℗ 2014 Deutsche Grammophon GmbH, Berlin
Released | March 11, 2014 |
Originated | March 10, 2014 |
Duration | 2h 13m 01s |
Record Label | Universal Music Group |
Genre | Classical |
Adams: The Gospel According To The Other Mary
Los Angeles Philharmonic, Los Angeles Master Chorale, Gustavo Dudamel
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
The Gospel According To The Other Mary / Act 1 / Scene 1 - Jail / House Of Hospitality
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1.1
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"The Next Day In The City Jail"
John Adams; Kelley O'Connor; Los Angeles Master Chorale; Los Angeles Philharmonic; Gustavo Dudamel |
4:09 | |||
1.2
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"Now A Certain Woman Named Martha"
John Adams; Brian Cummings; Daniel Bubeck; Nathan Medley; Tamara Mumford; Los Angeles Philharmonic; Gustavo Dudamel |
2:44 | |||
The Gospel According To The Other Mary / Act 1 / Scene 2 - Mary
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1.3
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"And She Had A Sister Named Mary"
John Adams; Brian Cummings; Daniel Bubeck; Nathan Medley; Tamara Mumford; Los Angeles Philharmonic; Gustavo Dudamel |
1:41 | |||
1.4
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"I Am Surprised That I Am Beginning To Pray Daily"
John Adams; Kelley O'Connor; Los Angeles Philharmonic; Gustavo Dudamel |
3:26 | |||
1.5
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"En un día de amor yo bajé hasta la tierra"
John Adams; Los Angeles Master Chorale; Los Angeles Philharmonic; Gustavo Dudamel |
4:17 | |||
The Gospel According To The Other Mary / Act 1 / Scene 3 - Lazarus
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1.6
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"Now A Certain Man Was Sick"
John Adams; Brian Cummings; Daniel Bubeck; Nathan Medley; Los Angeles Philharmonic; Gustavo Dudamel |
4:01 | |||
1.7
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Lazarus Dies While The Sisters Await Jesus
John Adams; Los Angeles Philharmonic; Gustavo Dudamel |
2:04 | |||
1.8
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"Why Standest Thou Afar Off, O Lord?"
John Adams; Tamara Mumford; Brian Cummings; Daniel Bubeck; Nathan Medley; Los Angeles Philharmonic; Gustavo Dudamel |
2:27 | |||
1.9
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"In My Own Quietly Explosive Here"
John Adams; Kelley O'Connor; Tamara Mumford; Brian Cummings; Daniel Bubeck; Nathan Medley; Los Angeles Philharmonic; Gustavo Dudamel |
2:51 | |||
1.10
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"Don’t Touch My Left Arm"
John Adams; Kelley O'Connor; Los Angeles Philharmonic; Gustavo Dudamel |
1:51 | |||
1.11
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"When Mary Was Come Where Jesus Was"
John Adams; Brian Cummings; Daniel Bubeck; Nathan Medley; Kelley O'Connor; Los Angeles Philharmonic; Gustavo Dudamel |
3:42 | |||
1.12
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"Jesus Said, Take Ye Away The Stone"
John Adams; Brian Cummings; Daniel Bubeck; Nathan Medley; Los Angeles Master Chorale; Los Angeles Philharmonic; Gustavo Dudamel |
1:52 | |||
1.13
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"And When He Thus Had Spoken"
John Adams; Brian Cummings; Daniel Bubeck; Nathan Medley; Los Angeles Philharmonic; Gustavo Dudamel |
4:19 | |||
1.14
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"Drop Down, Ye Heavens, From Above"
John Adams; Los Angeles Master Chorale; Los Angeles Philharmonic; Gustavo Dudamel |
3:08 | |||
The Gospel According To The Other Mary / Act 1 / Scene 4 - Supper At Bethany
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1.15
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"Then Jesus Six Days Before The Passover"
John Adams; Brian Cummings; Daniel Bubeck; Nathan Medley; Los Angeles Philharmonic; Gustavo Dudamel |
0:43 | |||
1.16
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"For The Grave Cannot Praise Thee"
John Adams; Russell Thomas; Los Angeles Philharmonic; Gustavo Dudamel |
6:39 | |||
1.17
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"Then Took Mary A Pound Of Ointment"
John Adams; Brian Cummings; Daniel Bubeck; Nathan Medley; Kelley O'Connor; Los Angeles Master Chorale; Los Angeles Philharmonic; Gustavo Dudamel |
4:46 | |||
The Gospel According To The Other Mary / Act 1 / Scene 5 - Passover
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1.18
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"And There Were Some That Had Indignation"
John Adams; Russell Thomas; Brian Cummings; Daniel Bubeck; Nathan Medley; Los Angeles Philharmonic; Gustavo Dudamel |
1:40 | |||
1.19
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"We Know There Will Be No Utopias"
John Adams; Tamara Mumford; Brian Cummings; Daniel Bubeck; Nathan Medley; Los Angeles Philharmonic; Gustavo Dudamel |
5:20 | |||
1.20
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"Tell Me: How Is This Night Different"
John Adams; Russell Thomas; Los Angeles Philharmonic; Gustavo Dudamel |
9:29 | |||
The Gospel According To The Other Mary / Act 2
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1.21
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"Who Rips His Own Flesh Down The Seams"
John Adams; Los Angeles Master Chorale; Los Angeles Philharmonic; Gustavo Dudamel |
3:49 | |||
The Gospel According To The Other Mary / Act 2 / Scene 1 - Police Raid
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1.22
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"Martha And Mary, Not Knowing"
John Adams; Brian Cummings; Daniel Bubeck; Nathan Medley; Russell Thomas; Los Angeles Master Chorale; Los Angeles Philharmonic; Gustavo Dudamel |
5:40 | |||
The Gospel According To The Other Mary / Act 2 / Scene 2 - Arrest Of The Women
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1.23
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Instrumental Introduction
John Adams; Los Angeles Philharmonic; Gustavo Dudamel |
2:26 | |||
1.24
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"Up At Two A.M., Picketed All Day"
John Adams; Tamara Mumford; Los Angeles Philharmonic; Gustavo Dudamel |
1:29 | |||
1.25
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"The Said Defendants"
John Adams; Tamara Mumford; Los Angeles Master Chorale; Los Angeles Philharmonic; Gustavo Dudamel |
2:54 | |||
1.26
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"Jesús, incomparable perdonador de injurias"
John Adams; Los Angeles Master Chorale; Los Angeles Philharmonic; Gustavo Dudamel |
3:02 | |||
The Gospel According To The Other Mary / Act 2 / Scene 3 - Golgotha
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1.27
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"And They Were Come Unto A Place Called Golgotha"
John Adams; Brian Cummings; Daniel Bubeck; Nathan Medley; Kelley O'Connor; Los Angeles Philharmonic; Gustavo Dudamel |
6:14 | |||
1.28
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"Daughters Of Jerusalem, Weep Not For Me"
John Adams; Los Angeles Master Chorale; Los Angeles Philharmonic; Gustavo Dudamel |
3:03 | |||
1.29
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"Now There Stood By The Cross Of Jesus"
John Adams; Tamara Mumford; Brian Cummings; Daniel Bubeck; Nathan Medley; Los Angeles Philharmonic; Gustavo Dudamel |
1:27 | |||
1.30
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"When Jesus Saw His Mother"
John Adams; Brian Cummings; Daniel Bubeck; Nathan Medley; Los Angeles Philharmonic; Gustavo Dudamel |
2:13 | |||
The Gospel According To The Other Mary / Act 2 / Scene 4 - Night
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1.31
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"When The Rain Began To Fall"
John Adams; Kelley O'Connor; Los Angeles Philharmonic; Gustavo Dudamel |
7:35 | |||
1.32
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"His Son Cried Out To Him"
John Adams; Russell Thomas; Los Angeles Philharmonic; Gustavo Dudamel |
1:32 | |||
The Gospel According To The Other Mary / Act 2 / Scene 5 - Burial / Spring
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1.33
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"Now In The Place Where He Was Crucified"
John Adams; Brian Cummings; Daniel Bubeck; Nathan Medley; Gustavo Dudamel; Los Angeles Philharmonic |
4:35 | |||
1.34
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Mary Awakens On The Third Morning
John Adams; Los Angeles Philharmonic; Gustavo Dudamel |
2:08 | |||
1.35
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"It Is Spring"
John Adams; Kelley O'Connor; Los Angeles Master Chorale; Los Angeles Philharmonic; Gustavo Dudamel |
4:02 | |||
The Gospel According To The Other Mary / Act 2 / Scene 6 - Earthquake And Recognition
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1.36
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“And, Behold, There Was A Great Earthquake"
John Adams; Kelley O'Connor; Tamara Mumford; Russell Thomas; Brian Cummings; Daniel Bubeck; Nathan Medley; Los Angeles Master Chorale; Los Angeles Philharmonic; Gustavo Dudamel |
3:18 | |||
1.37
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"Why Seek Ye The Living Among The Dead?"
John Adams; Kelley O'Connor; Tamara Mumford; Russell Thomas; Brian Cummings; Daniel Bubeck; Nathan Medley; Los Angeles Master Chorale; Los Angeles Philharmonic; Gustavo Dudamel |
6:25 | |||
Digital Booklet
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"...some of the strongest, most impassioned music of Adams' career ... an immensely potent work."
- The New Yorker
"... powerful theater, given extraordinary depth by music of remarkable authority, variety, and nuance. It is well worth exploring."
- Fanfare
"All soloists in this production are amazing and the sound from the DG engineers is up to its expected high standards. Highly recommended!"
- Audiophile Audition
Gustavo Dudamel conducts the Los Angeles Philharmonic and Master Chorale, along with an outstanding cast featuring Kelley O’Connor, Tamara Mumford and Russell Thomas, in this 2014 world premiere recording of composer John Adams’s internationally acclaimed The Gospel According to the Other Mary. Based on a libretto compiled by Adams’s frequent collaborator, iconoclast stage director Peter Sellars, The Gospel According to the Other Mary is conceived as an epic, timely reimagining of the great oratorios of Bach.
"Miracles are violent and terrifying, with the resurrection of Lazarus (heroic Russell Thomas) a rehearsal for Christ's resurrection. Mezzosoprano Kelley O'Connor is an impactful Magdalene -- unruly, extravagantly passionate. Contralto Tamara Mumford has mesmerising beauty and depth of tone. Under Gustavo Dudamel, the Los Angeles Philharmonic play with blistering force ..."
- BBC Music Magazine
96 kHz / 24-bit PCM – Universal Music Group Studio Masters
Executive Producer: Ute Fesquet Associate Producer: Misha Aster Producer: Friedemann Engelbrecht (Teldex Studio Berlin) Recording Engineer (Tonmeister): Enno Mäemets Assistant Engineer: Mike Golubitsky Postproduction facilities: Teldex Studio Berlin Editing: Alexander Feucht, Friedemann Engelbrecht Mix and Mastering: Wolfgang Schiefermair Recording: Los Angeles, Walt Disney Concert Hall, 3/2013 Sound Design: Mark Grey Audio Crew at Walt Disney Concert Hall: Kevin F. Wapner, Randy Piotroski, Robert Schraut, Leland Alexander, David Crawford LA Phil Project Manager: Chris Ayzoukian
Executive Producer: Ute Fesquet Associate Producer: Misha Aster Producer: Friedemann Engelbrecht (Teldex Studio Berlin) Recording Engineer (Tonmeister): Enno Mäemets Assistant Engineer: Mike Golubitsky Postproduction facilities: Teldex Studio Berlin Editing: Alexander Feucht, Friedemann Engelbrecht Mix and Mastering: Wolfgang Schiefermair Recording: Los Angeles, Walt Disney Concert Hall, 3/2013 Sound Design: Mark Grey Audio Crew at Walt Disney Concert Hall: Kevin F. Wapner, Randy Piotroski, Robert Schraut, Leland Alexander, David Crawford LA Phil Project Manager: Chris Ayzoukian
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.44 -17.03 to -0.16 | -28.47 -36.45 to -17.41 | -25.40 -33.80 to -12.40 | 14 10 to 19 | |
1 | "The Next Day In The City Jail" | -3.15 | -24.08 | -21.1 | 14 |
2 | "Now A Certain Woman Named Martha" | -12.15 | -34.39 | -31.8 | 16 |
3 | "And She Had A Sister Named Mary" | -13.77 | -34.07 | -31.3 | 13 |
4 | "I Am Surprised That I Am Beginning To Pray Daily" | -12.84 | -34.72 | -31.3 | 13 |
5 | "En un día de amor yo bajé hasta la tierra" | -5.78 | -30.16 | -27.3 | 16 |
6 | "Now A Certain Man Was Sick" | -10.93 | -33.40 | -29.8 | 14 |
7 | Lazarus Dies While The Sisters Await Jesus | -11.16 | -30.62 | -29.0 | 11 |
8 | "Why Standest Thou Afar Off, O Lord?" | -10.54 | -32.82 | -29.8 | 14 |
9 | "In My Own Quietly Explosive Here" | -6.12 | -29.19 | -26.0 | 14 |
10 | "Don’t Touch My Left Arm" | -9.14 | -27.93 | -25.2 | 12 |
11 | "When Mary Was Come Where Jesus Was" | -9.42 | -31.41 | -28.3 | 13 |
12 | "Jesus Said, Take Ye Away The Stone" | -3.34 | -28.00 | -23.3 | 14 |
13 | "And When He Thus Had Spoken" | -4.84 | -31.36 | -27.9 | 14 |
14 | "Drop Down, Ye Heavens, From Above" | -4.10 | -27.45 | -24.3 | 14 |
15 | "Then Jesus Six Days Before The Passover" | -13.08 | -33.22 | -30.1 | 13 |
16 | "For The Grave Cannot Praise Thee" | -4.43 | -24.78 | -21.6 | 14 |
17 | "Then Took Mary A Pound Of Ointment" | -0.59 | -22.54 | -17.7 | 13 |
18 | "And There Were Some That Had Indignation" | -10.31 | -32.72 | -28.4 | 14 |
19 | "We Know There Will Be No Utopias" | -6.91 | -32.79 | -29.4 | 18 |
20 | "Tell Me: How Is This Night Different" | -3.64 | -29.10 | -24.6 | 17 |
21 | "Who Rips His Own Flesh Down The Seams" | -0.27 | -19.58 | -16.9 | 14 |
22 | "Martha And Mary, Not Knowing" | -4.06 | -25.98 | -22.1 | 15 |
23 | Instrumental Introduction | -2.08 | -22.73 | -19.4 | 13 |
24 | "Up At Two A.M., Picketed All Day" | -10.27 | -31.26 | -28.7 | 14 |
25 | "The Said Defendants" | -0.21 | -21.42 | -17.1 | 12 |
26 | "Jesús, incomparable perdonador de injurias" | -3.90 | -27.13 | -24.0 | 17 |
27 | "And They Were Come Unto A Place Called Golgotha" | -2.67 | -27.67 | -25.7 | 14 |
28 | "Daughters Of Jerusalem, Weep Not For Me" | -0.16 | -17.41 | -12.4 | 10 |
29 | "Now There Stood By The Cross Of Jesus" | -9.63 | -31.48 | -28.7 | 12 |
30 | "When Jesus Saw His Mother" | -8.69 | -30.57 | -28.7 | 12 |
31 | "When The Rain Began To Fall" | -0.36 | -29.05 | -28.7 | 19 |
32 | "His Son Cried Out To Him" | -0.25 | -19.04 | -16.0 | 13 |
33 | "Now In The Place Where He Was Crucified" | -10.41 | -31.48 | -29.9 | 13 |
34 | Mary Awakens On The Third Morning | -17.03 | -36.45 | -33.8 | 12 |
35 | "It Is Spring" | -3.06 | -27.73 | -25.0 | 14 |
36 | “And, Behold, There Was A Great Earthquake" | -0.27 | -18.66 | -16.4 | 11 |
37 | "Why Seek Ye The Living Among The Dead?" | -8.76 | -30.84 | -28.1 | 14 |