℗ 2020 Wolf Tone Records, a division of Universal Music Operations Limited
Released | August 7, 2020 |
Duration | 45m 19s |
Record Label | Polydor Records |
Genre | Pop |
1.1
|
Dreamland
Glass Animals |
3:23 | |||
1.2
|
Tangerine
Glass Animals |
3:21 | |||
1.3
|
((home movie: 1994))
Glass Animals |
0:07 | |||
1.4
|
Hot Sugar
Glass Animals |
3:55 | |||
1.5
|
((home movie: btx))
Glass Animals |
0:14 | |||
1.6
|
Space Ghost Coast To Coast EXPLICIT
Glass Animals |
3:07 | |||
1.7
|
Tokyo Drifting EXPLICIT
Glass Animals |
3:38 | |||
1.8
|
Melon and the Coconut EXPLICIT
Glass Animals |
2:23 | |||
1.9
|
Your Love (Déjà Vu)
Glass Animals |
3:54 | |||
1.10
|
Waterfalls Coming Out Your Mouth EXPLICIT
Glass Animals |
2:42 | |||
1.11
|
It’s All So Incredibly Loud
Glass Animals |
4:19 | |||
1.12
|
((home movie: rockets))
Glass Animals |
1:00 | |||
1.13
|
Domestic Bliss EXPLICIT
Glass Animals |
3:18 | |||
1.14
|
Heat Waves
Glass Animals |
3:59 | |||
1.15
|
((home movie: shoes on))
Glass Animals |
0:31 | |||
1.16
|
Helium
Glass Animals |
5:28 |
At the beginning of the third album from London band Glass Animals, frontman Dave Bayley asks himself a series of questions about fundamental issues: identity, memory, love, friendship, the person you have been and the person you want to be. How do you answer so many questions that cut to the heart of who you are? Well, Bayley sings in the very last line, “You go make an album and call it Dreamland.”
“I’ve always hated the idea of writing about myself,” says Bayley, who is Glass Animals’ singer, songwriter and producer. On Dreamland, at last, he throws off that reluctance and takes the plunge. It’s a memoir in the form of a song cycle, inspired by sonic maestros from Brian Wilson to Timbaland, and it holds nothing back.
Recorded in London in 2019, Dreamland was produced by Bayley and mixed by David Wrench, Manny Maroquin and MixedbyAli, with invaluable advice from executive producer Paul Epworth. Glass Animals’ most enthralling album to date, it’s a pop record of rare scope, vision and emotional depth. So the discomfort of autobiographical songwriting was worth it, then?
“I’m still quite self-conscious about it,” Bayley admits with a smile, “but it’s done now.”
He went and made an album and he called it Dreamland.
48 kHz / 24-bit PCM – Polydor Records Studio Masters
Tracks 3, 5 – contains material which has been processed by a perceptual audio coding algorithm Track 7 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Tracks 3, 5 – contains material which has been processed by a perceptual audio coding algorithm Track 7 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.51 -7.66 to -0.21 | -14.65 -27.44 to -8.59 | -12.56 -22.10 to -6.30 | 7 4 to 12 | |
1 | Dreamland | -0.22 | -11.90 | -9.7 | 6 |
2 | Tangerine | -0.21 | -10.22 | -8.7 | 6 |
3 | ((home movie: 1994)) | -6.00 | -23.63 | -20.0 | 8 |
4 | Hot Sugar | -0.21 | -10.48 | -9.9 | 5 |
5 | ((home movie: btx)) | -7.61 | -27.44 | -21.9 | 12 |
6 | Space Ghost Coast To Coast | -0.22 | -11.50 | -10.0 | 7 |
7 | Tokyo Drifting | -0.21 | -11.50 | -10.3 | 6 |
8 | Melon and the Coconut | -0.21 | -17.45 | -14.2 | 11 |
9 | Your Love (Déjà Vu) | -0.22 | -8.86 | -8.0 | 5 |
10 | Waterfalls Coming Out Your Mouth | -0.22 | -11.84 | -10.7 | 7 |
11 | It’s All So Incredibly Loud | -0.22 | -14.44 | -12.3 | 6 |
12 | ((home movie: rockets)) | -0.22 | -14.64 | -14.1 | 8 |
13 | Domestic Bliss | -0.22 | -11.05 | -9.5 | 6 |
14 | Heat Waves | -0.21 | -8.59 | -6.3 | 4 |
15 | ((home movie: shoes on)) | -7.66 | -26.43 | -22.1 | 10 |
16 | Helium | -0.22 | -14.48 | -13.2 | 6 |