℗ 2014 ECM Records GmbH under exclusive license to Universal Music Classics, a Division of UMG Recordings, Inc.
| Released | September 12, 2014 |
| Duration | 52m 08s |
| Record Label | ECM New Series |
| Genre | Classical |
Tre Voci: Tōru Takemitsu - Claude Debussy - Sofia Gubaidulina
Kim Kashkashian, Sivan Magen, Marina Piccinini
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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And Then I Knew 't Was Wind
Tōru Takemitsu; Kim Kashkashian; Sivan Magen; Marina Piccinini |
15:10 | |||
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Sonata for Flute, Viola and Harp, L. 137
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1.2
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1. Pastorale. Lento, dolce rubato
Claude Debussy; Kim Kashkashian; Sivan Magen; Marina Piccinini |
7:07 | |||
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1.3
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2. Interlude. Tempo di Minuetto
Claude Debussy; Kim Kashkashian; Sivan Magen; Marina Piccinini |
6:09 | |||
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1.4
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3. Final. Allegro moderato ma risoluto
Claude Debussy; Kim Kashkashian; Sivan Magen; Marina Piccinini |
4:56 | |||
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1.5
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Garten von Freuden und Traurigkeiten
Sofia Gubaidulina; Kim Kashkashian; Sivan Magen; Marina Piccinini |
18:46 | |||
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Digital Booklet
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"Four Stars ... a very esoteric and somewhat transcendental-sounding collection of three works by a new talented ensemble ... this very interesting first release certainly makes me curious about what lies ahead ... I enjoyed these three and I certainly enjoy the performances. I think to most listeners, the Debussy will, of course, seem the most accessible ... I look forward to more recordings from Tre Voci and the always splendid ECM studios."
- Audiophile Audition
Grammy-winning violist Kim Kashkashian introduces her new trio on Tre Voci, comprising Italian-American flutist Marina Piccinini and Israeli harpist Sivan Magen; all three musicians have been acknowledged for bringing new voices to their instruments. Kashkashian, Piccinini and Magen first played together at the 2010 Marlboro Music Festival and agreed that their potential was too great to limit it to a single season. Since then they have been developing their repertoire, which on this album revolves around Debussy’s Sonata for Flute, Viola and Harp and its influence, most directly felt in Takemitsu’s shimmering And Then I Knew 't Was Wind and indeed in the music of Sofia Gubaidulina.
96 kHz / 24-bit PCM – ECM New Series Studio Masters
Recorded April 2013 at Auditorio Radiotelevisione svizzera, Lugano Tonmeister: Markus Heiland Cover photo: Kim Kashkashian Liner photos: Claire Stefani, Ullstein Bild (pp. 16/17) Design: Sascha Kleis Produced by Manfred Eicher
Recorded April 2013 at Auditorio Radiotelevisione svizzera, Lugano Tonmeister: Markus Heiland Cover photo: Kim Kashkashian Liner photos: Claire Stefani, Ullstein Bild (pp. 16/17) Design: Sascha Kleis Produced by Manfred Eicher
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.71 -4.17 to -0.04 | -26.24 -29.76 to -23.30 | -21.60 -25.10 to -18.50 | 15 14 to 16 | |
| 1 | And Then I Knew 't Was Wind | -4.17 | -29.76 | -25.1 | 15 |
| 2 | 1. Pastorale. Lento, dolce rubato | -3.45 | -26.72 | -22.7 | 14 |
| 3 | 2. Interlude. Tempo di Minuetto | -0.83 | -26.05 | -22.1 | 15 |
| 4 | 3. Final. Allegro moderato ma risoluto | -0.08 | -23.30 | -19.6 | 15 |
| 5 | Garten von Freuden und Traurigkeiten | -0.04 | -25.38 | -18.5 | 16 |