All That Jazz, Vol. 62: Gunter Schuller & Friends: Transformations in Jazz (feat. Miles Davis & Charles Mingus)
Miles Davis, Charles Mingus, George Russell, Dimitri Mitropoulos, Gunther Schuller
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1.1
|
Transformation
Gunther Schuller |
5:59 | |||
|
1.2
|
I. —
George Russell |
2:09 | |||
|
1.3
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II. —
George Russell |
3:21 | |||
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1.4
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III. —
George Russell |
5:14 | |||
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1.5
|
Suspensions
Gunther Schuller |
6:01 | |||
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1.6
|
Revelations
Charles Mingus; Gunther Schuller |
12:02 | |||
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1.7
|
I. —
Gunther Schuller |
2:57 | |||
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1.8
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II. —
Gunther Schuller |
4:18 | |||
|
1.9
|
III. —
Gunther Schuller |
3:06 | |||
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1.10
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All Set
Charles Mingus; Gunther Schuller |
8:51 | |||
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1.11
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No. 1. —
Miles Davis; Brass Ensemble Jazz Classical Music Society; Gunther Schuller |
3:09 | |||
|
1.12
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No. 2. —
Miles Davis; Brass Ensemble Jazz Classical Music Society; Gunther Schuller |
4:08 | |||
|
1.13
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No. 3. —
Miles Davis; Brass Ensemble Jazz Classical Music Society; Gunther Schuller |
3:24 | |||
|
1.14
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Pharaoh
Brass Ensemble Jazz Classical Music Society; Gunther Schuller |
4:28 | |||
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1.15
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I. Andante - Allegro
Brass Ensemble Jazz Classical Music Society; Dimitri Mitropoulos |
4:46 | |||
|
1.16
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II. Scherzo
Brass Ensemble Jazz Classical Music Society; Dimitri Mitropoulos |
4:07 | |||
|
1.17
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III. Lento
Brass Ensemble Jazz Classical Music Society; Dimitri Mitropoulos |
3:10 | |||
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1.18
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IV. Quasi cadenza - Allegro
Brass Ensemble Jazz Classical Music Society; Dimitri Mitropoulos |
5:12 |
"... (Schuller) coined the term Third Stream to describe music that drew on the forms and resources of both classical and jazz (and) was its most important composer ..."
- The New York Times
This remastered collection focuses on Grammy and Pulitzer Prize-winning conductor, composer and musician Gunther Schuller, who enjoyed his own career fusing classical and jazz (which he called Third Stream) while also conducting and playing with big names like Miles Davis and Charles Mingus. The selections here are drawn from Schuller's Third Stream releases, including 1957's Suspensions, along with other recordings from the same era featuring his work with Davis in the Jazz and Classical Music Society.
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | 0.00 0.00 to 0.00 | -19.17 -24.09 to -16.72 | -15.74 -17.80 to -14.40 | 12 10 to 14 | |
| 1 | Transformation | 0.00 | -18.70 | -15.7 | 12 |
| 2 | I. — | 0.00 | -17.50 | -14.9 | 12 |
| 3 | II. — | 0.00 | -16.91 | -14.6 | 12 |
| 4 | III. — | 0.00 | -18.45 | -15.8 | 13 |
| 5 | Suspensions | 0.00 | -18.23 | -15.1 | 12 |
| 6 | Revelations | 0.00 | -20.67 | -17.2 | 13 |
| 7 | I. — | 0.00 | -18.66 | -15.6 | 12 |
| 8 | II. — | 0.00 | -16.72 | -14.4 | 12 |
| 9 | III. — | 0.00 | -21.01 | -17.7 | 12 |
| 10 | All Set | 0.00 | -20.70 | -17.8 | 14 |
| 11 | No. 1. — | 0.00 | -19.05 | -15.5 | 12 |
| 12 | No. 2. — | 0.00 | -18.46 | -14.8 | 10 |
| 13 | No. 3. — | 0.00 | -17.70 | -14.4 | 11 |
| 14 | Pharaoh | 0.00 | -19.91 | -16.0 | 13 |
| 15 | I. Andante - Allegro | 0.00 | -20.42 | -16.0 | 12 |
| 16 | II. Scherzo | 0.00 | -18.28 | -14.4 | 11 |
| 17 | III. Lento | 0.00 | -24.09 | -17.6 | 14 |
| 18 | IV. Quasi cadenza - Allegro | 0.00 | -19.57 | -15.8 | 12 |