℗ 2015 Glossa
| Released | October 30, 2015 |
| Duration | 1h 01m 10s |
| Record Label | Glossa |
| Catalogue No. | GCD921517 |
| Genre | Classical (Vocal Ensemble) |
G.F. Handel: Duetti e Terzetti italiani
Roberta Invernizzi, Silvia Frigato, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Quel fior che all'alba ride. HWV 200
George Frideric Handel; Roberta Invernizzi; Silvia Frigato; Thomas E. Bauer; La Risonanza |
7:00 | |||
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1.2
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Giù nei Tartari Regni. HWV 187
George Frideric Handel; Roberta Invernizzi; Thomas E. Bauer; La Risonanza |
5:46 | |||
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1.3
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Quando in calma ride il mare. HWV 191
George Frideric Handel; Roberta Invernizzi; Thomas E. Bauer; La Risonanza |
4:10 | |||
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1.4
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Amor gioje mi porge. HWV 180
George Frideric Handel; Roberta Invernizzi; Silvia Frigato; La Risonanza |
6:41 | |||
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1.5
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Caro autor di mia doglia. HWV 182
George Frideric Handel; Roberta Invernizzi; Krystian Adam; La Risonanza |
8:02 | |||
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1.6
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Che vai pensando. HWV 184
George Frideric Handel; Silvia Frigato; Thomas E. Bauer; La Risonanza |
4:56 | |||
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1.7
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Va, speme infida. HWV 199
George Frideric Handel; Roberta Invernizzi; Silvia Frigato; La Risonanza |
6:54 | |||
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1.8
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Tacete, ohimè, tacete. HWV 196
George Frideric Handel; Silvia Frigato; Thomas E. Bauer; La Risonanza |
9:17 | |||
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1.9
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Se tu non lasci amore. HWV 201
George Frideric Handel; Roberta Invernizzi; Silvia Frigato; Thomas E. Bauer; La Risonanza |
8:24 | |||
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Digital Booklet
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Harpsichordist Fabio Bonizzoni shines the spotlight on the chamber vocal output of Georg Friedrich Handel on this second volume of duets and trios, featuring the vocal talents of sopranos Roberta Invernizzi and Silvia Frigato, baritone Thomas Bauer and tenor Krystian Adam. The programme of sensual pieces focuses on a brief, yet astonishingly productive period Handel spent in Italy and is imbued with Handel’s discovery of Italian, particularly the Arcadian culture which included the music of Corelli and Scarlatti. Much of the music for the duets and trios on this recording is scored for soprano and bass singers and Invernizzi is afforded the opportunity to demonstrate her magical reaction to Handel’s responsiveness to the Italian language.
88.2 kHz / 24-bit PCM – Glossa Studio Masters
Recorded at the Abbaye de Saint-Michel en Thiérache, France, on 24-27 June 2014 Engineered and and produced by Christoph Frommen Executive producer & editorial director: Carlos Céster Editorial assistance: María Díaz, Mark Wiggins Design: Rosa Tendero Photographs: Christoph Frommen, taken at Saint-Michel en Thiérache
Recorded at the Abbaye de Saint-Michel en Thiérache, France, on 24-27 June 2014 Engineered and and produced by Christoph Frommen Executive producer & editorial director: Carlos Céster Editorial assistance: María Díaz, Mark Wiggins Design: Rosa Tendero Photographs: Christoph Frommen, taken at Saint-Michel en Thiérache
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.35 -5.55 to -0.50 | -22.76 -24.89 to -21.26 | -19.56 -21.70 to -18.00 | 13 13 to 14 | |
| 1 | Quel fior che all'alba ride. HWV 200 | -1.00 | -21.26 | -18.0 | 13 |
| 2 | Giù nei Tartari Regni. HWV 187 | -1.79 | -21.90 | -18.7 | 13 |
| 3 | Quando in calma ride il mare. HWV 191 | -2.35 | -22.02 | -18.8 | 13 |
| 4 | Amor gioje mi porge. HWV 180 | -1.24 | -21.98 | -18.8 | 13 |
| 5 | Caro autor di mia doglia. HWV 182 | -1.20 | -22.90 | -19.6 | 14 |
| 6 | Che vai pensando. HWV 184 | -5.55 | -24.85 | -21.7 | 13 |
| 7 | Va, speme infida. HWV 199 | -2.89 | -23.37 | -20.3 | 14 |
| 8 | Tacete, ohimè, tacete. HWV 196 | -4.59 | -24.89 | -21.6 | 13 |
| 9 | Se tu non lasci amore. HWV 201 | -0.50 | -21.64 | -18.5 | 13 |