℗ 2020 Genuin
Released | May 15, 2020 |
Duration | 1h 20m 21s |
Record Label | Genuin |
Catalogue No. | GEN20680 |
Genre | Classical (Piano) |
Stravinsky, Schumann & Others: Piano Works
Shinnosuke Inugai
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
3 Mouvements de Petrouchka
|
|||||
1.1
|
No. 1, Danse russe
Igor Stravinsky; Shinnosuke Inugai |
2:48 | |||
1.2
|
No. 2, Chez Petrouchka
Igor Stravinsky; Shinnosuke Inugai |
4:42 | |||
1.3
|
No. 3, La semaine grasse
Igor Stravinsky; Shinnosuke Inugai |
9:16 | |||
3 Romances, Op. 28
|
|||||
1.4
|
No. 1 Sehr markirt
Robert Schumann; Shinnosuke Inugai |
3:57 | |||
1.5
|
No. 2 Einfach
Robert Schumann; Shinnosuke Inugai |
3:35 | |||
1.6
|
No. 3 Sehr markirt
Robert Schumann; Shinnosuke Inugai |
7:24 | |||
Iberia, T. 105, Book 2
|
|||||
1.7
|
No. 1, Rondeña
Isaac Albéniz; Shinnosuke Inugai |
7:01 | |||
1.8
|
No. 2, Almería
Isaac Albéniz; Shinnosuke Inugai |
8:48 | |||
1.9
|
No. 3, Triana
Isaac Albéniz; Shinnosuke Inugai |
5:23 | |||
1.10
|
Fantasy in B Minor, Op. 28
Alexander Scriabin; Shinnosuke Inugai |
9:17 | |||
Fünf Improvisationen
|
|||||
1.11
|
No. 1, Valse-Caprice
Shinnosuke Inugai; Shinnosuke Inugai |
1:33 | |||
1.12
|
No. 2, Glocken
Shinnosuke Inugai; Shinnosuke Inugai |
3:07 | |||
1.13
|
No. 3, Kontrast und Verklärung
Shinnosuke Inugai; Shinnosuke Inugai |
2:11 | |||
1.14
|
No. 4, Variationen über “Heideröslein” - Kindheitserinnerung von Rita L.
Shinnosuke Inugai; Shinnosuke Inugai |
7:29 | |||
1.15
|
No. 5, Weiße Tasten
Shinnosuke Inugai; Shinnosuke Inugai |
3:50 | |||
Digital Booklet
|
96 kHz / 24-bit PCM – Genuin Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.80 -8.63 to -0.44 | -25.03 -30.73 to -20.16 | -21.46 -27.40 to -17.10 | 13 12 to 14 | |
1 | No. 1, Danse russe | -0.84 | -20.54 | -17.2 | 13 |
2 | No. 2, Chez Petrouchka | -1.74 | -22.82 | -18.2 | 12 |
3 | No. 3, La semaine grasse | -0.52 | -20.16 | -17.1 | 13 |
4 | No. 1 Sehr markirt | -4.22 | -23.50 | -20.8 | 12 |
5 | No. 2 Einfach | -8.63 | -30.49 | -27.4 | 13 |
6 | No. 3 Sehr markirt | -4.37 | -24.45 | -21.4 | 13 |
7 | No. 1, Rondeña | -1.08 | -24.31 | -20.7 | 14 |
8 | No. 2, Almería | -3.30 | -26.98 | -22.9 | 14 |
9 | No. 3, Triana | -2.23 | -23.64 | -20.2 | 13 |
10 | Fantasy in B Minor, Op. 28 | -0.44 | -21.62 | -18.2 | 13 |
11 | No. 1, Valse-Caprice | -6.34 | -27.31 | -24.0 | 13 |
12 | No. 2, Glocken | -5.09 | -26.20 | -22.0 | 13 |
13 | No. 3, Kontrast und Verklärung | -4.19 | -25.95 | -21.8 | 13 |
14 | No. 4, Variationen über “Heideröslein” - Kindheitserinnerung von Rita L. | -6.11 | -26.72 | -23.3 | 12 |
15 | No. 5, Weiße Tasten | -7.95 | -30.73 | -26.7 | 13 |