℗ 2016 Naxos
| Released | February 5, 2016 |
| Duration | 55m 40s |
| Record Label | Naxos |
| Catalogue No. | 8.660337 |
| Genre | Classical (Opera) |
Ravel: L'Heure Espagnole - Don Quichotte à Dulcinée
Luca Lombardo, Isabelle Druet, Frédéric Antoun, Marc Barrard, Nicolas Courjal, François Le Roux, Orchestre National de Lyon, Leonard Slatkin
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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L'Heure espagnole, M. 52
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1.1
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Introduction
Maurice Ravel; Orchestre National de Lyon; Leonard Slatkin |
2:29 | |||
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1.2
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Scene 1: Señor Torquemada, horloger de Tolède? (Ramiro, Torquemada)
Maurice Ravel; Marc Barrard; Luca Lombardo; Orchestre National de Lyon; Leonard Slatkin |
1:55 | |||
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1.3
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Scene 2: Totor! (Concepción, Torquemada, Ramiro)
Maurice Ravel; Isabelle Druet; Luca Lombardo; Marc Barrard; Orchestre National de Lyon; Leonard Slatkin |
2:05 | |||
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1.4
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Scene 3: Il reste, voilà bien ma chance! (Concepción, Ramiro, Gonzalve)
Maurice Ravel; Isabelle Druet; Frédéric Antoun; Marc Barrard; Orchestre National de Lyon; Leonard Slatkin |
2:22 | |||
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1.5
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Scene 4: Il était temps, voici Gonzalve! (Concepción, Gonzalve)
Maurice Ravel; Isabelle Druet; Frédéric Antoun; Orchestre National de Lyon; Leonard Slatkin |
3:05 | |||
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1.6
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Scene 5: C'est fait, l'horloge est a sa place (Ramiro, Concepción, Gonzalve)
Maurice Ravel; Marc Barrard; Frédéric Antoun; Isabelle Druet; Orchestre National de Lyon; Leonard Slatkin |
1:33 | |||
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1.7
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Scene 6: Maintenant pas de temps à perdre! (Concepción, Gonzalve)
Maurice Ravel; Isabelle Druet; Frédéric Antoun; Orchestre National de Lyon; Leonard Slatkin |
1:38 | |||
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1.8
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Scene 7: Salut à la belle horlogère! (Inigo, Concepción)
Maurice Ravel; Nicolas Courjal; Isabelle Druet; Orchestre National de Lyon; Leonard Slatkin |
1:57 | |||
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1.9
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Scene 8: Voilà!… Et maintenant à l'autre!… (Ramiro, Concepción, Inigo)
Maurice Ravel; Marc Barrard; Isabelle Druet; Nicolas Courjal; Orchestre National de Lyon; Leonard Slatkin |
1:25 | |||
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1.10
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Scene 9: Evidemment, elle me congédie (Iñigo)
Maurice Ravel; Nicolas Courjal; Orchestre National de Lyon; Leonard Slatkin |
2:03 | |||
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1.11
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Scene 10: Voilà ce que j'appelle une femme charmante (Ramiro)
Maurice Ravel; Marc Barrard; Orchestre National de Lyon; Leonard Slatkin |
2:04 | |||
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1.12
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Scene 11: Monsieur, ah! Monsieur! (Concepción, Ramiro)
Maurice Ravel; Isabelle Druet; Marc Barrard; Orchestre National de Lyon; Leonard Slatkin |
0:37 | |||
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1.13
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Scene 12: Enfin, il part! (Iñigo, Concepción)
Maurice Ravel; Nicolas Courjal; Isabelle Druet; Orchestre National de Lyon; Leonard Slatkin |
3:08 | |||
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1.14
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Scene 13: Voilà l'objet! Que faut-il que j'en fasse? (Ramiro, Concepción, Iñigo)
Maurice Ravel; Marc Barrard; Isabelle Druet; Nicolas Courjal; Orchestre National de Lyon; Leonard Slatkin |
0:59 | |||
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1.15
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Scene 14: Ah! vous, n'est-ce pas, preste! (Concepción, Gonzalve)
Maurice Ravel; Isabelle Druet; Frédéric Antoun; Orchestre National de Lyon; Leonard Slatkin |
1:35 | |||
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1.16
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Scene 15: En dépit de cette inhumaine (Gonzalve)
Maurice Ravel; Frédéric Antoun; Orchestre National de Lyon; Leonard Slatkin |
1:32 | |||
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1.17
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Scene 16: Voilà ce que j'appelle une femme charmante (Ramiro, Concepción)
Maurice Ravel; Marc Barrard; Isabelle Druet; Orchestre National de Lyon; Leonard Slatkin |
2:52 | |||
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1.18
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Scene 17: Oh! la pitoyable aventure! (Concepción, Gonzalve)
Maurice Ravel; Isabelle Druet; Frédéric Antoun; Orchestre National de Lyon; Leonard Slatkin |
2:58 | |||
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1.19
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Scene 18: Voilà!… Et maintenant, Señora, je suis prêt (Ramiro, Concepción)
Maurice Ravel; Marc Barrard; Isabelle Druet; Orchestre National de Lyon; Leonard Slatkin |
1:28 | |||
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1.20
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Scene 19: Mon oeil anxieux interroge (Iñigo, Gonzalve)
Maurice Ravel; Nicolas Courjal; Frédéric Antoun; Orchestre National de Lyon; Leonard Slatkin |
3:43 | |||
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1.21
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Scene 20: Il n'est, pour l'horloger, de joie égale (Torquemada, Iñigo, Gonzalve)
Maurice Ravel; Luca Lombardo; Frédéric Antoun; Nicolas Courjal; Orchestre National de Lyon; Leonard Slatkin |
2:15 | |||
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1.22
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Scene 21: Pardieu, déménageur, vous venez à propos! (Iñigo, Torquemada, Ramiro, Concepción, Gonzalve)
Maurice Ravel; Nicolas Courjal; Frédéric Antoun; Luca Lombardo; Marc Barrard; Isabelle Druet; Orchestre National de Lyon; Leonard Slatkin |
4:45 | |||
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Don Quichotte à Dulcinée, M. 84
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1.23
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No. 1. Chanson romanesque
Maurice Ravel; François Le Roux; Orchestre National de Lyon; Leonard Slatkin |
2:06 | |||
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1.24
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No. 2. Chanson épique
Maurice Ravel; François Le Roux; Orchestre National de Lyon; Leonard Slatkin |
3:06 | |||
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1.25
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No. 3. Chanson à boire
Maurice Ravel; François Le Roux; Orchestre National de Lyon; Leonard Slatkin |
2:00 | |||
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Digital Booklet
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Leonard Slatkin leads the Orchestre National de Lyon and a cast of acclaimed soloists on these selections of Maurice Ravel’s music for the stage, works that are as subtle and expressively poised as can be imagined. On the Spanish-tinged L’Heure espagnole Ravel breathes new life into the Italian genre of the opera buffa, enhancing the comedy in the plot by giving it a gentle human poignancy and poetic presence. Slatkin and his forces unveil the clarity of Ravel’s vocal writing and his signature harmonic magic and luminous orchestration, making this opera a delight for the ear. Don Quichotte à Dulcinée was Ravel’s last composition, imbuing Cervantes’s famous character with aristocratic Spanish swagger as well as a kind of heroic tenderness and vulnerability.
44.1 kHz / 24-bit PCM – Naxos Studio Masters
Recorded at the Auditorium Maurice-Ravel, Lyon, France, from 18th to 20th September, 2013 Producer: Quentin Hindley Engineer: Hugues Deschaux Editor: Hugues Deschaux Publisher: Editions Durand & Cie. Booklet notes: Philip Weller Cover image by qbanczyk / iStockphoto
Recorded at the Auditorium Maurice-Ravel, Lyon, France, from 18th to 20th September, 2013 Producer: Quentin Hindley Engineer: Hugues Deschaux Editor: Hugues Deschaux Publisher: Editions Durand & Cie. Booklet notes: Philip Weller Cover image by qbanczyk / iStockphoto
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.88 -10.68 to 0.00 | -27.13 -31.28 to -22.56 | -23.07 -27.70 to -17.80 | 14 12 to 16 | |
| 1 | Introduction | -4.60 | -29.57 | -25.4 | 15 |
| 2 | Scene 1: Señor Torquemada, horloger de Tolède? (Ramiro, Torquemada) | -0.87 | -26.01 | -21.6 | 15 |
| 3 | Scene 2: Totor! (Concepción, Torquemada, Ramiro) | -3.87 | -27.01 | -23.4 | 14 |
| 4 | Scene 3: Il reste, voilà bien ma chance! (Concepción, Ramiro, Gonzalve) | -6.42 | -29.02 | -25.2 | 14 |
| 5 | Scene 4: Il était temps, voici Gonzalve! (Concepción, Gonzalve) | -1.55 | -26.22 | -21.7 | 14 |
| 6 | Scene 5: C'est fait, l'horloge est a sa place (Ramiro, Concepción, Gonzalve) | -7.40 | -29.79 | -25.8 | 14 |
| 7 | Scene 6: Maintenant pas de temps à perdre! (Concepción, Gonzalve) | -7.38 | -29.59 | -26.2 | 14 |
| 8 | Scene 7: Salut à la belle horlogère! (Inigo, Concepción) | -0.34 | -24.67 | -20.5 | 15 |
| 9 | Scene 8: Voilà!… Et maintenant à l'autre!… (Ramiro, Concepción, Inigo) | -0.19 | -25.06 | -20.2 | 15 |
| 10 | Scene 9: Evidemment, elle me congédie (Iñigo) | -2.66 | -26.69 | -21.7 | 14 |
| 11 | Scene 10: Voilà ce que j'appelle une femme charmante (Ramiro) | -10.68 | -31.28 | -27.7 | 12 |
| 12 | Scene 11: Monsieur, ah! Monsieur! (Concepción, Ramiro) | -4.32 | -26.71 | -22.4 | 13 |
| 13 | Scene 12: Enfin, il part! (Iñigo, Concepción) | -2.46 | -26.92 | -23.0 | 16 |
| 14 | Scene 13: Voilà l'objet! Que faut-il que j'en fasse? (Ramiro, Concepción, Iñigo) | -7.66 | -28.38 | -25.1 | 13 |
| 15 | Scene 14: Ah! vous, n'est-ce pas, preste! (Concepción, Gonzalve) | -6.19 | -27.13 | -23.3 | 13 |
| 16 | Scene 15: En dépit de cette inhumaine (Gonzalve) | -0.94 | -25.84 | -22.1 | 12 |
| 17 | Scene 16: Voilà ce que j'appelle une femme charmante (Ramiro, Concepción) | -8.81 | -30.71 | -27.0 | 14 |
| 18 | Scene 17: Oh! la pitoyable aventure! (Concepción, Gonzalve) | -0.19 | -23.28 | -17.8 | 14 |
| 19 | Scene 18: Voilà!… Et maintenant, Señora, je suis prêt (Ramiro, Concepción) | -3.59 | -28.19 | -24.2 | 14 |
| 20 | Scene 19: Mon oeil anxieux interroge (Iñigo, Gonzalve) | -1.19 | -27.71 | -23.1 | 16 |
| 21 | Scene 20: Il n'est, pour l'horloger, de joie égale (Torquemada, Iñigo, Gonzalve) | -4.92 | -28.13 | -24.5 | 14 |
| 22 | Scene 21: Pardieu, déménageur, vous venez à propos! (Iñigo, Torquemada, Ramiro, Concepción, Gonzalve) | -0.19 | -22.56 | -18.1 | 14 |
| 23 | No. 1. Chanson romanesque | -7.64 | -28.53 | -25.4 | 13 |
| 24 | No. 2. Chanson épique | -2.95 | -26.61 | -22.0 | 14 |
| 25 | No. 3. Chanson à boire | 0.00 | -22.69 | -19.3 | 14 |