℗ 2016 Naxos
| Released | February 5, 2016 |
| Duration | 58m 17s |
| Record Label | Naxos |
| Catalogue No. | 8.573285 |
| Genre | Classical (Instrumental) |
Manuel Ponce: Guitar Music, Vol. 4: Sonatina Meridional - Thème varié et Finale (Versions 1 and 2)
Judicaël Perroy
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Sonatina Meridional (1932)
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1.1
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I. Allegro non troppo
Manuel Ponce; Judicaël Perroy |
4:16 | |||
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1.2
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II. Andante
Manuel Ponce; Judicaël Perroy |
2:40 | |||
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1.3
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III. Vivace
Manuel Ponce; Judicaël Perroy |
2:13 | |||
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1.4
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Thème varié et Finale (version 2, 1928, edited by Andrés Segovia)
Manuel Ponce; Judicaël Perroy |
8:28 | |||
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1.5
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Variations sur ‘Folia de España et Fugue’ (1930)
Manuel Ponce; Judicaël Perroy |
23:22 | |||
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1.6
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Variations on a Theme of Cabezón (1948)
Manuel Ponce; Judicaël Perroy |
4:53 | |||
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1.7
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Thème varié et Finale (version 1, 1926)
Manuel Ponce; Judicaël Perroy |
7:45 | |||
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1.8
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Andante dalla Sonata II (1926)
Manuel Ponce; Judicaël Perroy |
4:40 | |||
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Digital Booklet
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Virtuoso French classical guitarist Judicaël Perroy turns his attention to Manuel Ponce, considered by many to be the founding father of 20th century Mexican music, who dedicated himself to composing for guitar after meeting Andrés Segovia in 1923. On this fourth volume in a series, Perroy skillfully interprets the evocative and warmly lyrical Sonatina Meridional Ponce's response to Segovia’s request for a work “of a purely Spanish character.” The two versions of Thème varié et Finale with their inspired harmonic progressions are recorded together here for the first time, as is one of Ponce’s most expressive pieces, the Andante from a manuscript lost during the Spanish Civil War. Variations on a Theme of Cabezón was his final work for guitar.
96 kHz / 24-bit PCM – Naxos Studio Masters
Recorded at St John Chrysostom Church, Newmarket, Ontario, Canada, 23–25 October 2014 Producers: Norbert Kraft & Bonnie Silver Engineer: Norbert Kraft Editor: Bonnie Silver Booklet notes: Graham Wade Guitar: G. Smallman, Australia Strings: Savarez Publishers: Schott Music GmbH & Co. KG (tracks 1–5, 7); Tecla Editions (6); Private manuscript (8) Cover image: “Te protegeré siempre” (I will protect you always), etching by Fernando Pereznieto (1938–2001) (by courtesy of the Pereznieto family)
Recorded at St John Chrysostom Church, Newmarket, Ontario, Canada, 23–25 October 2014 Producers: Norbert Kraft & Bonnie Silver Engineer: Norbert Kraft Editor: Bonnie Silver Booklet notes: Graham Wade Guitar: G. Smallman, Australia Strings: Savarez Publishers: Schott Music GmbH & Co. KG (tracks 1–5, 7); Tecla Editions (6); Private manuscript (8) Cover image: “Te protegeré siempre” (I will protect you always), etching by Fernando Pereznieto (1938–2001) (by courtesy of the Pereznieto family)
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.98 -12.99 to 0.00 | -29.81 -32.26 to -26.40 | -26.79 -29.30 to -23.70 | 16 12 to 20 | |
| 1 | I. Allegro non troppo | -8.49 | -29.40 | -26.6 | 14 |
| 2 | II. Andante | -12.99 | -32.26 | -29.3 | 12 |
| 3 | III. Vivace | 0.00 | -26.40 | -23.7 | 17 |
| 4 | Thème varié et Finale (version 2, 1928, edited by Andrés Segovia) | -4.07 | -30.33 | -27.2 | 19 |
| 5 | Variations sur ‘Folia de España et Fugue’ (1930) | -1.68 | -30.44 | -27.2 | 20 |
| 6 | Variations on a Theme of Cabezón (1948) | -9.72 | -29.82 | -27.0 | 13 |
| 7 | Thème varié et Finale (version 1, 1926) | -7.65 | -30.18 | -27.3 | 16 |
| 8 | Andante dalla Sonata II (1926) | -3.28 | -29.69 | -26.0 | 17 |