℗ 2020 Parlophone Records Limited; A Warner Classics/Erato release,
Released July 10, 2020
Duration 55m 04s
Record Label Warner Classics
Genre Classical (Piano)
 

Good Night!

Bertrand Chamayou

Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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On an Overgrown Path, Book I  
1.1
No. 7, Good Night!
Leoš Janáček; Bertrand Chamayou
3:19
1.2
Wiegenlied, S. 198
Franz Liszt; Bertrand Chamayou
3:09
6 Morceaux faciles, Op. 59  
1.3
No. 2, Berceuse d'une poupée
Sergei Lyapunov; Bertrand Chamayou
2:03
1.4
Berceuse in D-Flat Major, Op. 57
Frédéric Chopin; Bertrand Chamayou
4:47
12 Études d'exécution transcendante, Op. 11  
1.5
No. 1, Berceuse
Sergei Lyapunov; Bertrand Chamayou
3:15
. A prole do bebê No.1, W140  
1.6
No. 6, A pobrezinha
Heitor Villa-Lobos; Bertrand Chamayou
1:37
Miocheries, Op. 126  
1.7
No. 13, La toute petite s'endort
Mel Bonis; Bertrand Chamayou
1:34
Lyric Pieces, Book 2, Op. 38  
1.8
No. 1, Berceuse
Edvard Grieg; Bertrand Chamayou
2:20
1.9
Song for Octave
Bryce Dessner; Bertrand Chamayou
3:17
Elegien  
1.10
No. 7, Berceuse
Ferruccio Busoni; Bertrand Chamayou
4:14
1.11
Berceuse, S. 174 (1862 Version)
Franz Liszt; Bertrand Chamayou
9:01
1.12
Wiegenmusik
Helmut Lachenmann; Bertrand Chamayou
3:32
Brahms / Transcr. Reger  
1.13
5 Lieder, Op. 49: No. 4, Wiegenlied
Johannes Brahms; Bertrand Chamayou
1:41
Film en miniature  
1.14
No. 3, Berceuse
Bohuslav Martinů; Bertrand Chamayou
3:10
1.15
Berceuse in D-Flat Major
Mily Balakirev; Bertrand Chamayou
5:11
25 Preludes, Op. 31  
1.16
No. 13, J'étais endormie, mais mon cœur veillait...
Charles-Valentin Alkan; Bertrand Chamayou
2:54
Digital Booklet
The sixteen lullabies – or berceuses – that pianist Bertrand Chamayou has chosen for Good Night! form a captivatingly varied album. His programme embraces a diversity of eras and musical cultures: Chopin, Liszt, Grieg and, of course, Brahms through Balakirev, Lyapunov, Alkan, Bonis, Busoni, Janáček, Martinů and Villa-Lobos to Helmut Lachenmann and a world premiere, Bryce Dessner’s "Song for Octave". A satisfying recital that will also enrich digital playlists! “The lullaby’s place is halfway between dream and reality. There is that special moment as you are falling asleep and you experience all kinds of emotions.” - Bertrand Chamayou
96 kHz / 24-bit PCM – Warner Classics Studio Masters

Tracks 1-15 – 48 kHz / 24-bit PCM Track 16 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.69
-2.85 to 0.00
-20.73
-25.34 to -18.47
-17.53
-20.10 to -15.80
12
11 to 17
1
No. 7, Good Night!
0.00-21.56-17.912
2
Wiegenlied, S. 198
-0.76-21.28-18.112
3
No. 2, Berceuse d'une poupée
-2.85-19.93-17.411
4
Berceuse in D-Flat Major, Op. 57
-0.80-20.99-17.813
5
No. 1, Berceuse
-0.26-20.30-17.312
6
No. 6, A pobrezinha
-2.52-20.75-17.712
7
No. 13, La toute petite s'endort
-1.53-20.73-17.811
8
No. 1, Berceuse
0.00-20.76-17.512
9
Song for Octave
0.00-20.21-17.313
10
No. 7, Berceuse
0.00-20.16-17.513
11
Berceuse, S. 174 (1862 Version)
0.00-20.97-17.613
12
Wiegenmusik
0.00-25.34-20.117
13
5 Lieder, Op. 49: No. 4, Wiegenlied
0.00-19.60-16.912
14
No. 3, Berceuse
-0.70-20.43-16.912
15
Berceuse in D-Flat Major
0.00-20.18-16.912
16
No. 13, J'étais endormie, mais mon cœur veillait...
-1.61-18.47-15.811

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