℗ 1954 Parlophone Records Limited; A Warner Classics release,
| Released | November 13, 2020 |
| Duration | 48m 58s |
| Record Label | Warner Classics |
| Genre | Classical |
Bruch: Violin Concerto No. 1, Op. 26 - Mozart: Violin Concerto No. 1, K. 207
Tibor Varga, Philharmonia Orchestra, Walter Susskind
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Violin Concerto No. 1 in G Minor, Op. 26
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1.1
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I. Prelude. Allegro moderato
Max Bruch; Tibor Varga; Philharmonia Orchestra; Walter Susskind |
8:13 | |||
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1.2
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II. Adagio
Max Bruch; Tibor Varga; Philharmonia Orchestra; Walter Susskind |
9:26 | |||
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1.3
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III. Finale. Allegro energico
Max Bruch; Tibor Varga; Philharmonia Orchestra; Walter Susskind |
7:30 | |||
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Violin Concerto No. 1 in B-Flat Major, K. 207
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1.4
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I. Allegro moderato (Cadenza by Varga)
Wolfgang Amadeus Mozart; Tibor Varga; Philharmonia Orchestra; Walter Susskind |
8:23 | |||
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1.5
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II. Adagio (Cadenza by Varga)
Wolfgang Amadeus Mozart; Tibor Varga; Philharmonia Orchestra; Walter Susskind |
9:37 | |||
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1.6
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III. Presto
Wolfgang Amadeus Mozart; Tibor Varga; Philharmonia Orchestra; Walter Susskind |
5:49 | |||
Walter Susskind heads the Philharmonia Orchestra in accompaniment of the great Violinist Tibor Varga in this programme of Violin Concertos from Bruch and Mozart.
Max Bruch's Violin Concerto No. 1 in G minor, Op. 26, is one of the most popular violin concertos in the repertoire and is one of the composer's most famous works. Wolfgang Amadeus Mozart's Violin Concerto No. 1 in Bb major, K. 207, was composed while Mozart was still a teenager, and is full of brilliant passage work with running sixteenth notes.
Violinist, conductor, and world renowned music teacher Tibor Varga was a founding member of the string department in the Detmold music conservatory and was known for developing pedagogic methods for teaching string music. He was a giant figure in 20th century concert music.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Warner Classics Studio Masters
Tracks 1-6 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-6 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.03 -5.22 to -1.23 | -25.24 -27.75 to -22.43 | -21.72 -23.60 to -19.20 | 14 13 to 15 | |
| 1 | I. Prelude. Allegro moderato | -3.07 | -23.82 | -20.3 | 13 |
| 2 | II. Adagio | -3.53 | -27.75 | -23.6 | 15 |
| 3 | III. Finale. Allegro energico | -1.23 | -22.43 | -19.2 | 13 |
| 4 | I. Allegro moderato (Cadenza by Varga) | -2.18 | -25.74 | -22.2 | 14 |
| 5 | II. Adagio (Cadenza by Varga) | -5.22 | -26.60 | -23.3 | 14 |
| 6 | III. Presto | -2.98 | -25.11 | -21.7 | 15 |