℗ 2016 Glossa
Released | March 25, 2016 |
Duration | 1h 46m 09s |
Record Label | Glossa |
Catalogue No. | GCD922903 |
Genre | Classical (Vocal) |
Alessandro Della Ciaia: Lamentationi (Venice, 1650)
Roberta Invernizzi, Laboratorio '600, Franco Pavan
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
Feria quinta
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1.1
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Lamentatione prima
Alessandro Della Ciaia; Roberta Invernizzi; Laboratorio '600 |
11:00 | |||
1.2
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Toccata in Do maggiore
Michelangelo Galilei; Franco Pavan |
1:41 | |||
1.3
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Lamentatione seconda
Alessandro Della Ciaia; Roberta Invernizzi; Laboratorio '600 |
9:13 | |||
1.4
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Toccata in Sol maggiore
Michelangelo Galilei; Franco Pavan |
1:58 | |||
1.5
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Lamentatione terza
Alessandro Della Ciaia; Roberta Invernizzi; Laboratorio '600 |
10:35 | |||
1.6
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Toccata sopra il mottetto Ecce Venio
Alessandro Della Ciaia; Franco Pavan |
3:09 | |||
Feria sesta
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1.7
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Lamentatione prima
Alessandro Della Ciaia; Roberta Invernizzi; Laboratorio '600 |
8:40 | |||
1.8
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Toccata intitolata all’illustrissimo signor Alfonso Strozzi
Claudio Saracini; Franco Pavan |
3:48 | |||
1.9
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Lamentatione seconda
Alessandro Della Ciaia; Roberta Invernizzi; Laboratorio '600 |
7:30 | |||
2.1
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Lamentatione terza
Alessandro Della Ciaia; Roberta Invernizzi; Laboratorio '600 |
10:14 | |||
2.2
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Toccata intitolata all’illustrissimo, et eccellentissimo signor conte San S econdo
Claudio Saracini; Franco Pavan |
2:30 | |||
Sabato sancto
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2.3
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Lamentatione prima
Alessandro Della Ciaia; Roberta Invernizzi; Laboratorio '600 |
12:02 | |||
2.4
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Il primo libro d'intavolatura di liuto: Sonate in F Minor: I. Toccata
Michelangelo Galilei; Franco Pavan |
1:55 | |||
2.5
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Lamentatione seconda
Alessandro Della Ciaia; Roberta Invernizzi; Laboratorio '600 |
9:21 | |||
2.6
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Toccata in Do minore
Michelangelo Galilei; Franco Pavan |
1:47 | |||
2.7
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Oratione
Alessandro Della Ciaia; Roberta Invernizzi; Laboratorio '600 |
8:54 | |||
2.8
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Toccata Cromatica
Vincenzo Bernia; Franco Pavan |
1:52 | |||
Digital Booklet
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Renowned soprano Roberta Invernizzi is joined by Franco Pavan’s Laboratorio ’600 to present this intimate and intense score from mid 17th century Siena: Alessandro Della Ciaia’s set of the Lamentations of Jeremiah. Convents throughout Siena at the time boasted nuns of considerable musical talents, both in singing and in playing instruments such as the organ, lute and theorbo; it is undoubtedly for one such convent that the nobleman Della Ciaia wrote his music for the Holy Weeks matins services. His Lamentations are scored for a solo soprano possessed of a very wide range and capable of meeting his demanding technical effects: Invernizzi proves the ideal modern day singer to rise to such spiritual music, to respond to the text and its description of the grief over the fall of the city of Jerusalem and the terrible fate of its people. Pavan has chosen to intersperse the nine lamentations with toccatas by Michelagnolo Galilei, Claudio Saracini and Vincenzo Bernia as well as his own reworking of an appropriate motet by Della Ciaia.
48 kHz / 24-bit PCM – Glossa Studio Masters
Recorded at Studio Cavalli, Castrezzato (Italy), in October 2014 Engineered and produced by Rino Trasi Executive producer and editorial director: Carlos Céster Editorial assistance: María Díaz, Mark Wiggins Translations: Mark Wiggins (eng), Pierre Élie Mamou (fra), Susanne Lowien (deu) On the cover: Juan Bautista Maíno (1581 - 1649), Saint Catherine of Siena
Recorded at Studio Cavalli, Castrezzato (Italy), in October 2014 Engineered and produced by Rino Trasi Executive producer and editorial director: Carlos Céster Editorial assistance: María Díaz, Mark Wiggins Translations: Mark Wiggins (eng), Pierre Élie Mamou (fra), Susanne Lowien (deu) On the cover: Juan Bautista Maíno (1581 - 1649), Saint Catherine of Siena
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.53 -15.78 to -0.67 | -27.37 -36.37 to -20.49 | -24.40 -33.60 to -17.30 | 12 11 to 15 | |
1.1 | Lamentatione prima | -1.56 | -21.49 | -18.5 | 12 |
1.2 | Toccata in Do maggiore | -15.43 | -32.90 | -30.4 | 11 |
1.3 | Lamentatione seconda | -0.67 | -21.31 | -18.2 | 13 |
1.4 | Toccata in Sol maggiore | -15.78 | -34.61 | -32.0 | 13 |
1.5 | Lamentatione terza | -1.01 | -21.21 | -18.1 | 11 |
1.6 | Toccata sopra il mottetto Ecce Venio | -13.24 | -35.02 | -32.0 | 15 |
1.7 | Lamentatione prima | -1.60 | -20.83 | -17.7 | 12 |
1.8 | Toccata intitolata all’illustrissimo signor Alfonso Strozzi | -13.65 | -34.16 | -31.2 | 13 |
1.9 | Lamentatione seconda | -0.71 | -20.88 | -17.8 | 12 |
2.1 | Lamentatione terza | -1.61 | -21.55 | -18.4 | 12 |
2.2 | Toccata intitolata all’illustrissimo, et eccellentissimo signor conte San S econdo | -14.74 | -33.61 | -30.7 | 12 |
2.3 | Lamentatione prima | -1.21 | -20.62 | -17.3 | 12 |
2.4 | Il primo libro d'intavolatura di liuto: Sonate in F Minor: I. Toccata | -14.02 | -36.37 | -33.6 | 14 |
2.5 | Lamentatione seconda | -0.75 | -20.49 | -17.4 | 11 |
2.6 | Toccata in Do minore | -14.93 | -34.78 | -31.8 | 13 |
2.7 | Oratione | -1.41 | -21.07 | -18.0 | 11 |
2.8 | Toccata Cromatica | -15.77 | -34.38 | -31.7 | 13 |