℗ 2016 Genuin
| Released | February 5, 2016 |
| Duration | 52m 55s |
| Record Label | Genuin |
| Catalogue No. | GEN16406 |
| Genre | Classical (Chamber Music) |
Robert Schumann: Piano Trio No. 2, Op. 80 - Piano Quartet, Op. 47
Münchner Klaviertrio, Tilo Widenmeyer
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Piano Trio No. 2 in F Major, Op. 80
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1.1
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I. Sehr lebhaft
Robert Schumann; Münchner Klaviertrio |
7:58 | |||
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1.2
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II. Mit innigem Ausdruck - Lebhaft
Robert Schumann; Münchner Klaviertrio |
7:25 | |||
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1.3
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III. In mässiger Bewegung
Robert Schumann; Münchner Klaviertrio |
5:29 | |||
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1.4
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IV. Nicht zu rasch
Robert Schumann; Münchner Klaviertrio |
5:39 | |||
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Piano Quartet in E-Flat Major, Op. 47
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1.5
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I. Sostenuto assai - Allegro ma non troppo
Robert Schumann; Tilo Widenmeyer; Münchner Klaviertrio |
8:46 | |||
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1.6
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II. Scherzo. Molto vivace
Robert Schumann; Tilo Widenmeyer; Münchner Klaviertrio |
3:32 | |||
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1.7
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III. Andante cantabile
Robert Schumann; Tilo Widenmeyer; Münchner Klaviertrio |
6:36 | |||
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1.8
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IV. Finale. Vivace
Robert Schumann; Tilo Widenmeyer; Münchner Klaviertrio |
7:30 | |||
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Digital Booklet
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The Munich Piano Trio celebrates its 33rd anniversary with this release, inspired by Robert Schumann’s guiding principle: the artist’s mission is to cast light into the depths of the human heart. The highlight of the programme is perhaps Schumann’s most well known Piano Trio No. 2, paired here with the equally wonderful Piano Quartet, on which they are joined by guest violist Tilo Widenmeyer.
96 kHz / 24-bit PCM – Genuin Studio Masters
Bruno-Walter-Saal, Bayerische Staatsoper München, Germany, May 23–24, 2015 Producer/Tonmeister: Piotr Furmanczyk Editing: Piotr Furmanczyk , Alfredo Lasheras Hakobian Piano: Steinway & Sons, Modell D Violin: Nicolo Amati, Cremona, Italy, 1662 Viola: Füssen, early 18th Century Violoncello: Carlo Antonio Testore, Milano, Italy, 1747 Text: Donald Sulzen, Munich English Proofreading: Erik Dorset, Leipzig German Translation: Dr. Matthias Junker Booklet Editing: Katrin Haase, Leipzig Photography: Franz Dilger, St. Ottilien Graphic Design: Thorsten Stapel, Münster
Bruno-Walter-Saal, Bayerische Staatsoper München, Germany, May 23–24, 2015 Producer/Tonmeister: Piotr Furmanczyk Editing: Piotr Furmanczyk , Alfredo Lasheras Hakobian Piano: Steinway & Sons, Modell D Violin: Nicolo Amati, Cremona, Italy, 1662 Viola: Füssen, early 18th Century Violoncello: Carlo Antonio Testore, Milano, Italy, 1747 Text: Donald Sulzen, Munich English Proofreading: Erik Dorset, Leipzig German Translation: Dr. Matthias Junker Booklet Editing: Katrin Haase, Leipzig Photography: Franz Dilger, St. Ottilien Graphic Design: Thorsten Stapel, Münster
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.71 -7.52 to -0.53 | -25.25 -28.66 to -22.38 | -22.34 -25.90 to -19.20 | 14 13 to 15 | |
| 1 | I. Sehr lebhaft | -0.53 | -22.38 | -19.5 | 13 |
| 2 | II. Mit innigem Ausdruck - Lebhaft | -5.44 | -28.45 | -25.5 | 14 |
| 3 | III. In mässiger Bewegung | -6.64 | -28.66 | -25.9 | 14 |
| 4 | IV. Nicht zu rasch | -0.53 | -23.31 | -20.5 | 15 |
| 5 | I. Sostenuto assai - Allegro ma non troppo | -0.78 | -22.70 | -19.2 | 14 |
| 6 | II. Scherzo. Molto vivace | -6.61 | -25.89 | -23.2 | 13 |
| 7 | III. Andante cantabile | -7.52 | -28.08 | -25.2 | 13 |
| 8 | IV. Finale. Vivace | -1.62 | -22.54 | -19.7 | 13 |