℗ 2020 New Amsterdam Records, under exclusive license to Nonesuch Records Inc
Released September 24, 2020
Duration 1h 10m 42s
Record Label New Amsterdam/Nonesuch
Genre Classical (Electronic)
 

Drift Multiply

Tristan Perich, Douglas Perkins

Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
    • MQA 96 kHz | 24-bit (source)
Add to cart
discounted price

 
Drift Multiply  
1.1
Section 1
Tristan Perich; Tristan Perich; Douglas Perkins
4:59
1.2
Section 2
Tristan Perich; Tristan Perich; Douglas Perkins
7:55
1.3
Section 3
Tristan Perich; Tristan Perich; Douglas Perkins
4:10
1.4
Section 4
Tristan Perich; Tristan Perich; Douglas Perkins
4:34
1.5
Section 5
Tristan Perich; Tristan Perich; Douglas Perkins
11:34
1.6
Section 6
Tristan Perich; Tristan Perich; Douglas Perkins
5:13
1.7
Section 7
Tristan Perich; Tristan Perich; Douglas Perkins
7:23
1.8
Section 8
Tristan Perich; Tristan Perich; Douglas Perkins
6:59
1.9
Section 9
Tristan Perich; Tristan Perich; Douglas Perkins
12:34
1.10
Section 10
Tristan Perich; Tristan Perich; Douglas Perkins
5:21
Digital Booklet
Drift Multiply, Tristan Perich’s largest work to date, is performed by fifty violins and fifty loudspeakers and is conducted by Douglas Perkins. Scored as one hundred individual lines of music, the piece blends violins and speakers into a cascading tapestry of tone, harmony, and noise. The violins perform from sheet music, while the speakers are each connected to custom-built circuit boards programmed to output 1-bit audio, the most basic digital waveforms made of just ones and zeroes. “I am interested in the threshold between the abstract world of computation and the physical world around us,” Perich explains. New York–based composer Tristan Perich’s work is inspired by the aesthetic simplicity of math, physics, and code. The Wire describes his compositions as “an austere meeting of electronic and organic.”
96 kHz / 24-bit PCM – New Amsterdam/Nonesuch Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-3.46
-14.20 to -0.62
-21.10
-35.09 to -17.95
-17.23
-29.90 to -14.30
11
11 to 12
1
Section 1
-0.62-17.95-14.611
2
Section 2
-1.90-19.07-15.411
3
Section 3
-5.19-21.79-18.011
4
Section 4
-1.42-18.06-14.311
5
Section 5
-0.62-18.57-14.511
6
Section 6
-4.64-22.24-18.411
7
Section 7
-0.62-18.12-14.712
8
Section 8
-4.79-21.60-17.811
9
Section 9
-0.62-18.53-14.712
10
Section 10
-14.20-35.09-29.912

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions