℗ 2020 Craft Recordings., Distributed by Concord.
Released | June 19, 2020 |
Originated | 1973 |
Duration | 26m 59s |
Record Label | Craft Recordings |
Catalogue No. | CR02490 |
Genre | Gospel |
The Gospel Artistics
The Gospel Artistics
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Time Shall Be No More
The Gospel Artistics |
2:34 | |||
1.2
|
Never Have To Say Good-Bye
The Gospel Artistics |
2:18 | |||
1.3
|
Let's Get It Together
The Gospel Artistics |
2:10 | |||
1.4
|
Lord Is It I?
The Gospel Artistics |
2:54 | |||
1.5
|
To Be Like Jesus
The Gospel Artistics |
2:35 | |||
1.6
|
Lord Remember Me?
The Gospel Artistics |
4:10 | |||
1.7
|
Message To A Troubled Nation
The Gospel Artistics |
2:06 | |||
1.8
|
No Not One
The Gospel Artistics |
2:44 | |||
1.9
|
Hard To Get Along
The Gospel Artistics |
2:23 | |||
1.10
|
Jesus I Love You
The Gospel Artistics |
3:05 |
The Gospel Artistics's self-titled release comes as part of Craft Recordings rollout of the first-ever digital release of 25 albums from the catalogue of Stax Records subsidiary Gospel Truth Records. Titles are being released every week in chronological order, building towards to September’s Gospel Heritage Month.
The Gospel Truth catalogue ranged from the divine gospel of Maceo Woods to the cutting-edge message music of Louise McCord and the label’s marquee act Rance Allen. Its 1970s archives reach beyond the realms of simply the black American gospel tradition and showcased a diverse collection of talent.
Gospel Truth was established in 1972 as the brainchild of Stax executive Al Bell. He enlisted the help of radio promotions pioneer and songwriter Dave Clark and Stax label staffer Mary Peak Patterson to oversee the imprint’s formation. Gospel Truth sought to “carry the message of today’s gospel to the people on the street,” as promotional material for the label’s launch announced.
What stood Gospel Truth apart from other gospel labels was the accessibility of its signings. Clark’s keen eye and ear had the knack of combining traditional gospel musicians with raw and revolutionary artists at home in rock, funk and soul, resulting in a sound that resonated with the hip audience of the 1970s.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Craft Recordings Studio Masters
Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.47 -0.50 to -0.44 | -13.48 -13.90 to -13.09 | -10.72 -11.70 to -10.10 | 9 8 to 9 | |
1 | Time Shall Be No More | -0.47 | -13.42 | -10.1 | 8 |
2 | Never Have To Say Good-Bye | -0.48 | -13.90 | -11.7 | 9 |
3 | Let's Get It Together | -0.50 | -13.84 | -10.7 | 9 |
4 | Lord Is It I? | -0.50 | -13.42 | -10.6 | 8 |
5 | To Be Like Jesus | -0.44 | -13.65 | -10.7 | 9 |
6 | Lord Remember Me? | -0.46 | -13.35 | -10.7 | 8 |
7 | Message To A Troubled Nation | -0.48 | -13.29 | -10.9 | 9 |
8 | No Not One | -0.49 | -13.40 | -10.9 | 8 |
9 | Hard To Get Along | -0.44 | -13.09 | -10.2 | 9 |
10 | Jesus I Love You | -0.46 | -13.42 | -10.7 | 8 |