℗ 2020 Naxos
| Released | August 14, 2020 |
| Duration | 1h 09m 37s |
| Record Label | Naxos |
| Catalogue No. | 8.574085 |
| Genre | Classical (Contemporary Era) |
Fazil Say: Violin Works
Friedemann Eichhorn, Fazıl Say, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, Christoph Eschenbach
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Violin Sonata No. 2, Op. 82 "Mount Ida"
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1.1
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I. Decimation of Nature
Fazıl Say; Friedemann Eichhorn; Fazıl Say |
9:07 | |||
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1.2
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II. Wounded Bird
Fazıl Say; Friedemann Eichhorn; Fazıl Say |
6:40 | |||
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1.3
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III. Rite of Hope
Fazıl Say; Friedemann Eichhorn; Fazıl Say |
6:12 | |||
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1.4
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Cleopatra, Op. 34
Fazıl Say; Friedemann Eichhorn |
5:37 | |||
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Violin Sonata No. 1, Op. 7
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1.5
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I. Melancholy
Fazıl Say; Friedemann Eichhorn; Fazıl Say |
3:10 | |||
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1.6
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II. Grotesque
Fazıl Say; Friedemann Eichhorn; Fazıl Say |
2:07 | |||
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1.7
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III. Perpetuum mobile
Fazıl Say; Friedemann Eichhorn; Fazıl Say |
1:47 | |||
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1.8
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IV. Anonymous
Fazıl Say; Friedemann Eichhorn; Fazıl Say |
3:04 | |||
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1.9
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V. Melancholy
Fazıl Say; Friedemann Eichhorn; Fazıl Say |
4:06 | |||
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Violin Concerto, Op. 25 "1001 Nights in the Harem"
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1.10
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I. Allegro
Fazıl Say; Friedemann Eichhorn; Deutsche Radio Philharmonie Saarbrücken Kaiserslautern; Christoph Eschenbach |
6:43 | |||
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1.11
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II. Allegro assai
Fazıl Say; Friedemann Eichhorn; Deutsche Radio Philharmonie Saarbrücken Kaiserslautern; Christoph Eschenbach |
6:31 | |||
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1.12
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III. Andantino
Fazıl Say; Friedemann Eichhorn; Deutsche Radio Philharmonie Saarbrücken Kaiserslautern; Christoph Eschenbach |
7:57 | |||
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1.13
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IV. —
Fazıl Say; Friedemann Eichhorn; Deutsche Radio Philharmonie Saarbrücken Kaiserslautern; Christoph Eschenbach |
6:36 | |||
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Digital Booklet
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Fazıl Say is one of the world’s most prominent pianists but he is also a much-admired composer with a substantial catalogue of works. He combines both these accomplishments in his two Violin Sonatas, the first of which is suffused with Turkish motifs and dances, such as the "horon". The second sonata takes as its theme the abuse of nature and the need to resist despoliation. His Violin Concerto is subtitled ‘1001 Nights in the Harem’ and is full of rich melodies and atmosphere, and features an array of Turkish percussion instruments.
48 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.96 -12.24 to -0.10 | -27.13 -34.73 to -19.97 | -22.82 -31.10 to -16.60 | 15 13 to 19 | |
| 1 | I. Decimation of Nature | -0.63 | -25.27 | -20.9 | 15 |
| 2 | II. Wounded Bird | -6.64 | -32.57 | -27.6 | 16 |
| 3 | III. Rite of Hope | -1.58 | -25.02 | -20.8 | 14 |
| 4 | Cleopatra, Op. 34 | -2.17 | -29.74 | -24.0 | 19 |
| 5 | I. Melancholy | -3.34 | -26.64 | -22.3 | 14 |
| 6 | II. Grotesque | -0.85 | -26.07 | -22.5 | 16 |
| 7 | III. Perpetuum mobile | -0.91 | -19.97 | -16.6 | 13 |
| 8 | IV. Anonymous | -12.24 | -34.73 | -31.1 | 14 |
| 9 | V. Melancholy | -3.04 | -27.22 | -21.9 | 14 |
| 10 | I. Allegro | -1.44 | -25.07 | -21.9 | 14 |
| 11 | II. Allegro assai | -0.10 | -23.28 | -18.3 | 15 |
| 12 | III. Andantino | -3.36 | -28.79 | -24.2 | 15 |
| 13 | IV. — | -2.24 | -28.36 | -24.6 | 15 |