℗ 2020 UMG Recordings; An A&M Records Release
Released February 21, 2021
Originated March 23, 1971
Duration 36m 06s
Record Label A&M
Genre Pop
 

The Flying Burrito Brothers

The Flying Burrito Brothers

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
discounted price

 
1.1
White Line Fever
The Flying Burrito Brothers
3:16
1.2
Colorado
The Flying Burrito Brothers
4:50
1.3
Hand To Mouth
The Flying Burrito Brothers
3:43
1.4
Tried So Hard
The Flying Burrito Brothers
3:10
1.5
Just Can't Be
The Flying Burrito Brothers
4:57
1.6
To Ramona
The Flying Burrito Brothers
3:38
1.7
Four Days Of Rain
The Flying Burrito Brothers
3:38
1.8
Can't You Hear Me Calling
The Flying Burrito Brothers
2:21
1.9
All Alone
The Flying Burrito Brothers
3:33
1.10
Why Are You Crying
The Flying Burrito Brothers
3:00
The Flying Burrito Bros is the third album by the country rock group, The Flying Burrito Brothers, released in the spring of 1971. Before recording sessions for the album began, Chris Hillman fired Gram Parsons from the band, leaving Hillman and "Sneaky" Pete Kleinow as the only original continuing members. In Parsons' place, the band hired a young unknown musician named Rick Roberts, who later was the primary lead singer of Firefall. Guitarist Bernie Leadon would also leave the band shortly after the album's release, going on to co-found the Eagles. Over the winter of 1970 to 1971 the band returned to Sunset Studios to record their third album. With Jim Dickson again the producer, assisted by Bob Hughes, the group developed original pieces mainly from Chris Hillman and Rick Roberts, along with a revisitation of a Bob Dylan composition. Several outtakes from the recording sessions later appeared on several compilations following the band's demise. Following the release of the album, further personnel changes occurred including Kleinow departing to focus solely on session recordings.
96 kHz / 24-bit PCM – A&M Studio Masters

Tracks 1-10 – contains high-resolution digital transfers of material originating from an analogue master source
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.69
-0.90 to -0.60
-17.43
-18.46 to -16.48
-14.48
-15.80 to -13.50
11
10 to 12
1
White Line Fever
-0.60-17.24-14.312
2
Colorado
-0.60-17.54-14.711
3
Hand To Mouth
-0.85-18.46-15.811
4
Tried So Hard
-0.90-16.48-13.510
5
Just Can't Be
-0.90-17.32-14.411
6
To Ramona
-0.62-16.78-14.311
7
Four Days Of Rain
-0.61-17.04-13.911
8
Can't You Hear Me Calling
-0.60-17.44-14.512
9
All Alone
-0.60-17.70-14.410
10
Why Are You Crying
-0.60-18.25-15.012

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions