The Sidewinder (2012 Remaster)
Lee Morgan
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
The Sidewinder (Remastered)
Lee Morgan |
10:25 | |||
|
1.2
|
Totem Pole (Remastered)
Lee Morgan |
10:16 | |||
|
1.3
|
Gary's Notebook (Remastered)
Lee Morgan |
6:09 | |||
|
1.4
|
Boy, What A Night (Remastered)
Lee Morgan |
7:30 | |||
|
1.5
|
Hocus-Pocus (Remastered)
Lee Morgan |
6:27 | |||
|
Digital Booklet
|
"The Sidewinder broke the seal and made its mark as a milestone album that stands the test of time."
- Dan Ouellette
With The Sidewinder, Lee Morgan not only initiated the era of soul-jazz, but was able to find commercial success and wide distribution, helping bring jazz to the mainstream. This blend of funky soul-jazz and hard bop went on to become an industry standard.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – CM BLUE NOTE (A92) Studio Masters
Recording by Rudy Van Gelder Photo by Francis Wolf Cover Design by Reid Miles High-Resolution Mastering by Alan Yoshida and Robin Lynn at Blanche Dubois, July 2012
Recording by Rudy Van Gelder Photo by Francis Wolf Cover Design by Reid Miles High-Resolution Mastering by Alan Yoshida and Robin Lynn at Blanche Dubois, July 2012
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.51 -1.31 to -0.01 | -19.44 -20.34 to -18.73 | -16.50 -17.50 to -15.80 | 12 11 to 12 | |
| 1 | The Sidewinder (Remastered) | -1.02 | -20.34 | -17.5 | 12 |
| 2 | Totem Pole (Remastered) | -0.23 | -19.91 | -16.6 | 12 |
| 3 | Gary's Notebook (Remastered) | -1.31 | -19.31 | -16.4 | 11 |
| 4 | Boy, What A Night (Remastered) | -0.01 | -18.73 | -15.8 | 12 |
| 5 | Hocus-Pocus (Remastered) | -0.01 | -18.89 | -16.2 | 11 |