℗ 2016 Ricercar
Released | May 27, 2016 |
Duration | 1h 17m 24s |
Record Label | Ricercar |
Catalogue No. | RIC356 |
Genre | Classical (Chamber Music) |
Giovanni Legrenzi: Sonate & Balletti
Clematis
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
La cetra, Op. 10
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1.1
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Sonata prima a 4 violini
Giovanni Legrenzi; Clematis |
5:28 | |||
1.2
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Sonata terza a 2 violoni
Giovanni Legrenzi; Clematis |
5:33 | |||
Balletti e correnti à 5, Op. 16
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1.3
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Balletto primo: Alemanda
Giovanni Legrenzi; Clematis |
2:03 | |||
1.4
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Corrente terza
Giovanni Legrenzi; Clematis |
1:50 | |||
Sonate da chiesa e da camera, Book 2, Op. 4
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1.5
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No. 6. La Pezzoli a 3
Giovanni Legrenzi; Clematis |
4:01 | |||
Sonate à due, e tre, Op. 2
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1.6
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No. 8. La foscari a 2
Giovanni Legrenzi; Clematis |
2:50 | |||
Sonate da chiesa e da camera, Book 2, Op. 4
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1.7
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No. 11. La Forni a 3
Giovanni Legrenzi; Clematis |
2:57 | |||
Sonate à due, tre, cinque, e sei stromenti, Book 3, Op. 8
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1.8
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No. 12, "La Marinona"
Giovanni Legrenzi; Clematis |
3:11 | |||
Sonate à due, e tre, Op. 2
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1.9
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18 Trio Sonatas, Op. 2: No. 3. La frangipana
Giovanni Legrenzi; Clematis |
3:51 | |||
Sonate à due, tre, cinque, e sei stromenti, Book 3, Op. 8
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1.10
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No. 14, "La Basadonna"
Giovanni Legrenzi; Clematis |
3:08 | |||
1.11
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No. 10, "La Cremona"
Giovanni Legrenzi; Clematis |
4:03 | |||
1.12
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"L'Obizza"
Giovanni Legrenzi; Clematis |
3:57 | |||
La cetra, Op. 10
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1.13
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Sonata seconda a 4
Giovanni Legrenzi; Clematis |
4:37 | |||
Sonate da chiesa e da camera, Book 2, Op. 4
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1.14
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Balletto quarto
Giovanni Legrenzi; Clematis |
1:19 | |||
1.15
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Corrente terza
Giovanni Legrenzi; Clematis |
1:29 | |||
1.16
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Sarabanda prima
Giovanni Legrenzi; Clematis |
2:03 | |||
1.17
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Alemanda terza La Piloni
Giovanni Legrenzi; Clematis |
1:09 | |||
Sonate à due, e tre, Op. 2
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1.18
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No. 10. La zabarella a 3
Giovanni Legrenzi; Clematis |
3:09 | |||
Sonate à due, tre, cinque, e sei stromenti, Book 3, Op. 8
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1.19
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No. 9, "La Squarzona"
Giovanni Legrenzi; Clematis |
3:18 | |||
Sonate à due, e tre, Op. 2
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1.20
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No. 1. La cornara
Giovanni Legrenzi; Clematis |
2:55 | |||
Balletti e correnti à 5, Op. 16
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1.21
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Balletto secondo
Giovanni Legrenzi; Clematis |
0:57 | |||
1.22
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Corrente nona: Ciaconna
Giovanni Legrenzi; Clematis |
2:46 | |||
La cetra, Op. 10
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1.23
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Sonata quarta a 2
Giovanni Legrenzi; Clematis |
4:52 | |||
1.24
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Sonata sesta a quattro Viole da gamba o come piace
Giovanni Legrenzi; Clematis |
5:58 | |||
Digital Booklet
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After Carlo Farina and the Vitalis, Clematis continues its exploration of the Italian Baroque instrumental repertoire with Giovanni Legrenzi. The Sonatas taken from the collections he published in Venice between 1655 and 1673 feature highly diverse forms ranging from the trio sonata up to larger forms for 4, 5, or 6 parts and even double choir. His final collection of instrumental music, Balletti e Correnti, published in 1691, offers us a very different view of instrumental music in which certain French influences cannot be denied. Here, Clematis gives us the first complete anthology of his instrumental works. The variety of forms and forces ensures this disc with a fine diversity of styles from sonatas still close in spirit to those of Biagio Marini up to those for four violins foreshadowing the generation of Vivaldi. Recorded in two different locations, this anthology lets us discover these compositions in the sonority either of the church with its choir organ or , more intimate, the chamber.
88.2 kHz / 24-bit PCM – Ricercar Studio Masters
Tracks 8 and 13 – 48 kHz / 24-bit PCM Recordings: Molfetta, Chiesa di San Bernardino & église Notre-Dame de Centeilles, June 2014 & September 2015 Artistic direction, recording & editing: Jérôme Lejeune Cover: Anonymous, Bologna, c. 1700, Allegory of Music © Sotheby’s / akg-images Booklet cover: Anonymous, Portrait of Giovanni Legrenzi Bologna, Museo Bibliografico Musicale © De Agostini Picture Library / Scala Florence
Tracks 8 and 13 – 48 kHz / 24-bit PCM Recordings: Molfetta, Chiesa di San Bernardino & église Notre-Dame de Centeilles, June 2014 & September 2015 Artistic direction, recording & editing: Jérôme Lejeune Cover: Anonymous, Bologna, c. 1700, Allegory of Music © Sotheby’s / akg-images Booklet cover: Anonymous, Portrait of Giovanni Legrenzi Bologna, Museo Bibliografico Musicale © De Agostini Picture Library / Scala Florence
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.85 -3.17 to 0.00 | -18.81 -21.67 to -16.81 | -15.79 -18.30 to -13.80 | 12 10 to 13 | |
1 | Sonata prima a 4 violini | 0.00 | -18.48 | -15.3 | 13 |
2 | Sonata terza a 2 violoni | -1.43 | -21.67 | -18.3 | 13 |
3 | Balletto primo: Alemanda | 0.00 | -17.71 | -14.7 | 12 |
4 | Corrente terza | -1.12 | -18.70 | -15.7 | 11 |
5 | No. 6. La Pezzoli a 3 | -0.65 | -17.85 | -15.0 | 11 |
6 | No. 8. La foscari a 2 | -0.50 | -17.23 | -14.4 | 10 |
7 | No. 11. La Forni a 3 | 0.00 | -19.03 | -16.2 | 12 |
8 | No. 12, "La Marinona" | -1.32 | -20.09 | -17.1 | 11 |
9 | 18 Trio Sonatas, Op. 2: No. 3. La frangipana | -0.45 | -19.36 | -15.9 | 12 |
10 | No. 14, "La Basadonna" | 0.00 | -18.46 | -15.4 | 12 |
11 | No. 10, "La Cremona" | -0.18 | -16.81 | -13.8 | 11 |
12 | "L'Obizza" | 0.00 | -17.90 | -15.1 | 12 |
13 | Sonata seconda a 4 | 0.00 | -18.37 | -15.3 | 12 |
14 | Balletto quarto | 0.00 | -19.57 | -16.4 | 12 |
15 | Corrente terza | 0.00 | -19.54 | -16.4 | 12 |
16 | Sarabanda prima | -2.34 | -19.35 | -16.8 | 11 |
17 | Alemanda terza La Piloni | -2.09 | -19.25 | -15.9 | 11 |
18 | No. 10. La zabarella a 3 | 0.00 | -17.13 | -13.9 | 11 |
19 | No. 9, "La Squarzona" | -0.33 | -17.87 | -15.0 | 11 |
20 | No. 1. La cornara | -1.88 | -17.87 | -15.1 | 10 |
21 | Balletto secondo | -1.91 | -19.67 | -16.5 | 12 |
22 | Corrente nona: Ciaconna | -1.85 | -19.49 | -16.6 | 12 |
23 | Sonata quarta a 2 | -3.17 | -20.61 | -17.7 | 11 |
24 | Sonata sesta a quattro Viole da gamba o come piace | -1.27 | -19.56 | -16.4 | 12 |