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Interpreting the standards from the Great American Songbook is considered by many to be the supreme discipline in jazz. Anyone who dares to sing songs like “My Foolish Heart” by Victor Young and Ned Washington, “It Might As Well Be Spring” by Richard Rodgers and Oscar Hammerstein or “Prelude to a Kiss” by Duke Ellington automatically exposes himself or herself to the comparison with hundreds of performers who have already sung them. For the Danish jazz singer Lilly – full name Lilly-Ann Hertzman – they also are part of her musical DNA. “I love these songs; they speak to me,” she said with enthusiasm. “I have been listening to and singing jazz since I was a teenager, so I am very familiar with these songs. I mostly only sang my own songs on my first three albums. But it was completely natural for me to sing these other songs now.” She already did this on her previous album Tenderly, in a duet with the Israeli-American guitarist Gilad Hekselman. The album received euphoric reactions. For Lilly, this was a reason to dare something similar without repeating herself. This time, Kirk Knuffke joined the tried-and-tested duet of singer and guitarist. The American cornet player brings an additional tone quality into play. “The entire album was recorded in New York on one day; it was very spontaneous,” the singer stated with obvious pleasure. “Of course, I was very happy to be able to record with Gilad and Kirk.”