℗ 2020 Peter Holsapple & Chris Stamey, under exclusive license to Omnivore Recordings
| Released | October 2, 2023 |
| Duration | 38m 08s |
| Record Label | Omnivore Recordings |
| Genre | Rock (Alternative) |
Our Back Pages
Peter Holsapple, Chris Stamey
Available in MQA and 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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This Could Be The Day
Peter Holsapple; Chris Stamey |
3:30 | |||
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1.2
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From A Window To A Screen
Peter Holsapple; Chris Stamey |
3:03 | |||
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1.3
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Black And White
Peter Holsapple; Chris Stamey |
3:05 | |||
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1.4
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Dynamite
Peter Holsapple; Chris Stamey |
2:44 | |||
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1.5
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Molly Says
Peter Holsapple; Chris Stamey |
2:28 | |||
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1.6
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Happenstance
Peter Holsapple; Chris Stamey |
4:38 | |||
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1.7
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Big Brown Eyes
Peter Holsapple; Chris Stamey |
2:15 | |||
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1.8
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She's Not Worried
Peter Holsapple; Chris Stamey |
3:21 | |||
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1.9
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Picture Sleeve
Peter Holsapple; Chris Stamey |
3:39 | |||
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1.10
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Depth Of Field
Peter Holsapple; Chris Stamey |
5:08 | |||
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1.11
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Nothing Is Wrong
Peter Holsapple; Chris Stamey |
4:17 | |||
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Digital Booklet
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Our Back Pages is a collaborative album by the two original singer/songwriters of jangle pop band the dB's, Peter Holsapple and Chris Stamey.
Peter and Chris grew up together in Winston-Salem, NC, and started playing music together in middle school—and have really never stopped. Through countless bands along the way—including Rittenhouse Square, Little Diesel, Sneakers, the H-Bombs, the dB's, Continental Drifters, the Golden Palominos—and recording sessions and sideman stints with the likes of R.E.M., Bob Mould and Hootie and the Blowfish, the two have maintained a deep musical connection. They both are proficient at most string and keyboard instruments, and neither is much good at winds! Having relocated to Durham, NC, from New Orleans in 2006, Peter is constantly evident in international musical situations while Chris produces many records each year at Modern Recording, his home base in Chapel Hill, NC.
88.2 kHz / 24-bit PCM – Omnivore Recordings Studio Masters
Tracks 9, 11 – 48 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
Tracks 9, 11 – 48 kHz / 24-bit PCM, mastered in 88.2 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.18 -0.18 to -0.18 | -11.49 -12.59 to -10.80 | -8.74 -10.00 to -7.80 | 7 6 to 8 | |
| 1 | This Could Be The Day | -0.18 | -11.39 | -8.7 | 7 |
| 2 | From A Window To A Screen | -0.18 | -11.80 | -9.3 | 7 |
| 3 | Black And White | -0.18 | -11.56 | -8.5 | 7 |
| 4 | Dynamite | -0.18 | -12.12 | -9.4 | 8 |
| 5 | Molly Says | -0.18 | -11.33 | -8.5 | 7 |
| 6 | Happenstance | -0.18 | -10.82 | -8.5 | 6 |
| 7 | Big Brown Eyes | -0.18 | -10.96 | -7.8 | 6 |
| 8 | She's Not Worried | -0.18 | -12.59 | -10.0 | 7 |
| 9 | Picture Sleeve | -0.18 | -12.05 | -9.0 | 7 |
| 10 | Depth Of Field | -0.18 | -10.92 | -8.4 | 6 |
| 11 | Nothing Is Wrong | -0.18 | -10.80 | -8.0 | 6 |