℗ 1963 Parlophone Records Limited, a Warner Music Group Company
Released | February 28, 2020 |
Duration | 41m 11s |
Record Label | Warner Classics |
Genre | Classical |
Verdi: Four Sacred Pieces (feat. Philharmonia Chorus)
Carlo Maria Giulini, Philharmonia Chorus, Philharmonia Orchestra
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
4 Pezzi sacri
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1.1
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No. 1, Ave Maria (feat. Philharmonia Chorus)
Giuseppe Verdi; Carlo Maria Giulini; Philharmonia Chorus |
5:57 | |||
1.2
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No. 2, Stabat Mater (feat. Philharmonia Chorus)
Giuseppe Verdi; Carlo Maria Giulini; Philharmonia Chorus; Philharmonia Orchestra |
13:27 | |||
1.3
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No. 3, Laudi alla Vergine Maria (feat. Philharmonia Chorus)
Giuseppe Verdi; Carlo Maria Giulini; Philharmonia Chorus |
5:51 | |||
1.4
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No. 4, Te Deum (feat. Janet Baker, Philharmonia Chorus)
Giuseppe Verdi; Carlo Maria Giulini; Janet Baker; Philharmonia Chorus; Philharmonia Orchestra |
15:56 |
Legendary Italian conductor Carlo Maria Giulini leads the Philharmonia Orchestra and Chorus in this stunning performance of Verdi's late and contemplatvie work, "Four Sacred Peaces".
The "Quattro pezzi sacri" are choral works by Giuseppe Verdi. Written separately during the last decades of the composer's life and with different origins and purposes, they were nevertheless published together in 1898 by Casa Ricordi.
After Verdi finished his opera Aida and in 1874 the Messa da Requiem, he retired from composing for years, writing only minor sacred compositions such as a Pater Noster and an Ave Maria in 1880. The earliest of the Quattro pezzi sacri in terms of its composition date is what came to be known as Laudi alla Vergine Maria (although Verdi himself did not give it that title). It was composed between 1886 and 1888, during which time he was also working on his penultimate opera, Otello, which premiered in 1887. The second of the Pezzi to be composed was the Ave Maria, whose setting is built on an enigmatic scale. He originally composed it in 1889 and revised it for publication in 1897. The Te Deum was begun in 1895 two years after the premiere of his last opera, Falstaff. It was finished in the summer of 1896. The Stabat Mater followed, and all four pieces were sent to Verdi's publisher, Casa Ricordi, in June 1897.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Warner Classics Studio Masters
Tracks 1-4 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-4 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.55 -6.63 to -0.85 | -26.40 -31.70 to -22.24 | -20.68 -25.80 to -15.80 | 13 11 to 15 | |
1 | No. 1, Ave Maria (feat. Philharmonia Chorus) | -5.52 | -28.74 | -24.0 | 14 |
2 | No. 2, Stabat Mater (feat. Philharmonia Chorus) | -0.85 | -22.93 | -17.1 | 12 |
3 | No. 3, Laudi alla Vergine Maria (feat. Philharmonia Chorus) | -6.63 | -31.70 | -25.8 | 15 |
4 | No. 4, Te Deum (feat. Janet Baker, Philharmonia Chorus) | -1.19 | -22.24 | -15.8 | 11 |