℗ 2016 Phi / Outhere Music
| Released | July 29, 2016 |
| Duration | 47m 18s |
| Record Label | PHI |
| Catalogue No. | LPH020 |
| Genre | Classical (Choral - Sacred) |
Igor Stravinsky: Threni - Requiem Canticles
Collegium Vocale Gent, Royal Flemish Philharmonic, Philippe Herreweghe
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Anthem, "The dove descending breaks the air"
Igor Stravinsky; Collegium Vocale Gent; Philippe Herreweghe |
2:56 | |||
|
Threni
|
|||||
|
1.2
|
Incipit
Igor Stravinsky; Christina Landshamer; Ewa Wolak; Collegium Vocale Gent; Royal Flemish Philharmonic; Philippe Herreweghe |
0:51 | |||
|
1.3
|
De elegia prima
Igor Stravinsky; Maximilian Schmitt; Magnus Staveland; Collegium Vocale Gent; Royal Flemish Philharmonic; Philippe Herreweghe |
6:48 | |||
|
1.4
|
De elegia tertia: Querimonia
Igor Stravinsky; Maximilian Schmitt; Magnus Staveland; Florian Boesch; David Soar; Collegium Vocale Gent; Royal Flemish Philharmonic; Philippe Herreweghe |
6:55 | |||
|
1.5
|
De elegia tertia: Sensus Spei
Igor Stravinsky; Christina Landshamer; Ewa Wolak; Maximilian Schmitt; Magnus Staveland; Florian Boesch; David Soar; Collegium Vocale Gent; Royal Flemish Philharmonic; Philippe Herreweghe |
6:36 | |||
|
1.6
|
De elegia tertia: Solacium
Igor Stravinsky; Christina Landshamer; Ewa Wolak; Maximilian Schmitt; Florian Boesch; David Soar; Collegium Vocale Gent; Royal Flemish Philharmonic; Philippe Herreweghe |
3:23 | |||
|
1.7
|
De elegia quinta: Oratio Jeremiae Prophetae
Igor Stravinsky; Christina Landshamer; Ewa Wolak; Maximilian Schmitt; Magnus Staveland; Florian Boesch; David Soar; Collegium Vocale Gent; Royal Flemish Philharmonic; Philippe Herreweghe |
3:18 | |||
|
Requiem Canticles
|
|||||
|
1.8
|
Prelude
Igor Stravinsky; Royal Flemish Philharmonic; Philippe Herreweghe |
1:11 | |||
|
1.9
|
Exaudi
Igor Stravinsky; Collegium Vocale Gent; Royal Flemish Philharmonic; Philippe Herreweghe |
1:43 | |||
|
1.10
|
Dies irae
Igor Stravinsky; Collegium Vocale Gent; Royal Flemish Philharmonic; Philippe Herreweghe |
0:56 | |||
|
1.11
|
Tuba mirum
Igor Stravinsky; Florian Boesch; Royal Flemish Philharmonic; Philippe Herreweghe |
1:06 | |||
|
1.12
|
Interlude
Igor Stravinsky; Royal Flemish Philharmonic; Philippe Herreweghe |
2:30 | |||
|
1.13
|
Rex tremendae
Igor Stravinsky; Collegium Vocale Gent; Royal Flemish Philharmonic; Philippe Herreweghe |
1:11 | |||
|
1.14
|
Lacrimosa
Igor Stravinsky; Ewa Wolak; Royal Flemish Philharmonic; Philippe Herreweghe |
1:46 | |||
|
1.15
|
Libera me
Igor Stravinsky; Elisabeth Rapp; Marlen Herzog; Tom Phillips; Philipp Kaven; Collegium Vocale Gent; Royal Flemish Philharmonic; Philippe Herreweghe |
0:54 | |||
|
1.16
|
Postlude
Igor Stravinsky; Collegium Vocale Gent; Royal Flemish Philharmonic; Philippe Herreweghe |
1:54 | |||
|
3 Sacrae cantiones
|
|||||
|
1.17
|
No. 1. Da pacem, Domine (arr. by I. Stravinsky for Choir)
Igor Stravinsky; Carlo Gesualdo; Collegium Vocale Gent; Philippe Herreweghe |
3:20 | |||
|
Digital Booklet
|
|||||
Driven by a constant desire to share his perpetual need for exploration, Belgian conductor Philippe Herreweghe showcases one of Stravinsky's last serial works, both sublime and challenging. Threni is the composer's longest, most ambitious and complex dodecaphonic score and arguably one of his greatest creations. The Requiem Canticles goes even further in this direction: Stravinsky's last masterpiece, it seems to summarize in itself the evolution of an entire lifetime, combining elements from the different stylistic periods that punctuated his career. Herreweghe reveals with conviction his love for the composer’s music and under his sure, inspired direction, the Collegium Vocale Gent and the Royal Flemish Philharmonic reveal its pure poetry.
96 kHz / 24-bit PCM – PHI Studio Masters
Recording: 13-15 October 2014, deSingel, Antwerp (Belgium) Recording, Editing, Mastering Engineer: Andreas Neubronner (Tritonus) Special thanks to Geert Callaert (corrections first edit) Artistic Coordination: Jens Van Durme Translations Catherine Meeùs: French Monika Winterson: German Jens Van Durme: Dutch Anthem ‘The Dove Descending Breaks the Air’: extract from ‘Little Gidding’taken from Four Quartets © Estate of T.S. Eliot and reprinted by permission of Faber and Faber Ltd French translation © Catherine Meeùs German translation © Christian Enzensberger Pictures Cover: Miniatures végétales – Spire de vigne 1 © Bob Verschueren Inside: Philippe Herreweghe © Michiel Hendrickx Collegium Vocale Gent © Michiel Hendrickx Royal Flemish Philharmonic & Philippe Herreweghe © Edwin Thys Christina Landshamer © Marco Borggreve Ewa Wolak © Agentur Maximilian Schmitt © Christian Kargl Magnus Staveland © Tim Bjørn Florian Boesch © Lukas Beck David Soar © Brian Tarr
Recording: 13-15 October 2014, deSingel, Antwerp (Belgium) Recording, Editing, Mastering Engineer: Andreas Neubronner (Tritonus) Special thanks to Geert Callaert (corrections first edit) Artistic Coordination: Jens Van Durme Translations Catherine Meeùs: French Monika Winterson: German Jens Van Durme: Dutch Anthem ‘The Dove Descending Breaks the Air’: extract from ‘Little Gidding’taken from Four Quartets © Estate of T.S. Eliot and reprinted by permission of Faber and Faber Ltd French translation © Catherine Meeùs German translation © Christian Enzensberger Pictures Cover: Miniatures végétales – Spire de vigne 1 © Bob Verschueren Inside: Philippe Herreweghe © Michiel Hendrickx Collegium Vocale Gent © Michiel Hendrickx Royal Flemish Philharmonic & Philippe Herreweghe © Edwin Thys Christina Landshamer © Marco Borggreve Ewa Wolak © Agentur Maximilian Schmitt © Christian Kargl Magnus Staveland © Tim Bjørn Florian Boesch © Lukas Beck David Soar © Brian Tarr
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.19 -17.14 to -0.22 | -30.42 -36.68 to -22.59 | -26.28 -32.70 to -17.90 | 13 11 to 20 | |
| 1 | Anthem, "The dove descending breaks the air" | -3.24 | -28.96 | -24.8 | 14 |
| 2 | Incipit | -8.83 | -29.58 | -26.0 | 13 |
| 3 | De elegia prima | -7.72 | -30.94 | -27.4 | 14 |
| 4 | De elegia tertia: Querimonia | -10.88 | -32.17 | -28.5 | 13 |
| 5 | De elegia tertia: Sensus Spei | -0.22 | -28.65 | -24.9 | 20 |
| 6 | De elegia tertia: Solacium | -5.93 | -29.84 | -25.6 | 15 |
| 7 | De elegia quinta: Oratio Jeremiae Prophetae | -10.45 | -32.23 | -27.9 | 12 |
| 8 | Prelude | -11.59 | -32.02 | -28.1 | 12 |
| 9 | Exaudi | -12.52 | -33.82 | -29.3 | 12 |
| 10 | Dies irae | -1.07 | -22.59 | -17.9 | 12 |
| 11 | Tuba mirum | -7.54 | -29.57 | -24.9 | 14 |
| 12 | Interlude | -17.14 | -36.68 | -32.7 | 11 |
| 13 | Rex tremendae | -0.43 | -23.86 | -19.9 | 12 |
| 14 | Lacrimosa | -11.04 | -32.91 | -27.6 | 12 |
| 15 | Libera me | -10.13 | -31.32 | -27.7 | 12 |
| 16 | Postlude | -12.49 | -33.14 | -28.0 | 12 |
| 17 | No. 1. Da pacem, Domine (arr. by I. Stravinsky for Choir) | -7.94 | -28.80 | -25.5 | 13 |