℗ 2021 Deutsche Grammophon, Berlin
| Released | March 12, 2021 |
| Duration | 1h 08m 35s |
| Record Label | Deutsche Grammophon (DG) |
| Genre | Classical |
|
1.1
|
Bruyères (Home Session)
Claude Debussy; Víkingur Ólafsson |
3:33 | |||
|
1.2
|
La damoiselle élue (Hania Rani Rework (After Claude Debussy))
Hania Rani; Víkingur Ólafsson; Hania Rani |
5:05 | |||
|
1.3
|
Canope (Home Session)
Claude Debussy; Víkingur Ólafsson |
3:46 | |||
|
1.4
|
Footsteps
Helgi Jonsson; Víkingur Ólafsson; Helgi Jonsson |
3:35 | |||
|
1.5
|
Muse d'eau
Christian Badzura; Víkingur Ólafsson |
3:33 | |||
|
1.6
|
L'entretien des muses (Hugar Rework (After Jean-Philippe Rameau))
Hugar; Víkingur Ólafsson; Hugar; Pétur Jónsson; Bergur Þórisson |
5:23 | |||
|
1.7
|
K.A.H.D.
Christian Badzura; Víkingur Ólafsson |
4:25 | |||
|
1.8
|
Reflection
Víkingur Ólafsson; Víkingur Ólafsson |
5:32 | |||
|
Pour le piano, L. 95
|
|||||
|
1.9
|
1. Prélude
Claude Debussy; Víkingur Ólafsson |
4:04 | |||
|
1.10
|
2. Sarabande
Claude Debussy; Víkingur Ólafsson |
5:20 | |||
|
1.11
|
3. Toccata
Claude Debussy; Víkingur Ólafsson |
3:58 | |||
|
1.12
|
Drowned Haiku
Clark; Víkingur Ólafsson; Clark |
4:10 | |||
|
1.13
|
Canope
Claude Debussy; Víkingur Ólafsson |
3:52 | |||
|
1.14
|
La Cupis (Balmorhea Rework (After Jean-Philippe Rameau))
Balmorhea; Víkingur Ólafsson; Balmorhea; Rob Lowe; Michael A. Muller |
4:25 | |||
|
1.15
|
K.A.H.D. (Home Session)
Christian Badzura; Víkingur Ólafsson |
4:20 | |||
|
1.16
|
Bruyères
Claude Debussy; Víkingur Ólafsson |
3:34 | |||
Staggered in various EP releases, Reflections is the collected compilation of a brand new reworks project from acclaimed pianist V¡kingur Olafsson. Reflections features unreleased originals such as Debussy's Pour le Piano, Bruyeres and Canope from Debussy's Preludes cycle, as well as re-interpretations by artists such as Hania Rani, Balmorhea, Hugar, Helgi Jonsson.
96 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters
Tracks 6, 12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Track 2 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 6, 12 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit Track 2 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.99 -4.78 to -0.32 | -21.92 -26.77 to -14.65 | -18.74 -23.40 to -12.50 | 13 7 to 18 | |
| 1 | Bruyères (Home Session) | -4.78 | -24.36 | -21.2 | 12 |
| 2 | La damoiselle élue (Hania Rani Rework (After Claude Debussy)) | -0.32 | -21.68 | -18.6 | 12 |
| 3 | Canope (Home Session) | -0.32 | -25.48 | -21.2 | 17 |
| 4 | Footsteps | -1.03 | -18.80 | -16.5 | 11 |
| 5 | Muse d'eau | -3.30 | -25.55 | -22.6 | 14 |
| 6 | L'entretien des muses (Hugar Rework (After Jean-Philippe Rameau)) | -0.32 | -17.29 | -15.6 | 9 |
| 7 | K.A.H.D. | -0.65 | -24.79 | -20.3 | 14 |
| 8 | Reflection | -0.42 | -26.35 | -23.4 | 18 |
| 9 | 1. Prélude | -0.32 | -18.47 | -15.1 | 10 |
| 10 | 2. Sarabande | -0.32 | -24.07 | -20.2 | 15 |
| 11 | 3. Toccata | -0.32 | -18.60 | -15.7 | 12 |
| 12 | Drowned Haiku | -0.42 | -14.65 | -12.5 | 7 |
| 13 | Canope | -0.32 | -23.47 | -19.2 | 13 |
| 14 | La Cupis (Balmorhea Rework (After Jean-Philippe Rameau)) | -1.69 | -20.88 | -18.9 | 11 |
| 15 | K.A.H.D. (Home Session) | -0.96 | -26.77 | -23.4 | 18 |
| 16 | Bruyères | -0.40 | -19.46 | -15.4 | 11 |