℗ 2016 Ricercar
| Released | January 29, 2016 |
| Duration | 1h 00m 23s |
| Record Label | Ricercar |
| Catalogue No. | RIC362 |
| Genre | Classical (Chamber Music) |
The Virtuoso Ophicleide
Patrick Wibart, Trio Aenea
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Grande Fantaisie dramatique pour Ophicléide et Piano
Jules Demersseman; Patrick Wibart; Lucie Sansen |
7:34 | |||
|
1.2
|
Fantaisie sur Le Désir de Beethoven pour Ophicléide et Piano
Jules Demersseman; Patrick Wibart; Lucie Sansen |
4:49 | |||
|
1.3
|
Troisième duo pour deux Ophicléides (Allegro moderato)
Victor Caussinus; Patrick Wibart; Corentin Morvan |
4:17 | |||
|
Trio pathétique (trans. for Cornet, Ophicléide and Piano)
|
|||||
|
1.4
|
I. Allegro
Mikhaïl Glinka; Trio Aenea |
4:43 | |||
|
1.5
|
II. Vivacissimo
Mikhaïl Glinka; Trio Aenea |
3:02 | |||
|
1.6
|
III. Largo
Mikhaïl Glinka; Trio Aenea |
4:51 | |||
|
1.7
|
IV. Allegro con spirito
Mikhaïl Glinka; Trio Aenea |
2:08 | |||
|
1.8
|
Kyrie eleison pour trois Ophicléides
Claude Philippe Projean; Jean Yves Guéry; Patrick Wibart; Oscar Abella Martín; Corentin Morvan |
3:23 | |||
|
1.9
|
Agnus Dei (trans. for 3 Ophicléides)
Gilbert Duprez; Patrick Wibart; Corentin Morvan; Oscar Abella Martín |
1:19 | |||
|
1.10
|
O Salutaris (trans. for 3 Ophicléides)
Gilbert Duprez; Patrick Wibart; Corentin Morvan; Oscar Abella Martín |
2:35 | |||
|
1.11
|
Variations pour l'ophicléide, Op. 62
Kaspar Kummer; Patrick Wibart; Lucie Sansen |
6:36 | |||
|
1.12
|
Air varié pour Ophicléide et Piano, Op. 21
Hyacinthe Klosé; Patrick Wibart; Lucie Sansen |
9:23 | |||
|
1.13
|
Teutatès, Fantasie mystique pour Cornet et Ophicléide
Albert Corbin; Trio Aenea |
5:43 | |||
|
Digital Booklet
|
|||||
This is the third volume in a series dedicated to instruments and their specific repertoire: on this installment the instrument under the spotlight is the ophicleide, invented in 1817. With a low register that prefigures the tuba, the ophicleide was integrated into the orchestra by Berlioz, used in church to accompany the plainchant and was quite present in military bands. It also benefitted from a solo repertoire in the concerto genre as well as in chamber music, as demonstrated by Patrick Wibart on this recording.
88.2 kHz / 24-bit PCM – Ricercar Studio Masters
Recording: Liège, Salle philharmonique, April 2015 Artistic direction, recording & editing: Jérôme Lejeune Cover illustration: Patrick Wibart with his ophicleide Gautrot-Couesnon Photo: © Jean-Baptiste Millot English translations: Peter Lockwood Deutsche Übersetzungen: Silvia Berutti-Ronelt Booklet illustrations p. 1: The ophicleide player in Méthode complète d’ophicléide par F. Berr et Caussinus © Paris BnF p. 16: Ecole française, XIXe siècle, Jeune musicien à l'ophicléide Photo © Paris - Musée de l'Armée, Dist. RMN-Grand Palais / Emilie Cambier p. 18: Lucie Sansen, Photo: © Jean-Baptiste Millot p.29:EdmonddeBoislecompte,LelutrindA' ulnay-les-Bondy Senlis, Musée d'Art et d'Archéologie Photo © Senlis, Musée d'Art et d'Archéologie p. 31: Patrick Wibart, Photo © Jean-Baptiste Millot p. 46: Adrien Ramon, Photo © Jean-Baptiste Millot p. 44: Caricature of Berlioz in Wiener Theaterzeitung, 1846 © Akg-images, Paris p. 48: Trio ÆNEA: Photo © Jean-Baptiste Millot
Recording: Liège, Salle philharmonique, April 2015 Artistic direction, recording & editing: Jérôme Lejeune Cover illustration: Patrick Wibart with his ophicleide Gautrot-Couesnon Photo: © Jean-Baptiste Millot English translations: Peter Lockwood Deutsche Übersetzungen: Silvia Berutti-Ronelt Booklet illustrations p. 1: The ophicleide player in Méthode complète d’ophicléide par F. Berr et Caussinus © Paris BnF p. 16: Ecole française, XIXe siècle, Jeune musicien à l'ophicléide Photo © Paris - Musée de l'Armée, Dist. RMN-Grand Palais / Emilie Cambier p. 18: Lucie Sansen, Photo: © Jean-Baptiste Millot p.29:EdmonddeBoislecompte,LelutrindA' ulnay-les-Bondy Senlis, Musée d'Art et d'Archéologie Photo © Senlis, Musée d'Art et d'Archéologie p. 31: Patrick Wibart, Photo © Jean-Baptiste Millot p. 46: Adrien Ramon, Photo © Jean-Baptiste Millot p. 44: Caricature of Berlioz in Wiener Theaterzeitung, 1846 © Akg-images, Paris p. 48: Trio ÆNEA: Photo © Jean-Baptiste Millot
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.11 -4.45 to 0.00 | -22.65 -25.62 to -20.46 | -19.45 -22.40 to -17.20 | 12 10 to 15 | |
| 1 | Grande Fantaisie dramatique pour Ophicléide et Piano | -2.39 | -21.24 | -18.0 | 11 |
| 2 | Fantaisie sur Le Désir de Beethoven pour Ophicléide et Piano | 0.00 | -20.46 | -17.2 | 13 |
| 3 | Troisième duo pour deux Ophicléides (Allegro moderato) | -4.29 | -23.57 | -20.8 | 13 |
| 4 | I. Allegro | -1.73 | -23.42 | -20.1 | 15 |
| 5 | II. Vivacissimo | -0.22 | -23.35 | -20.3 | 14 |
| 6 | III. Largo | -2.55 | -23.31 | -19.7 | 12 |
| 7 | IV. Allegro con spirito | -1.52 | -21.59 | -18.3 | 12 |
| 8 | Kyrie eleison pour trois Ophicléides | -4.45 | -25.62 | -22.4 | 13 |
| 9 | Agnus Dei (trans. for 3 Ophicléides) | -2.66 | -21.77 | -19.0 | 11 |
| 10 | O Salutaris (trans. for 3 Ophicléides) | -1.95 | -21.56 | -18.5 | 10 |
| 11 | Variations pour l'ophicléide, Op. 62 | -1.19 | -22.72 | -19.5 | 13 |
| 12 | Air varié pour Ophicléide et Piano, Op. 21 | -2.44 | -22.24 | -19.4 | 12 |
| 13 | Teutatès, Fantasie mystique pour Cornet et Ophicléide | -2.09 | -23.54 | -19.7 | 13 |