℗ 2020 François Leleux under exclusive Licence to Parlophone Records Limited, a Warner Music Group Company
| Released | July 24, 2020 |
| Duration | 57m 40s |
| Record Label | Warner Classics |
| Genre | Classical |
Bienvenue en France
François Leleux, Emmanuel Strosser
Available in MQA and 48 kHz / 24-bit AIFF, FLAC audio formats
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Oboe Sonata, Op. 166
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1.1
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I. Andantino
Camille Saint-Saëns; François Leleux; Emmanuel Strosser |
2:50 | |||
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1.2
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II. Ad libitum - Allegretto - Ad libitum
Camille Saint-Saëns; François Leleux; Emmanuel Strosser |
4:23 | |||
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1.3
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III. Molto allegro
Camille Saint-Saëns; François Leleux; Emmanuel Strosser |
2:16 | |||
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Oboe Sonata
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1.4
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I. Aria (Grave)
Henri Dutilleux; François Leleux; Emmanuel Strosser |
2:40 | |||
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1.5
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II. Scherzo (Vif)
Henri Dutilleux; François Leleux; Emmanuel Strosser |
3:43 | |||
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1.6
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III. Final (Assez allant)
Henri Dutilleux; François Leleux; Emmanuel Strosser |
3:43 | |||
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1.7
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Debussy / Arr. Rhapsody, L. 98, CD 104
Claude Debussy; Gilles Silvestrini; François Leleux; Emmanuel Strosser |
10:25 | |||
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1.8
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I. Très modéré
Thierry Pécou; François Leleux; Emmanuel Strosser |
4:26 | |||
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1.9
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II. Très lent
Thierry Pécou; François Leleux; Emmanuel Strosser |
3:07 | |||
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1.10
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III. Très vif
Thierry Pécou; François Leleux; Emmanuel Strosser |
3:48 | |||
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1.11
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Fantaisie pastorale, Op. 37
Eugène Bozza; François Leleux; Emmanuel Strosser |
5:26 | |||
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1.12
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Pièce, Op. 5
Gabriel Pierné; François Leleux; Emmanuel Strosser |
2:55 | |||
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Oboe Sonatine
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1.13
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I. Modéré
Pierre Sancan; François Leleux; Emmanuel Strosser |
2:56 | |||
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1.14
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II. Andante
Pierre Sancan; François Leleux; Emmanuel Strosser |
3:31 | |||
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1.15
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III. Presto
Pierre Sancan; François Leleux; Emmanuel Strosser |
1:31 | |||
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Digital Booklet
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The oboe has held a special place in France’s culture since the time of Louis XIV, and on Bienvenue en France the oboist François Leleux, partnered by pianist Emmanuel Strosser, performs works originating from the 20th century. The composers are Debussy, Saint-Saëns and Dutilleux, the lesser-known Pierné, Bozza and Sancan, and the contemporary Thierry Pécou.
This music could not find a more eloquent advocate than Leleux, praised by The Scotsman as “a remarkably charismatic, flamboyant performer, matching immaculate technique with a dazzlingly vivid identification with his music.”
48 kHz / 24-bit PCM – Warner Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.31 -6.75 to -0.10 | -23.25 -29.31 to -20.49 | -19.02 -23.80 to -16.40 | 13 11 to 15 | |
| 1 | I. Andantino | -3.84 | -22.92 | -18.9 | 11 |
| 2 | II. Ad libitum - Allegretto - Ad libitum | -2.50 | -23.01 | -18.2 | 12 |
| 3 | III. Molto allegro | -0.45 | -20.49 | -16.9 | 13 |
| 4 | I. Aria (Grave) | -2.27 | -25.58 | -20.6 | 14 |
| 5 | II. Scherzo (Vif) | -0.10 | -23.25 | -19.2 | 14 |
| 6 | III. Final (Assez allant) | -0.10 | -22.22 | -18.4 | 12 |
| 7 | Debussy / Arr. Rhapsody, L. 98, CD 104 | -0.10 | -21.69 | -18.1 | 13 |
| 8 | I. Très modéré | -0.10 | -24.63 | -19.3 | 15 |
| 9 | II. Très lent | -6.75 | -29.31 | -23.8 | 11 |
| 10 | III. Très vif | -0.10 | -21.22 | -16.4 | 13 |
| 11 | Fantaisie pastorale, Op. 37 | -0.90 | -24.14 | -20.0 | 15 |
| 12 | Pièce, Op. 5 | -1.83 | -22.23 | -18.7 | 13 |
| 13 | I. Modéré | -0.10 | -22.82 | -19.3 | 13 |
| 14 | II. Andante | -0.45 | -23.93 | -19.7 | 12 |
| 15 | III. Presto | -0.10 | -21.28 | -17.8 | 14 |