℗ 2014 Deutsche Grammophon GmbH, Berlin
| Released | 2014 |
| Duration | 1h 03m 07s |
| Record Label | Universal Music Group |
| Genre | Classical |
Mozart: Concert Arias
Rolando Villazón, London Symphony Orchestra, Antonio Pappano
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Si mostra la sorte, K.209
Wolfgang Amadeus Mozart; Rolando Villazón, London Symphony Orchestra & Antonio Pappano |
3:32 | |||
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Lo sposo deluso, K.430, Act 1
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1.2
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Dove mai trovar quel ciglio?
Wolfgang Amadeus Mozart; Rolando Villazón, London Symphony Orchestra & Antonio Pappano |
3:52 | |||
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Il curioso indiscreto
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1.3
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Per pietà, non ricercate, K 420 (Insertion in Pasquale Anfossi’s opera Il curioso indiscreto)
Wolfgang Amadeus Mozart; Rolando Villazón, London Symphony Orchestra & Antonio Pappano |
7:17 | |||
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1.4
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Va, dal furor portata, K 21 (Cadenzas and lead-ins by Christoph Prégardien)
Wolfgang Amadeus Mozart; Rolando Villazón, London Symphony Orchestra & Antonio Pappano |
6:26 | |||
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1.5
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Misero! O sogno o son desto? K 431
Wolfgang Amadeus Mozart; Rolando Villazón, London Symphony Orchestra & Antonio Pappano |
3:34 | |||
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1.6
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Aura, che intorno spiri, K 431
Wolfgang Amadeus Mozart; Rolando Villazón, London Symphony Orchestra & Antonio Pappano |
7:18 | |||
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L’astratto, ovvero Il giocator fortunato
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1.7
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Con ossequio, con rispetto, K 210 (Insertion in Niccolò Piccinni’s opera buffa L’astratto, ovvero Il giocator fortunato)
Wolfgang Amadeus Mozart; Rolando Villazón, London Symphony Orchestra & Antonio Pappano |
2:35 | |||
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1.8
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Or che il dover, K.36
Wolfgang Amadeus Mozart; Rolando Villazón, London Symphony Orchestra & Antonio Pappano |
2:47 | |||
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1.9
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Tali e cotanti sono, K 36
Wolfgang Amadeus Mozart; Rolando Villazón, London Symphony Orchestra & Antonio Pappano |
6:39 | |||
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1.10
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Clarice cara mia sposa, K 256 (Insertion in Niccolò Piccinni’s opera buffa L’astratto, ovvero Il giocator fortunato)
Wolfgang Amadeus Mozart; Rolando Villazón, London Symphony Orchestra & Antonio Pappano |
1:47 | |||
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Artaserse
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1.11
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Se al labbro mio non credi, K 295 (Insertion in Johann Adolf Hasse’s opera Artaserse)
Wolfgang Amadeus Mozart; Rolando Villazón, London Symphony Orchestra & Antonio Pappano |
13:07 | |||
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1.12
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Müsst ich auch durch tausend Drachen, K 435
Wolfgang Amadeus Mozart; Rolando Villazón, London Symphony Orchestra & Antonio Pappano |
4:13 | |||
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Digital Booklet
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"In a joyous return to form, Villazón brings ten Mozart arias to vibrant life ... a stunning recital."
- Opera News
"Villazón addresses the stylistic challenges with all his characteristic commitment ... The LSO and Antonio Pappano provide elegant accompaniment ..."
- The Daily Telegraph
This 2014 album brings Mozart's rarely recorded concert arias for tenor to new audiences, featuring a selection of ten arias performed with conductor Antonio Pappano and the London Symphony Orchestra, covering a wide range of emotion and historical territory. One of the finest and most charismatic tenors on the international classical music scene, Villazón's many best-selling recordings have covered an extraordinary range of musical styles from his great opera roles to the Baroque, Mexican favourites and popular songs.
96 kHz / 24-bit PCM – Universal Music Group Studio Masters
Recording: London, Abbey Road Studios, Studio One, 2/2012 & 2/2013 Executive Producer: Ute Fesquet Producer: David Groves Recorded, edited and mixed by Jonathan Allen Assistant Engineers: Paul Pritchard & Toby Hulbert Project Coordinator: Burkhard Bartsch Recorded and mastered at Abbey Road Studios
Recording: London, Abbey Road Studios, Studio One, 2/2012 & 2/2013 Executive Producer: Ute Fesquet Producer: David Groves Recorded, edited and mixed by Jonathan Allen Assistant Engineers: Paul Pritchard & Toby Hulbert Project Coordinator: Burkhard Bartsch Recorded and mastered at Abbey Road Studios
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.23 -7.31 to -0.29 | -25.11 -27.20 to -22.60 | -21.10 -23.20 to -18.60 | 14 13 to 17 | |
| 1 | Si mostra la sorte, K.209 | -5.33 | -26.68 | -22.6 | 13 |
| 2 | Dove mai trovar quel ciglio? | -0.77 | -24.50 | -20.5 | 17 |
| 3 | Per pietà, non ricercate, K 420 (Insertion in Pasquale Anfossi’s opera Il curioso indiscreto) | -3.45 | -26.05 | -21.8 | 15 |
| 4 | Va, dal furor portata, K 21 (Cadenzas and lead-ins by Christoph Prégardien) | -1.72 | -22.63 | -18.8 | 14 |
| 5 | Misero! O sogno o son desto? K 431 | -3.46 | -27.14 | -22.9 | 15 |
| 6 | Aura, che intorno spiri, K 431 | -3.89 | -25.28 | -21.3 | 14 |
| 7 | Con ossequio, con rispetto, K 210 (Insertion in Niccolò Piccinni’s opera buffa L’astratto, ovvero Il giocator fortunato) | -0.63 | -23.16 | -19.2 | 14 |
| 8 | Or che il dover, K.36 | -7.31 | -27.03 | -23.0 | 14 |
| 9 | Tali e cotanti sono, K 36 | -3.68 | -23.62 | -20.1 | 13 |
| 10 | Clarice cara mia sposa, K 256 (Insertion in Niccolò Piccinni’s opera buffa L’astratto, ovvero Il giocator fortunato) | -2.68 | -25.42 | -21.2 | 15 |
| 11 | Se al labbro mio non credi, K 295 (Insertion in Johann Adolf Hasse’s opera Artaserse) | -5.49 | -27.20 | -23.2 | 15 |
| 12 | Müsst ich auch durch tausend Drachen, K 435 | -0.29 | -22.60 | -18.6 | 14 |