℗ 1959 Parlophone Records Limited, a Warner Music Group Company
Released April 17, 2020
Duration 51m 00s
Record Label Warner Classics
Genre Classical
 

Bruch: Violin Concerto No. 1, Op. 26 - Lalo: Symphonie espagnole, Op. 21

Christian Ferras, Philharmonia Orchestra, Walter Susskind

Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Violin Concerto No. 1 in G Minor, Op. 26  
1.1
I. Allegro moderato
Max Bruch; Christian Ferras; Philharmonia Orchestra; Walter Susskind
8:10
1.2
II. Adagio
Max Bruch; Christian Ferras; Philharmonia Orchestra; Walter Susskind
8:10
1.3
III. Finale. Allegro energico
Max Bruch; Christian Ferras; Philharmonia Orchestra; Walter Susskind
7:32
Symphonie espagnole in D Minor, Op. 21  
1.4
I. Allegro non troppo
Édouard Lalo; Christian Ferras; Philharmonia Orchestra; Walter Susskind
8:02
1.5
II. Scherzo. Allegro molto
Édouard Lalo; Christian Ferras; Philharmonia Orchestra; Walter Susskind
4:36
1.6
IV. Andante
Édouard Lalo; Christian Ferras; Philharmonia Orchestra; Walter Susskind
7:11
1.7
V. Rondo. Allegro
Édouard Lalo; Christian Ferras; Philharmonia Orchestra; Walter Susskind
7:19
Czech-born British conductor and pianist Walter Susskind leads the Philharmonia Orchestra with violin prodigy Christian Ferras in these compelling concert programme of Bruch's Violin Concerto No. 1, Op. 26 and Lalo's Symphonie espagnole, Op. 21. Max Bruch’s Violin Concerto No. 1 in G minor, Op. 26, is one of the most popular violin concertos in the repertoire. The concerto was first completed in 1866 and the first performance was given on 24 April 1866 by Otto von Königslow, with Bruch conducting. The Symphonie espagnole in D minor, Op. 21, is a work for violin and orchestra was written in 1874 for violinist Pablo Sarasate, and premiered in Paris in February 1875. Although called a "Spanish Symphony" (see also Sinfonia concertante), it is considered a violin concerto by musicians today. The piece has Spanish motifs throughout, and launched a period when Spanish-themed music came into vogue.
96 kHz / 24-bit PCM – Warner Classics Studio Masters

Tracks 1-7 – contains high-resolution digital transfers of material originating from an analogue master source
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-1.73
-3.31 to -1.15
-23.88
-27.35 to -21.14
-19.63
-23.30 to -17.00
13
11 to 16
1
I. Allegro moderato
-3.31-24.96-20.613
2
II. Adagio
-1.17-26.86-22.415
3
III. Finale. Allegro energico
-1.15-21.14-17.012
4
I. Allegro non troppo
-1.54-21.56-17.311
5
II. Scherzo. Allegro molto
-2.21-27.35-23.316
6
IV. Andante
-1.18-22.33-18.312
7
V. Rondo. Allegro
-1.52-22.94-18.513

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