℗ 2016 Glossa
| Released | February 26, 2016 |
| Duration | 59m 20s |
| Record Label | Glossa |
| Catalogue No. | GCD923601 |
| Genre | Classical (Chamber Music) |
Marc-Antoine Charpentier: Stances du Cid: Airs de cour
Cyril Auvity, L'Yriade
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Les Nations – La Piémontaise
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1.1
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Gravement
François Couperin; L'Yriade |
2:29 | |||
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Stances du Cid
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1.2
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Percé jusques au fond du cœur
Marc-Antoine Charpentier; Cyril Auvity; L'Yriade |
1:45 | |||
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1.3
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Que je sens de rudes combats
Marc-Antoine Charpentier; Cyril Auvity; L'Yriade |
1:48 | |||
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1.4
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Père, maîtresse, honneur, amour
Marc-Antoine Charpentier; Cyril Auvity; L'Yriade |
1:55 | |||
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Les Nations – L'Espagnole
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1.5
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Passacaille
François Couperin; L'Yriade |
4:35 | |||
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Les Nations – L’Espagnole
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1.6
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Air, gracieusement
François Couperin; L'Yriade |
3:55 | |||
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1.7
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Auprès du feu l’on fait l’amour
Marc-Antoine Charpentier; Cyril Auvity; L'Yriade |
1:38 | |||
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1.8
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Ruisseau qui nourris dans ce bois
Marc-Antoine Charpentier; Cyril Auvity; L'Yriade |
2:17 | |||
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1.9
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Non, non, je ne l'aime plus
Marc-Antoine Charpentier; Cyril Auvity; L'Yriade |
4:42 | |||
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1.10
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Tombeau de Mademoiselle...
Jacques Morel; Cyril Auvity; L'Yriade |
5:24 | |||
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1.11
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Ma bergère
Michel Lambert; Cyril Auvity; L'Yriade |
3:19 | |||
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1.12
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Sans frayeur
Marc-Antoine Charpentier; Cyril Auvity; L'Yriade |
2:29 | |||
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1.13
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Gravement
François Couperin; L'Yriade |
0:57 | |||
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1.14
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Rendez-moi mes plaisirs
Marc-Antoine Charpentier; Cyril Auvity; L'Yriade |
2:04 | |||
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1.15
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Amour, vous avez beau redoubler mes alarmes
Marc-Antoine Charpentier; Cyril Auvity; L'Yriade |
1:40 | |||
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Les Nations – La Piémontaise
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1.16
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Vivement et marqué
François Couperin; L'Yriade |
1:08 | |||
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1.17
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Ah, qu’ils sont courts les beaux jours
Marc-Antoine Charpentier; Cyril Auvity; L'Yriade |
1:04 | |||
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1.18
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Air
François Couperin; L'Yriade |
1:06 | |||
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1.19
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Rentrez trop indiscrets soupirs
Marc-Antoine Charpentier; Cyril Auvity; L'Yriade |
3:26 | |||
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1.20
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Retirons-nous, fuyons
Marc-Antoine Charpentier; Cyril Auvity; L'Yriade |
2:15 | |||
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1.21
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Vos mépris chaque jour
Michel Lambert; Cyril Auvity; L'Yriade |
3:54 | |||
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Les Nations – L’Impériale
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1.22
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Chaconne
François Couperin; L'Yriade |
5:30 | |||
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Digital Booklet
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French haute-contre Cyril Auvity and his ensemble L’Yriade present this recording of airs de cour, a secular song genre popular across the social spectrum in 17th century France and singable, it seems, by almost anyone. Even still, one distinctive voice which proved to be ideal for such airs was the haute-contre, high tenor, sweet-sounding and clear; precisely the instrument possessed by Auvity. Stances du Cid contains a selection of Marc-Antoine Charpentier’s secular vocal works, including rarely-recorded stanzas, complemented by a pair of airs de cour from an earlier master of the genre, Michael Lambert. The expressive flavour of the music of ancien régime France is suitably enhanced on this recording by instrumental interludes taken from François Couperin’s trio sonatas Les nations, deftly handled by L’Yriade.
88.2 kHz / 24-bit PCM – Glossa Studio Masters
Recorded in Franc-Warêt (Église Saint-Rémi), Belgium, in May 2015 Engineered and produced by Manuel Mohino Executive producer and editorial director: Carlos Céster Editorial assistance: María Díaz, Mark Wiggins Design: Valentín Iglesias & Rosa Tendero
Recorded in Franc-Warêt (Église Saint-Rémi), Belgium, in May 2015 Engineered and produced by Manuel Mohino Executive producer and editorial director: Carlos Céster Editorial assistance: María Díaz, Mark Wiggins Design: Valentín Iglesias & Rosa Tendero
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.34 -12.44 to -0.13 | -26.65 -30.36 to -21.79 | -23.27 -27.40 to -17.90 | 13 10 to 16 | |
| 1 | Gravement | -6.06 | -26.81 | -23.6 | 13 |
| 2 | Percé jusques au fond du cœur | -0.43 | -22.05 | -18.2 | 12 |
| 3 | Que je sens de rudes combats | -0.85 | -21.79 | -18.3 | 12 |
| 4 | Père, maîtresse, honneur, amour | -0.13 | -22.20 | -17.9 | 13 |
| 5 | Passacaille | -6.86 | -27.56 | -24.2 | 13 |
| 6 | Air, gracieusement | -8.75 | -29.83 | -26.5 | 13 |
| 7 | Auprès du feu l’on fait l’amour | -12.44 | -30.36 | -27.4 | 12 |
| 8 | Ruisseau qui nourris dans ce bois | -6.36 | -28.36 | -24.5 | 15 |
| 9 | Non, non, je ne l'aime plus | -0.39 | -23.98 | -20.5 | 15 |
| 10 | Tombeau de Mademoiselle... | -0.73 | -23.02 | -19.1 | 13 |
| 11 | Ma bergère | -3.82 | -26.35 | -23.3 | 14 |
| 12 | Sans frayeur | -3.91 | -27.99 | -25.0 | 16 |
| 13 | Gravement | -12.12 | -29.56 | -26.7 | 10 |
| 14 | Rendez-moi mes plaisirs | -4.96 | -26.42 | -23.1 | 13 |
| 15 | Amour, vous avez beau redoubler mes alarmes | -0.57 | -22.63 | -19.4 | 13 |
| 16 | Vivement et marqué | -10.57 | -28.14 | -24.9 | 12 |
| 17 | Ah, qu’ils sont courts les beaux jours | -6.36 | -29.85 | -27.1 | 13 |
| 18 | Air | -10.64 | -28.93 | -25.2 | 10 |
| 19 | Rentrez trop indiscrets soupirs | -2.09 | -25.53 | -21.7 | 14 |
| 20 | Retirons-nous, fuyons | -7.77 | -29.13 | -25.7 | 13 |
| 21 | Vos mépris chaque jour | -6.23 | -29.44 | -26.5 | 15 |
| 22 | Chaconne | -5.43 | -26.43 | -23.1 | 14 |