Genius Of Modern Music Volume Two
Thelonious Monk
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Carolina Moon
Thelonious Monk |
3:28 | |||
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1.2
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Hornin' In
Thelonious Monk |
3:15 | |||
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1.3
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Skippy
Thelonious Monk |
3:00 | |||
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1.4
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Let's Cool One
Thelonious Monk |
3:48 | |||
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1.5
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Suburban Eyes
Thelonious Monk |
3:00 | |||
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1.6
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Evonce
Thelonious Monk |
3:04 | |||
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1.7
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Straight No Chaser
Thelonious Monk |
2:56 | |||
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1.8
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Four In One
Thelonious Monk |
3:29 | |||
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1.9
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Nice Work (If You Can Get It)
Thelonious Monk |
3:01 | |||
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1.10
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Monk's Mood
Thelonious Monk |
3:06 | |||
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1.11
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Who Knows?
Thelonious Monk |
2:42 | |||
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1.12
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Ask Me Now
Thelonious Monk |
3:17 | |||
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Digital Booklet
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"... (Straight No Chaser is) one of Monk's earliest recordings, made at a time when there were fewer expectations of the eccentric pianist ... it's a classic piece of bop ... the entirety of the two volumes of Genius Of Modern Music is a must-have for any Monk fan."
- Jazz.com
Widely considered one of the most important jazz musicians of his time, Thelonius Monk redefined jazz through a combination of dissonant harmonies, strange melodies and a pounding piano style. This compilation, released in two volumes, features his most impressive compositions across the years performed with a band comprised of equally uncompromising musicians such as drummers Art Blakey and Max Roach and Sahib Shihab on alto sax.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – CM BLUE NOTE (A92) Studio Masters
Remastering by Rudy Van Gelder Cover design by Reid K. Miles Photo by Francis Wolf Mastered by Bernie Grundman, 2013 This album is a high-resolution digital transfer of material originating from an analogue recording. It may be limited in bandwidth and dynamic range by the technology available at the time of its original creation, and is offered as a documentation of a historical release.
Remastering by Rudy Van Gelder Cover design by Reid K. Miles Photo by Francis Wolf Mastered by Bernie Grundman, 2013 This album is a high-resolution digital transfer of material originating from an analogue recording. It may be limited in bandwidth and dynamic range by the technology available at the time of its original creation, and is offered as a documentation of a historical release.
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.42 -2.80 to -0.24 | -18.01 -20.77 to -16.10 | -14.72 -18.00 to -12.70 | 11 9 to 13 | |
| 1 | Carolina Moon | -0.30 | -17.42 | -13.6 | 11 |
| 2 | Hornin' In | -1.79 | -18.18 | -14.7 | 12 |
| 3 | Skippy | -1.59 | -17.69 | -14.4 | 11 |
| 4 | Let's Cool One | -0.36 | -18.38 | -14.6 | 12 |
| 5 | Suburban Eyes | -1.60 | -18.20 | -14.8 | 11 |
| 6 | Evonce | -0.24 | -16.83 | -12.9 | 12 |
| 7 | Straight No Chaser | -1.10 | -18.70 | -15.8 | 11 |
| 8 | Four In One | -1.79 | -18.09 | -15.0 | 11 |
| 9 | Nice Work (If You Can Get It) | -2.37 | -18.18 | -15.3 | 11 |
| 10 | Monk's Mood | -2.80 | -17.57 | -14.8 | 9 |
| 11 | Who Knows? | -0.51 | -16.10 | -12.7 | 11 |
| 12 | Ask Me Now | -2.64 | -20.77 | -18.0 | 13 |