℗ 1955 Parlophone Records Limited, a Warner Music Group Company
| Released | April 24, 2020 |
| Duration | 38m 37s |
| Record Label | Warner Classics |
| Genre | Classical |
Ravel: Pavane pour une infante défunte - Debussy: Prélude à l'après-midi d'un faune - Dukas: L'apprenti sorcier
Guido Cantelli, Philharmonia Orchestra
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Pavane pour une infante défunte, M. 19 (Orchestral Version)
Maurice Ravel; Guido Cantelli; Philharmonia Orchestra |
6:12 | |||
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Suite No. 2 from El Sombrero de Tres Picos
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1.2
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I. Los Vecinos
Manuel de Falla; Guido Cantelli; Philharmonia Orchestra |
3:06 | |||
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1.3
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II. Danza del Molinero "Farruca"
Manuel de Falla; Guido Cantelli; Philharmonia Orchestra |
2:45 | |||
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1.4
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III. Danza Final "Jota"
Manuel de Falla; Guido Cantelli; Philharmonia Orchestra |
6:41 | |||
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1.5
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Prélude à l'après-midi d'un faune, CD 87, L. 86 (feat. Gareth Morris)
Claude Debussy; Guido Cantelli; Gareth Morris; Philharmonia Orchestra |
9:19 | |||
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1.6
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L'apprenti sorcier
Paul Dukas; Guido Cantelli; Philharmonia Orchestra |
10:34 | |||
Guido Cantelli leads the Philharmonia Orchestra in this stunning legacy performance the impressionist masters with Ravel's "Pavane pour une infante défunte" and Debussy's "Prélude à l'après-midi d'un faune", alongside Dukas' "L'apprenti sorcier". This release comes as part of Warner Classic's new series, Guido Cantelli: The Complete Warner Recordings.
A conductor of incandescent energy and exquisite refinement, Guido Cantelli was born in Novara in 1920. His rise to international prominence began in 1948, when he captured Arturo Toscanini’s attention at La Scala. Just eight years later, en route to New York, he was killed in a plane crash near Paris. Covering the intense period between 1949 and 1956, this 10-disc set includes recordings made in London, New York and Rome, with all LP-era items newly remastered from the original tapes in 192kHz/24-bit. Complementing the music, and bearing further testimony to Cantelli’s electrifying influence in the concert hall and recording studio, is a biographical disc featuring interviews with orchestral musicians who performed under his baton.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Warner Classics Studio Masters
Tracks 1-6 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-6 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.53 -5.85 to -0.07 | -22.52 -25.20 to -19.23 | -18.63 -21.80 to -14.30 | 13 11 to 14 | |
| 1 | Pavane pour une infante défunte, M. 19 (Orchestral Version) | -1.00 | -22.65 | -19.8 | 13 |
| 2 | I. Los Vecinos | -5.85 | -24.73 | -21.8 | 12 |
| 3 | II. Danza del Molinero "Farruca" | -0.07 | -23.29 | -19.1 | 13 |
| 4 | III. Danza Final "Jota" | -0.55 | -19.23 | -15.7 | 13 |
| 5 | Prélude à l'après-midi d'un faune, CD 87, L. 86 (feat. Gareth Morris) | -1.00 | -25.20 | -21.1 | 14 |
| 6 | L'apprenti sorcier | -0.70 | -20.05 | -14.3 | 11 |