℗ 1976 Deutsche Grammophon, Berlin
| Released | May 8, 2020 |
| Originated | February 1, 1976 |
| Duration | 1h 07m 01s |
| Record Label | Deutsche Grammophon (DG) |
| Genre | Classical |
Mozart: Piano Concertos Nos. 25 & 27
Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado
Available in 192 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Piano Concerto No. 25 in C Major, K. 503
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1.1
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I. Allegro maestoso (Cadenza by Gulda)
Wolfgang Amadeus Mozart; Friedrich Gulda; Friedrich Gulda; Wiener Philharmoniker; Claudio Abbado |
16:27 | |||
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1.2
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II. Andante
Wolfgang Amadeus Mozart; Friedrich Gulda; Wiener Philharmoniker; Claudio Abbado |
8:22 | |||
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1.3
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III. Allegretto
Wolfgang Amadeus Mozart; Friedrich Gulda; Wiener Philharmoniker; Claudio Abbado |
9:52 | |||
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Piano Concerto No. 27 in B-Flat Major, K. 595
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1.4
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I. Allegro (Cadenza by Mozart)
Wolfgang Amadeus Mozart; Friedrich Gulda; Wiener Philharmoniker; Claudio Abbado |
14:46 | |||
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1.5
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II. Larghetto
Wolfgang Amadeus Mozart; Friedrich Gulda; Wiener Philharmoniker; Claudio Abbado |
8:14 | |||
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1.6
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III. Allegro (Cadenzas by Mozart/Gulda/Mozart)
Wolfgang Amadeus Mozart; Friedrich Gulda; Friedrich Gulda; Wiener Philharmoniker; Claudio Abbado |
9:20 | |||
In anticipation of Friedrich Gulda's 90th birthday, Deutsche Grammophon is relaunching a classic: this Mozart recording has been remixed and remastered using the original multi-track tapes. Friedrich Gulda was connected to Mozart like no other composer. For him, Mozart was “the master of all masters”. There were striking parallels between the pianist and the Salzburg composer: both were celebrated as child prodigies, both were talented improvisers and both provoked with cheeky humor.
The recording with the Vienna Philharmonic, conducted by Claudio Abbado, between 1974 and 1975, is one of the great Mozart recordings and is undoubtedly one of the highlights of Guldas and Abbado's discography.
192 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters
Tracks 1-6 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-6 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.96 -5.44 to -0.73 | -23.56 -27.24 to -21.35 | -20.12 -23.60 to -17.80 | 14 13 to 15 | |
| 1 | I. Allegro maestoso (Cadenza by Gulda) | -0.77 | -21.35 | -17.8 | 13 |
| 2 | II. Andante | -3.10 | -26.23 | -23.0 | 15 |
| 3 | III. Allegretto | -0.73 | -22.32 | -19.2 | 14 |
| 4 | I. Allegro (Cadenza by Mozart) | -0.96 | -22.18 | -18.5 | 13 |
| 5 | II. Larghetto | -5.44 | -27.24 | -23.6 | 13 |
| 6 | III. Allegro (Cadenzas by Mozart/Gulda/Mozart) | -0.77 | -22.07 | -18.6 | 14 |