℗ 2001 San Francisco Symphony
Released | June 19, 2020 |
Duration | 55m 56s |
Record Label | SFS Media |
Genre | Classical |
Mahler: Symphony No. 1
San Francisco Symphony, Michael Tilson Thomas
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Symphony No. 1 in D Major
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1.1
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I. Langsam. Schleppend
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas |
15:58 | |||
1.2
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II. Kräftig bewegt, doch nicht zu schnell
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas |
7:37 | |||
1.3
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III. Feierlich und gemessen, ohne zu schleppen
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas |
11:29 | |||
1.4
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IV. Stürmisch bewegt
Gustav Mahler; San Francisco Symphony; Michael Tilson Thomas |
20:52 | |||
Digital Booklet
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"Five Stars ... so sleek and genial ... gleaming sound ..."
- BBC Music Magazine
"... fresh and exciting ... Thomas' management of tension throughout is exemplary ... the playing of the San Francisco Symphony also is first class ... an interpretation full of good ideas and ear-catching detail ..."
- ClassicsToday.com
"The playing of the San Francisco Symphony is sharp, alert, colourful and committed. The brass is especially distinguished with attack and depth. The recording does have a wide dynamic range ... among modern recordings this one certainly deserves consideration ..."
- MusicWeb International
This is the second volume in the highly acclaimed, multi-Grammy-winning live Mahler symphony cycle from the San Francisco Symphony, led by noted Mahlerian Michael Tilson Thomas. Containing a powerful and passionate reading of Mahler's Symphony No. 1, recorded during concerts in September 2001, the album captures the live excitement of a conductor-symphony partnership that the Los Angeles Times has declared "the most exciting Mahler combination anywhere right now."
"The First Symphony shows Mahler at his most characteristic and vulnerable, for here he makes an enormous symphony out of the sonic stuff we all know from our lives. He uses bird calls, the sounds of military bands, folk, salon and cabaret music. He evokes the sound of voices singing, whispering, humming and shrieking: all things we recognize as part of the range of human experience. Mahler was like a cinematographer in music, creating enormous soundscapes that include everything we know of life."
- Michael Tilson Thomas
96 kHz / 24-bit PCM – SFS Media Studio Masters
Tracks 1-4 – 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Producer: Andreas Neubronner Balance engineer: Peter Laenger Tape operator: Andreas Ruge Editing, remixing and mastering: Andreas Ruge, Andreas Neubronner Technical assistance: Jack Vad Art direction and design: Alan Trugman Cover photo: Susan Schelling Inside cover photo: Terrence McCarthy Mahler photo: Metropolitan Opera Archives Editorial: Larry Rothe Publisher: Critical Edition C.F. Kahnt
Tracks 1-4 – 88.2 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Producer: Andreas Neubronner Balance engineer: Peter Laenger Tape operator: Andreas Ruge Editing, remixing and mastering: Andreas Ruge, Andreas Neubronner Technical assistance: Jack Vad Art direction and design: Alan Trugman Cover photo: Susan Schelling Inside cover photo: Terrence McCarthy Mahler photo: Metropolitan Opera Archives Editorial: Larry Rothe Publisher: Critical Edition C.F. Kahnt
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.21 -8.53 to -0.10 | -28.19 -36.03 to -22.42 | -23.30 -33.10 to -16.50 | 17 14 to 19 | |
1 | I. Langsam. Schleppend | -0.10 | -28.10 | -21.7 | 19 |
2 | II. Kräftig bewegt, doch nicht zu schnell | -0.10 | -26.22 | -21.9 | 16 |
3 | III. Feierlich und gemessen, ohne zu schleppen | -8.53 | -36.03 | -33.1 | 17 |
4 | IV. Stürmisch bewegt | -0.10 | -22.42 | -16.5 | 14 |