℗ 2016 Grand Piano
| Released | March 4, 2016 |
| Duration | 1h 10m 42s |
| Record Label | Grand Piano |
| Catalogue No. | GP640 |
| Genre | Classical (Instrumental) |
Frommel: Piano Sonatas Nos. 4 - 7
Tatjana Blome
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Piano Sonata No. 4 in F Major, Op. 21
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1.1
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I. Allegro moderato
Gerhard Frommel; Tatjana Blome |
6:29 | |||
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1.2
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II. Tempo di Siciliano
Gerhard Frommel; Tatjana Blome |
4:30 | |||
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1.3
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III. Allegro molto
Gerhard Frommel; Tatjana Blome |
2:46 | |||
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Piano Sonata No. 5 in E-Flat Major
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1.4
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Sostenuto – Allegro – Lento – Tempo I – Presto – Sostenuto – Tempo I
Gerhard Frommel; Tatjana Blome |
15:19 | |||
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Piano Sonata No. 6 in B-Flat Major
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1.5
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I. Allegro molto, sempre un poco rubato
Gerhard Frommel; Tatjana Blome |
6:40 | |||
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1.6
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II. Adagio
Gerhard Frommel; Tatjana Blome |
7:07 | |||
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1.7
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III. Rondo (nach der Fünftonskala). Allegro
Gerhard Frommel; Tatjana Blome |
4:24 | |||
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Piano Sonata No. 7 in C Major
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1.8
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I. Allegro non troppo, alla breve
Gerhard Frommel; Tatjana Blome |
8:16 | |||
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1.9
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II. Larghetto, tempo rubato
Gerhard Frommel; Tatjana Blome |
7:42 | |||
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1.10
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III. Allegro
Gerhard Frommel; Tatjana Blome |
7:29 | |||
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Digital Booklet
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The complete cycle of Gerhard Frommel’s seven piano sonatas is completed with the release of this second volume, showcasing award-winning pianist Tatjana Blome. Frommel regarded his piano sonatas as a miniature compendium of his entire output, reflecting a fundamentally Romantic approach melded with Stravinskian vitality. The Sixth Sonata’s poised profundity, inventiveness and structural perfection gives it a place as one of the best in its genre, its serene transparency lying between the powerfully heroic Fifth Sonata and the crystalline quality of the Seventh Sonata, Frommel’s last such work.
"The spirit of Frommel’s sonatas runs like a recurrent theme in his complete oeuvre. I have found a cosmic entirety via interpretation and presentation of each individual piece of this wonderful music. Like looking through a kaleidoscope of mosaics united as symmetrical figures, one can find a whole world of its own in each of those figures. In this regard, the development and unfolding of the musical language of Gerhard Frommel can be identified in his complete set of works as well as in the development of each individual sonata."
- Tatjana Blome
44.1 kHz / 24-bit PCM – Grand Piano Studio Masters
Recording Date: 6-8 December 2013 Recording Venue: Studio 1, Bayerischer Rundfunk, Munich, Germany Executive Producer BR: Falk Häfner Recording Producer: Michael Kempff Publisher: Süddeutscher Musikverlag Balance Engineer: Ulrike Schwarz Piano Technician: Christian Rabus Booklet Notes: Johann Peter Vogel English translation by Susan Baxter French translation by David Ylla-Somers Artist photographs: Jean Severin Composer portrait: Gerhard Frommel family archives, Oberschlierbach, Austria Cover Art: Gro Thorsen: City Night no. 8, 25x25 cm, oil on aluminium, 2009
Recording Date: 6-8 December 2013 Recording Venue: Studio 1, Bayerischer Rundfunk, Munich, Germany Executive Producer BR: Falk Häfner Recording Producer: Michael Kempff Publisher: Süddeutscher Musikverlag Balance Engineer: Ulrike Schwarz Piano Technician: Christian Rabus Booklet Notes: Johann Peter Vogel English translation by Susan Baxter French translation by David Ylla-Somers Artist photographs: Jean Severin Composer portrait: Gerhard Frommel family archives, Oberschlierbach, Austria Cover Art: Gro Thorsen: City Night no. 8, 25x25 cm, oil on aluminium, 2009
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.86 -5.44 to -0.10 | -25.61 -30.21 to -22.94 | -21.96 -26.00 to -19.60 | 15 14 to 19 | |
| 1 | I. Allegro moderato | -0.10 | -22.94 | -19.6 | 14 |
| 2 | II. Tempo di Siciliano | -2.80 | -27.19 | -23.9 | 15 |
| 3 | III. Allegro molto | -2.06 | -23.24 | -19.7 | 14 |
| 4 | Sostenuto – Allegro – Lento – Tempo I – Presto – Sostenuto – Tempo I | -0.10 | -24.24 | -20.3 | 16 |
| 5 | I. Allegro molto, sempre un poco rubato | -4.02 | -25.82 | -22.4 | 14 |
| 6 | II. Adagio | -0.10 | -30.21 | -26.0 | 19 |
| 7 | III. Rondo (nach der Fünftonskala). Allegro | -2.42 | -26.21 | -22.1 | 15 |
| 8 | I. Allegro non troppo, alla breve | -0.10 | -23.76 | -20.3 | 15 |
| 9 | II. Larghetto, tempo rubato | -5.44 | -29.14 | -25.6 | 15 |
| 10 | III. Allegro | -1.41 | -23.33 | -19.7 | 14 |