℗ 2020 Craft Recordings., Distributed by Concord.
Released | July 31, 2020 |
Originated | 1973 |
Duration | 26m 23s |
Record Label | Craft Recordings |
Catalogue No. | CR02534 |
Genre | Gospel |
Everybody Will Be Happy
Bob Hemphill, The Commanders
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Jesus Kind Of Life
Bob Hemphill; The Commanders |
1:38 | |||
1.2
|
Tears Are A Language
Bob Hemphill; The Commanders |
3:12 | |||
1.3
|
He Pilots My Ship
Bob Hemphill; The Commanders |
2:01 | |||
1.4
|
I Should Have Been Crucified
Bob Hemphill; The Commanders |
3:30 | |||
1.5
|
Pass Me Not
Bob Hemphill; The Commanders |
3:10 | |||
1.6
|
I’ll Soon Be Gone
Bob Hemphill; The Commanders |
1:59 | |||
1.7
|
Ten Thousand Years
Bob Hemphill; The Commanders |
3:03 | |||
1.8
|
He Touched Me
Bob Hemphill; The Commanders |
3:11 | |||
1.9
|
I Believe He Died For Me
Bob Hemphill; The Commanders |
3:25 | |||
1.10
|
Everybody Will Be Happy Over There
Bob Hemphill; The Commanders |
1:14 |
Everybody Will Be Happy by Bob Hemphill and The Commanders comes as part of Craft Recordings rollout of the first-ever digital release of 25 albums from the catalogue of Stax Records subsidiary Gospel Truth Records. Titles are being released every week in chronological order, building towards to September’s Gospel Heritage Month.
The Gospel Truth catalogue ranged from the divine gospel of Maceo Woods to the cutting-edge message music of Louise McCord and the label’s marquee act Rance Allen. Its 1970s archives reach beyond the realms of simply the black American gospel tradition and showcased a diverse collection of talent.
Gospel Truth was established in 1972 as the brainchild of Stax executive Al Bell. He enlisted the help of radio promotions pioneer and songwriter Dave Clark and Stax label staffer Mary Peak Patterson to oversee the imprint’s formation. Gospel Truth sought to “carry the message of today’s gospel to the people on the street,” as promotional material for the label’s launch announced.
What stood Gospel Truth apart from other gospel labels was the accessibility of its signings. Clark’s keen eye and ear had the knack of combining traditional gospel musicians with raw and revolutionary artists at home in rock, funk and soul, resulting in a sound that resonated with the hip audience of the 1970s.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Craft Recordings Studio Masters
Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.50 -0.50 to -0.50 | -15.34 -15.80 to -14.69 | -12.06 -12.90 to -11.30 | 10 9 to 10 | |
1 | Jesus Kind Of Life | -0.50 | -14.69 | -11.3 | 9 |
2 | Tears Are A Language | -0.50 | -15.33 | -11.8 | 10 |
3 | He Pilots My Ship | -0.50 | -15.36 | -12.0 | 10 |
4 | I Should Have Been Crucified | -0.50 | -15.43 | -12.2 | 9 |
5 | Pass Me Not | -0.50 | -15.44 | -12.3 | 10 |
6 | I’ll Soon Be Gone | -0.50 | -14.97 | -11.7 | 9 |
7 | Ten Thousand Years | -0.50 | -15.74 | -12.5 | 9 |
8 | He Touched Me | -0.50 | -15.80 | -12.9 | 10 |
9 | I Believe He Died For Me | -0.50 | -15.13 | -11.5 | 9 |
10 | Everybody Will Be Happy Over There | -0.50 | -15.51 | -12.4 | 10 |