℗ 1954 Parlophone Records Limited; A Warner Classics release,
| Released | December 1, 2020 |
| Duration | 29m 24s |
| Record Label | Warner Classics |
| Genre | Classical |
Rimsky-Korsakov: Capriccio espagnol - Debussy: Prélude à l'après-midi d'un faune - Chabrier: España
Sir John Barbirolli, Hallé Orchestra
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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España
Emmanuel Chabrier; Sir John Barbirolli; Hallé Orchestra |
6:12 | |||
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Spanish Capriccio, Op. 34
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1.2
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I. Alborada
Nikolai Rimsky-Korsakov; Sir John Barbirolli; Hallé Orchestra |
1:11 | |||
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1.3
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II. Variazioni
Nikolai Rimsky-Korsakov; Sir John Barbirolli; Hallé Orchestra |
4:09 | |||
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1.4
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III. Alborada
Nikolai Rimsky-Korsakov; Sir John Barbirolli; Hallé Orchestra |
1:10 | |||
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1.5
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IV. Scena e canto gitano
Nikolai Rimsky-Korsakov; Sir John Barbirolli; Hallé Orchestra |
4:39 | |||
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1.6
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V. Fandango asturiano
Nikolai Rimsky-Korsakov; Sir John Barbirolli; Hallé Orchestra |
3:21 | |||
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1.7
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Prélude à l’après-midi d’un faune, CD 87, L. 86
Claude Debussy; Sir John Barbirolli; Hallé Orchestra |
8:42 | |||
Sir John Barbirolli heads the Hallé Orchestra in this programme of the works of Rimsky-Korsakov, Debussy, and Chabrier!
Warner Classics releases this stunning recording as part of a brand new series, The Complete Warner Recordings.
Spanning over 40 years, these recordings trace the career of Sir John Barbirolli, a conductor of proverbial warmth and generosity, a transformative force in British music and a legendary figure who collaborated with the greatest artists of his time. Shortly before his death in 1970 he completed a Sibelius cycle with the Hallé Orchestra, whose fortunes he had steered for nearly three decades, and among other composers closely linked with his name are Elgar, Delius, Brahms, Mozart, Mahler and Puccini. The wide-ranging contents of this landmark set, which comprises all the recordings Barbirolli made for HMV and PYE. Everything has been remastered in high definition, LP-era recordings from the original tapes, and 78-era recordings from the best available sources.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Warner Classics Studio Masters
Tracks 1-7 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-7 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.40 -4.77 to -0.50 | -21.26 -25.71 to -17.81 | -16.90 -21.80 to -13.60 | 10 9 to 13 | |
| 1 | España | -0.60 | -19.31 | -14.9 | 10 |
| 2 | I. Alborada | -2.99 | -19.93 | -13.6 | 9 |
| 3 | II. Variazioni | -4.77 | -23.62 | -19.5 | 10 |
| 4 | III. Alborada | -2.24 | -20.30 | -17.2 | 10 |
| 5 | IV. Scena e canto gitano | -2.09 | -22.11 | -17.5 | 11 |
| 6 | V. Fandango asturiano | -0.50 | -17.81 | -13.8 | 9 |
| 7 | Prélude à l’après-midi d’un faune, CD 87, L. 86 | -3.61 | -25.71 | -21.8 | 13 |