℗ 2020 Grand Piano
Released | October 9, 2020 |
Duration | 2h 06m 53s |
Record Label | Grand Piano |
Catalogue No. | GP847-48 |
Genre | Classical (Piano) |
J.S. Bach: Cello Suites (Arr. E. Bindman for Piano)
Eleonor Bindman
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano)
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1.1
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I. Prélude
Johann Sebastian Bach; Eleonor Bindman |
2:18 | |||
1.2
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II. Allemande
Johann Sebastian Bach; Eleonor Bindman |
4:59 | |||
1.3
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III. Courante
Johann Sebastian Bach; Eleonor Bindman |
2:28 | |||
1.4
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IV. Sarabande
Johann Sebastian Bach; Eleonor Bindman |
3:28 | |||
1.5
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V. Menuets I & II
Johann Sebastian Bach; Eleonor Bindman |
3:33 | |||
1.6
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VI. Gigue
Johann Sebastian Bach; Eleonor Bindman |
1:55 | |||
Cello Suite No. 2 in D Minor, BWV 1008 (Arr. E. Bindman for Piano)
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1.7
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I. Prélude
Johann Sebastian Bach; Eleonor Bindman |
5:09 | |||
1.8
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II. Allemande
Johann Sebastian Bach; Eleonor Bindman |
2:51 | |||
1.9
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III. Courante
Johann Sebastian Bach; Eleonor Bindman |
2:06 | |||
1.10
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IV. Sarabande
Johann Sebastian Bach; Eleonor Bindman |
4:36 | |||
1.11
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V. Menuets I & II
Johann Sebastian Bach; Eleonor Bindman |
2:51 | |||
1.12
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VI. Gigue
Johann Sebastian Bach; Eleonor Bindman |
2:02 | |||
Cello Suite No. 3 in C Major, BWV 1009 (Arr. E. Bindman for Piano)
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1.13
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I. Prélude
Johann Sebastian Bach; Eleonor Bindman |
2:48 | |||
1.14
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II. Allemande
Johann Sebastian Bach; Eleonor Bindman |
3:27 | |||
1.15
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III. Courante
Johann Sebastian Bach; Eleonor Bindman |
3:08 | |||
1.16
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IV. Sarabande
Johann Sebastian Bach; Eleonor Bindman |
3:37 | |||
1.17
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V. Bourrées I & II
Johann Sebastian Bach; Eleonor Bindman |
3:52 | |||
1.18
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VI. Gigue
Johann Sebastian Bach; Eleonor Bindman |
3:12 | |||
Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. E. Bindman for Piano)
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2.1
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I. Prélude
Johann Sebastian Bach; Eleonor Bindman |
3:56 | |||
2.2
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II. Allemande
Johann Sebastian Bach; Eleonor Bindman |
3:16 | |||
2.3
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III. Courante
Johann Sebastian Bach; Eleonor Bindman |
3:26 | |||
2.4
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IV. Sarabande
Johann Sebastian Bach; Eleonor Bindman |
4:28 | |||
2.5
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V. Bourrées I & II
Johann Sebastian Bach; Eleonor Bindman |
4:12 | |||
2.6
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VI. Gigue
Johann Sebastian Bach; Eleonor Bindman |
2:09 | |||
Cello Suite No. 5 in C Minor, BWV 1011 (Arr. E. Bindman for Piano)
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2.7
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I. Prélude
Johann Sebastian Bach; Eleonor Bindman |
5:08 | |||
2.8
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II. Allemande
Johann Sebastian Bach; Eleonor Bindman |
4:59 | |||
2.9
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III. Courante
Johann Sebastian Bach; Eleonor Bindman |
1:58 | |||
2.10
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IV. Sarabande
Johann Sebastian Bach; Eleonor Bindman |
3:20 | |||
2.11
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V. Gavottes I & II
Johann Sebastian Bach; Eleonor Bindman |
4:07 | |||
2.12
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VI. Gigue
Johann Sebastian Bach; Eleonor Bindman |
2:05 | |||
Cello Suite No. 6 in D Major, BWV 1012 (Arr. E. Bindman for Piano)
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2.13
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I. Prélude
Johann Sebastian Bach; Eleonor Bindman |
3:17 | |||
2.14
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II. Allemande
Johann Sebastian Bach; Eleonor Bindman |
7:29 | |||
2.15
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III. Courante
Johann Sebastian Bach; Eleonor Bindman |
3:37 | |||
2.16
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IV. Sarabande
Johann Sebastian Bach; Eleonor Bindman |
4:35 | |||
2.17
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V. Gavottes I & II
Johann Sebastian Bach; Eleonor Bindman |
2:59 | |||
2.18
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VI. Gigue
Johann Sebastian Bach; Eleonor Bindman |
3:32 | |||
Digital Booklet
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J.S. Bach's genius is universally revered by music lovers, and a significant part of his output was in transcriptions of his own work, a tradition kept alive in Eleonor Bindman's piano versions of the Six Suites for Solo Cello. Eleonor Bindman has avoided embellishing these iconic pieces, preserving the intriguing ambiguities in Bach's implied harmonies and savoring their expressive qualities through the baritone register of a marvelous Bösendorfer piano. These admirably accurate transcriptions reveal the mysterious mathematical grace and flexibility of structure that makes Bach's art so organic and eternal."
96 kHz / 24-bit PCM – Grand Piano Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.61 -7.14 to -0.99 | -18.60 -25.92 to -15.83 | -16.09 -22.90 to -13.40 | 11 9 to 14 | |
1.1 | I. Prélude | -1.01 | -18.19 | -15.6 | 10 |
1.2 | II. Allemande | -3.34 | -19.97 | -17.6 | 11 |
1.3 | III. Courante | -1.01 | -17.63 | -15.1 | 11 |
1.4 | IV. Sarabande | -7.14 | -25.92 | -22.9 | 12 |
1.5 | V. Menuets I & II | -1.04 | -19.36 | -16.9 | 12 |
1.6 | VI. Gigue | -1.03 | -18.89 | -16.4 | 12 |
1.7 | I. Prélude | -0.99 | -17.71 | -15.0 | 10 |
1.8 | II. Allemande | -1.02 | -18.20 | -15.8 | 11 |
1.9 | III. Courante | -2.02 | -17.67 | -15.3 | 10 |
1.10 | IV. Sarabande | -2.10 | -22.35 | -19.4 | 13 |
1.11 | V. Menuets I & II | -2.00 | -17.97 | -15.5 | 11 |
1.12 | VI. Gigue | -1.02 | -16.19 | -13.8 | 9 |
1.13 | I. Prélude | -1.03 | -16.08 | -13.7 | 9 |
1.14 | II. Allemande | -1.02 | -17.61 | -15.3 | 11 |
1.15 | III. Courante | -1.05 | -17.14 | -14.8 | 11 |
1.16 | IV. Sarabande | -1.70 | -21.22 | -18.7 | 12 |
1.17 | V. Bourrées I & II | -1.03 | -17.79 | -15.2 | 11 |
1.18 | VI. Gigue | -1.03 | -16.83 | -14.5 | 10 |
2.1 | I. Prélude | -1.03 | -17.93 | -15.4 | 10 |
2.2 | II. Allemande | -1.05 | -17.15 | -14.8 | 11 |
2.3 | III. Courante | -1.02 | -18.23 | -15.9 | 12 |
2.4 | IV. Sarabande | -4.68 | -24.05 | -21.5 | 13 |
2.5 | V. Bourrées I & II | -1.02 | -18.29 | -16.0 | 12 |
2.6 | VI. Gigue | -1.02 | -16.73 | -14.3 | 10 |
2.7 | I. Prélude | -1.05 | -15.96 | -13.5 | 9 |
2.8 | II. Allemande | -1.03 | -18.55 | -16.2 | 12 |
2.9 | III. Courante | -1.02 | -16.77 | -14.4 | 11 |
2.10 | IV. Sarabande | -4.33 | -23.89 | -21.1 | 12 |
2.11 | V. Gavottes I & II | -1.02 | -17.89 | -15.6 | 11 |
2.12 | VI. Gigue | -1.03 | -15.83 | -13.4 | 10 |
2.13 | I. Prélude | -1.02 | -16.23 | -13.6 | 9 |
2.14 | II. Allemande | -1.05 | -20.11 | -17.3 | 13 |
2.15 | III. Courante | -1.01 | -16.49 | -14.0 | 10 |
2.16 | IV. Sarabande | -3.03 | -23.21 | -20.3 | 14 |
2.17 | V. Gavottes I & II | -1.02 | -18.20 | -15.6 | 12 |
2.18 | VI. Gigue | -1.02 | -17.26 | -14.7 | 10 |