | -16.00 | -13.4 | 10 |
10 | Never Learn Not To Love | -1.71 | -16.67 | -13.2 | 10 |
11 | Our Prayer | -2.08 | -16.98 | -13.6 | 9 |
12 | Cabinessence | -1.87 | -15.79 | -13.7 | 7 |