℗ 2016 Genuin
Released February 5, 2016
Duration 1h 01m 37s
Record Label Genuin
Catalogue No. GEN16548
Genre Classical (Chamber Music)
 

Interchange: Violin and Piano Duos of the 20th Century: Janáček - Stravinsky - Prokofiev - Ravel

Sarita Kwok, Wei-Yi Yang

Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
  • Select Format
    • AIFF 44.1 kHz | 24-bit
    • FLAC 44.1 kHz | 24-bit
Add to cart
discounted price

 
Sonata for Violin and Piano  
1.1
I. Con moto
Leoš Janáček; Sarita Kwok; Wei-Yi Yang
4:35
1.2
II. Ballada. Con moto
Leoš Janáček; Sarita Kwok; Wei-Yi Yang
4:39
1.3
III. Allegretto
Leoš Janáček; Sarita Kwok; Wei-Yi Yang
2:25
1.4
IV. Adagio
Leoš Janáček; Sarita Kwok; Wei-Yi Yang
4:49
Duo Concertante for Violin and Piano  
1.5
I. Cantilène
Igor Stravinsky; Sarita Kwok; Wei-Yi Yang
2:49
1.6
II. Églogue I
Igor Stravinsky; Sarita Kwok; Wei-Yi Yang
2:08
1.7
III. Églogue II
Igor Stravinsky; Sarita Kwok; Wei-Yi Yang
2:57
1.8
IV. Gigue
Igor Stravinsky; Sarita Kwok; Wei-Yi Yang
4:31
1.9
V. Dithyrambe
Igor Stravinsky; Sarita Kwok; Wei-Yi Yang
2:57
Five Mélodies for Violin and Piano, Op. 35bis  
1.10
No. 1. Andante
Sergei Prokofiev; Sarita Kwok; Wei-Yi Yang
2:03
1.11
No. 2. Lento ma non troppo
Sergei Prokofiev; Sarita Kwok; Wei-Yi Yang
2:40
1.12
No. 3. Animato, ma non allegro
Sergei Prokofiev; Sarita Kwok; Wei-Yi Yang
3:01
1.13
No. 4. Andantino, un poco scherzando
Sergei Prokofiev; Sarita Kwok; Wei-Yi Yang
1:26
1.14
No. 5. Andante non troppo
Sergei Prokofiev; Sarita Kwok; Wei-Yi Yang
3:21
Sonata for Violin and Piano, No. 2 in G Major  
1.15
I. Allegretto
Maurice Ravel; Sarita Kwok; Wei-Yi Yang
7:56
1.16
II. Blues. Moderato
Maurice Ravel; Sarita Kwok; Wei-Yi Yang
5:20
1.17
III. Perpetuum mobile. Allegretto
Maurice Ravel; Sarita Kwok; Wei-Yi Yang
4:00
Digital Booklet
Violinist Sarita Kwok and pianist Wei-Yi Yang present music from a period when Janáček and Ravel were still invoking the “world of yesterday,” while Stravinsky and Prokofiev were celebrating the “here and now.” A balancing act that both young musicians pull off splendidly, connecting long musical lines and palpably enjoying relentless rhythmic repetitions, they provide for moments of stillness as well as veritable fireworks.
44.1 kHz / 24-bit PCM – Genuin Studio Masters

Recording Location: futura productions, Roslindale, USA Dates: March 8–9, 2014 Recording Producer/Tonmeister: Michael Silberhorn Editing: Michael Silberhorn Piano: Steinway D Piano Tuner: Paul Rattigan Text: Sarita Kwok, Wei-Yi Yang German Translation: Fritz Krämer, Bern Booklet Editing: Johanna Brause, Leipzig Photography: Ettore Causa (Sarita Kwok, p. 1) Kate Lemmon (Sarita Kwok, p. 7), Bob Handelman (Wei-Yi Yang) Graphic Design: Thorsten Stapel, Münster
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-3.55
-12.49 to -0.30
-26.52
-33.25 to -23.19
-22.49
-29.30 to -18.90
14
12 to 17
1
I. Con moto
-3.26-23.69-19.713
2
II. Ballada. Con moto
-6.11-28.87-24.913
3
III. Allegretto
-0.30-23.19-18.915
4
IV. Adagio
-3.11-26.50-21.813
5
I. Cantilène
-4.62-25.42-21.214
6
II. Églogue I
-5.41-25.57-21.712
7
III. Églogue II
-12.49-33.25-29.313
8
IV. Gigue
-2.71-25.71-22.515
9
V. Dithyrambe
-0.57-26.91-21.517
10
No. 1. Andante
-2.09-26.14-22.113
11
No. 2. Lento ma non troppo
-7.45-29.76-26.514
12
No. 3. Animato, ma non allegro
-3.49-26.63-22.915
13
No. 4. Andantino, un poco scherzando
-5.11-28.40-24.914
14
No. 5. Andante non troppo
-0.30-25.61-21.815
15
I. Allegretto
-2.34-27.30-23.216
16
II. Blues. Moderato
-0.57-24.43-19.915
17
III. Perpetuum mobile. Allegretto
-0.47-23.51-19.515

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions