℗ 2011 MPL Communications Inc/Ltd, under exclusive license to Universal Music Enterprises, a Division of UMG Recordings
Released 2021
Originated April 17, 1970
Duration 34m 20s
Record Label Paul McCartney Catalog
Genre Pop
 

McCartney (2011 Remaster)

Paul McCartney

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
The Lovely Linda (Remastered)
Paul McCartney
0:42
1.2
That Would Be Something (Remastered)
Paul McCartney
2:38
1.3
Valentine Day (Remastered)
Paul McCartney
1:40
1.4
Every Night (Remastered)
Paul McCartney
2:33
1.5
Hot As Sun / Glasses (Remastered)
Paul McCartney
2:06
1.6
Junk (Remastered)
Paul McCartney
1:54
1.7
Man We Was Lonely (Remastered)
Paul McCartney
2:57
1.8
Oo You (Remastered)
Paul McCartney
2:49
1.9
Momma Miss America (Remastered)
Paul McCartney
4:05
1.10
Teddy Boy (Remastered)
Paul McCartney
2:23
1.11
Singalong Junk (Remastered)
Paul McCartney
2:35
1.12
Maybe I’m Amazed (Remastered)
Paul McCartney
3:48
1.13
Kreen-Akrore (Remastered)
Paul McCartney
4:10
"Listening to [McCartney] is like hearing a man's personal contentment committed to the sound of music. Most of the sounds, effects and ideas are sheer brilliance; much of the aura is of quiet songs on a hot summer night; and virtually all of the tracks reflect a kind of intangible roundness. 'Excitement' is not a word to use for this album ... 'warmth' and 'happiness' are." - NME When Paul McCartney’s debut solo album, simply titled McCartney, was released on 17 April 1970, it was far from what many expected. Following Abbey Road’s polished perfection, McCartney chose to issue an album of songs, experiments and sound doodles predominantly made on his own at home. It would launch a solo career spanning five decades – and counting. McCartney recorded it in secrecy, mostly using basic home-recording equipment at his house in St John's Wood. Mixing and some recording took place at professional London studios. In its loosely arranged performances, McCartney eschewed the polish of the Beatles' past records in favour of a lo-fi style. Apart from occasional contributions by his wife, Linda, McCartney performed the entire album alone by overdubbing on four-track tape. He also recorded the album during a period of depression and confusion, following John Lennon's private departure from the Beatles in September 1969. McCartney the album received mostly negative reviews, while McCartney the man was vilified for seemingly ending the Beatles. The record was widely criticized for being under-produced. In the half-century since its release, McCartney has now been praised for its homemade nature, which gives it the charm that Paul saw in it all along. “I had all these rough things and I liked them all and thought, Well, they’re rough, but they’ve got that certain kind of thing about them.” - Paul McCartney
96 kHz / 24-bit PCM – Paul McCartney Catalog Studio Masters

Tracks 1-13 – contains high-resolution digital transfers of material originating from an analogue master source
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-1.52
-3.31 to -0.21
-19.57
-22.60 to -17.57
-16.72
-19.70 to -14.40
12
10 to 15
1
The Lovely Linda (Remastered)
-3.31-19.35-17.111
2
That Would Be Something (Remastered)
-0.87-18.43-16.211
3
Valentine Day (Remastered)
-2.78-19.86-16.711
4
Every Night (Remastered)
-0.31-18.26-15.611
5
Hot As Sun / Glasses (Remastered)
-2.01-21.22-17.811
6
Junk (Remastered)
-0.81-22.30-19.715
7
Man We Was Lonely (Remastered)
-2.51-18.29-15.310
8
Oo You (Remastered)
-0.91-17.90-14.710
9
Momma Miss America (Remastered)
-2.01-17.57-14.410
10
Teddy Boy (Remastered)
-0.51-19.55-16.912
11
Singalong Junk (Remastered)
-2.50-20.22-17.912
12
Maybe I’m Amazed (Remastered)
-1.03-18.91-15.511
13
Kreen-Akrore (Remastered)
-0.21-22.60-19.515

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