℗ 2016 BIS Records
| Released | September 2, 2016 |
| Duration | 57m 00s |
| Record Label | BIS |
| Catalogue No. | BIS-2094 |
| Genre | Classical (Concertos) |
Mozart: Piano Concertos Nos. 1 - 4 "Pasticcio Concertos"
Ronald Brautigam, Die Kölner Akademie, Michael Alexander Willens
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Piano Concerto No. 3 in D Major, K. 40
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1.1
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I. Allegro maestoso
Wolfgang Amadeus Mozart; Ronald Brautigam; Die Kölner Akademie; Michael Alexander Willens |
4:58 | |||
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1.2
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II. Andante
Wolfgang Amadeus Mozart; Ronald Brautigam; Die Kölner Akademie; Michael Alexander Willens |
3:36 | |||
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1.3
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III. Presto
Wolfgang Amadeus Mozart; Ronald Brautigam; Die Kölner Akademie; Michael Alexander Willens |
4:17 | |||
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Piano Concerto No. 1 in F Major, K. 37
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1.4
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I. Allegro
Wolfgang Amadeus Mozart; Ronald Brautigam; Die Kölner Akademie; Michael Alexander Willens |
4:50 | |||
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1.5
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II. Andante
Wolfgang Amadeus Mozart; Ronald Brautigam; Die Kölner Akademie; Michael Alexander Willens |
4:32 | |||
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1.6
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III. Allegro
Wolfgang Amadeus Mozart; Ronald Brautigam; Die Kölner Akademie; Michael Alexander Willens |
6:24 | |||
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Piano Concerto No. 2 in B Flat Major, K. 39
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1.7
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I. Allegro spiritoso
Wolfgang Amadeus Mozart; Ronald Brautigam; Die Kölner Akademie; Michael Alexander Willens |
4:53 | |||
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1.8
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II. Andante
Wolfgang Amadeus Mozart; Ronald Brautigam; Die Kölner Akademie; Michael Alexander Willens |
7:40 | |||
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1.9
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III. Molto allegro
Wolfgang Amadeus Mozart; Ronald Brautigam; Die Kölner Akademie; Michael Alexander Willens |
3:48 | |||
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Piano Concerto No. 4 in G Major, K. 41
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1.10
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I. Allegro
Wolfgang Amadeus Mozart; Ronald Brautigam; Die Kölner Akademie; Michael Alexander Willens |
5:05 | |||
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1.11
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II. Andante
Wolfgang Amadeus Mozart; Ronald Brautigam; Die Kölner Akademie; Michael Alexander Willens |
3:05 | |||
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1.12
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III. Molto allegro
Wolfgang Amadeus Mozart; Ronald Brautigam; Die Kölner Akademie; Michael Alexander Willens |
3:52 | |||
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Digital Booklet
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Dutch pianist Ronald Brautigam concludes his complete series of Mozart piano concertos with this volume of the composer's first four concertos. The cycle, begun in 2009, has proven to be a highly successful association with the Kölner Akademie and conductor Michael Alexander Willens, resulting in a set of 11 albums performed by Brautigam on fortepiano.
96 kHz / 24-bit PCM – BIS Studio Masters
Original format: 24-bit / 96 kHz Recording: August 2015 at the Deutschlandfunk Kammermusiksaal, Cologne, Germany Producer and sound engineer: Ingo Petry (Take5 Music Production) Instrument technician: Paul McNulty Editing and mixing: Ingo Petry Executive producers: Robert Suff (BIS) / Dr. Christiane Lehnigk (Deutschlandfunk) Cover text: © John Irving 2016 Translations: Horst A. Scholz (German); Jean-Pascal Vachon (French) Front cover photo: © Daria Petrillo Back cover photo: © Jan Verbeek Typesetting, layout: Andrew Barnett (Compact Design) Equipment: BIS’s recording teams use microphones from Neumann and Schoeps, audio electronics from RME, Lake People and DirectOut, MADI optical cabling technology, monitoring equipment from B&W, STAX and Sennheiser, and Sequoia and Pyramix digital audio workstations.
Original format: 24-bit / 96 kHz Recording: August 2015 at the Deutschlandfunk Kammermusiksaal, Cologne, Germany Producer and sound engineer: Ingo Petry (Take5 Music Production) Instrument technician: Paul McNulty Editing and mixing: Ingo Petry Executive producers: Robert Suff (BIS) / Dr. Christiane Lehnigk (Deutschlandfunk) Cover text: © John Irving 2016 Translations: Horst A. Scholz (German); Jean-Pascal Vachon (French) Front cover photo: © Daria Petrillo Back cover photo: © Jan Verbeek Typesetting, layout: Andrew Barnett (Compact Design) Equipment: BIS’s recording teams use microphones from Neumann and Schoeps, audio electronics from RME, Lake People and DirectOut, MADI optical cabling technology, monitoring equipment from B&W, STAX and Sennheiser, and Sequoia and Pyramix digital audio workstations.
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.29 -7.35 to -0.22 | -25.39 -28.74 to -23.59 | -22.33 -25.70 to -20.50 | 14 13 to 16 | |
| 1 | I. Allegro maestoso | -0.50 | -24.07 | -20.8 | 14 |
| 2 | II. Andante | -1.39 | -27.87 | -24.9 | 16 |
| 3 | III. Presto | -0.22 | -24.00 | -21.0 | 15 |
| 4 | I. Allegro | -0.49 | -23.76 | -20.9 | 14 |
| 5 | II. Andante | -7.35 | -28.74 | -25.7 | 13 |
| 6 | III. Allegro | -1.12 | -23.59 | -20.5 | 14 |
| 7 | I. Allegro spiritoso | -2.37 | -24.86 | -21.6 | 14 |
| 8 | II. Andante | -3.36 | -26.94 | -24.2 | 14 |
| 9 | III. Molto allegro | -3.36 | -25.11 | -21.8 | 14 |
| 10 | I. Allegro | -3.61 | -24.91 | -22.0 | 14 |
| 11 | II. Andante | -2.05 | -26.93 | -24.0 | 15 |
| 12 | III. Molto allegro | -1.62 | -23.94 | -20.5 | 13 |