℗ 2020 Craft Recordings., Distributed by Concord.
Released | May 1, 2020 |
Originated | 1972 |
Duration | 39m 26s |
Record Label | Craft Recordings |
Catalogue No. | CR02467 |
Genre | Gospel |
Truth Is Where It's At
The Rance Allen Group
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
There's Gonna Be A Showdown
The Rance Allen Group |
2:46 | |||
1.2
|
That Will Be Good Enough For Me
The Rance Allen Group |
4:29 | |||
1.3
|
God Is Wonderful
The Rance Allen Group |
4:01 | |||
1.4
|
See What You Done Done
The Rance Allen Group |
6:25 | |||
1.5
|
Look Around
The Rance Allen Group |
2:44 | |||
1.6
|
God Is Where It's At
The Rance Allen Group |
2:15 | |||
1.7
|
If I Could Make The World Better
The Rance Allen Group |
2:30 | |||
1.8
|
Mama
The Rance Allen Group |
4:00 | |||
1.9
|
To The Other Man
The Rance Allen Group |
3:52 | |||
1.10
|
Heartaches
The Rance Allen Group |
6:24 |
Truth Is Where It's At by The Rance Allen Group comes as part of Craft Recordings rollout of the first-ever digital release of 25 albums from the catalogue of Stax Records subsidiary Gospel Truth Records. Titles are being released every week in chronological order, building towards to September’s Gospel Heritage Month.
The Gospel Truth catalogue ranged from the divine gospel of Maceo Woods to the cutting-edge message music of Louise McCord and the label’s marquee act Rance Allen. Its 1970s archives reach beyond the realms of simply the black American gospel tradition and showcased a diverse collection of talent.
Gospel Truth was established in 1972 as the brainchild of Stax executive Al Bell. He enlisted the help of radio promotions pioneer and songwriter Dave Clark and Stax label staffer Mary Peak Patterson to oversee the imprint’s formation. Gospel Truth sought to “carry the message of today’s gospel to the people on the street,” as promotional material for the label’s launch announced.
What stood Gospel Truth apart from other gospel labels was the accessibility of its signings. Clark’s keen eye and ear had the knack of combining traditional gospel musicians with raw and revolutionary artists at home in rock, funk and soul, resulting in a sound that resonated with the hip audience of the 1970s.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Craft Recordings Studio Masters
Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.49 -0.50 to -0.46 | -16.37 -18.28 to -14.33 | -12.66 -14.40 to -10.80 | 10 9 to 12 | |
1 | There's Gonna Be A Showdown | -0.47 | -14.33 | -10.8 | 9 |
2 | That Will Be Good Enough For Me | -0.49 | -16.43 | -12.8 | 10 |
3 | God Is Wonderful | -0.50 | -17.92 | -13.8 | 11 |
4 | See What You Done Done | -0.50 | -17.03 | -13.4 | 11 |
5 | Look Around | -0.47 | -14.92 | -11.2 | 9 |
6 | God Is Where It's At | -0.49 | -14.63 | -11.3 | 9 |
7 | If I Could Make The World Better | -0.49 | -15.54 | -12.0 | 10 |
8 | Mama | -0.47 | -17.31 | -12.9 | 11 |
9 | To The Other Man | -0.46 | -17.35 | -14.4 | 12 |
10 | Heartaches | -0.50 | -18.28 | -14.0 | 11 |