℗ 2014 Seattle Symphony Media
Released | April 1, 2014 |
Duration | 1h 18m 20s |
Record Label | Seattle Symphony Media |
Catalogue No. | SSM1001 |
Genre | Classical (Orchestral) |
Dutilleux: Symphony No. 1 - Tout un monde lointain - The Shadows of Time
Xavier Phillips, Seattle Symphony Orchestra, Ludovic Morlot
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Symphony No. 1
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1.1
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I. Passacaille
Henri Dutilleux; Seattle Symphony Orchestra; Ludovic Morlot |
6:51 | |||
1.2
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II. Scherzo. Molto vivace
Henri Dutilleux; Seattle Symphony Orchestra; Ludovic Morlot |
5:53 | |||
1.3
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III. Intermezzo
Henri Dutilleux; Seattle Symphony Orchestra; Ludovic Morlot |
6:12 | |||
1.4
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IV. Finale con variazione
Henri Dutilleux; Seattle Symphony Orchestra; Ludovic Morlot |
11:38 | |||
Tout un monde lointain
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1.5
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I. Énigme
Henri Dutilleux; Xavier Phillips; Seattle Symphony Orchestra; Ludovic Morlot |
6:26 | |||
1.6
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II. Regard
Henri Dutilleux; Xavier Phillips; Seattle Symphony Orchestra; Ludovic Morlot |
6:20 | |||
1.7
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III. Houles
Henri Dutilleux; Xavier Phillips; Seattle Symphony Orchestra; Ludovic Morlot |
4:18 | |||
1.8
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IV. Miroirs
Henri Dutilleux; Xavier Phillips; Seattle Symphony Orchestra; Ludovic Morlot |
4:57 | |||
1.9
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V. Hymne
Henri Dutilleux; Xavier Phillips; Seattle Symphony Orchestra; Ludovic Morlot |
4:32 | |||
The Shadows of Time
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1.10
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I. Les Heures
Henri Dutilleux; Seattle Symphony Orchestra; Ludovic Morlot |
3:16 | |||
1.11
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II. Ariel maléfique
Henri Dutilleux; Seattle Symphony Orchestra; Ludovic Morlot |
2:25 | |||
1.12
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III. Mémoire des ombres
Henri Dutilleux; Benjamin Richardson; Kepler Swanson; Andrew Torgelson; Seattle Symphony Orchestra; Ludovic Morlot |
4:52 | |||
1.13
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Interlude
Henri Dutilleux; Seattle Symphony Orchestra; Ludovic Morlot |
2:14 | |||
1.14
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IV. Vagues de lumière
Henri Dutilleux; Seattle Symphony Orchestra; Ludovic Morlot |
3:05 | |||
1.15
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V. Dominante bleue?
Henri Dutilleux; Seattle Symphony Orchestra; Ludovic Morlot |
5:21 | |||
Digital Booklet
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Grammy Nomination - Best Orchestral Performance, 2015
Grammy Nomination - Best Classical Instrumental Solo, 2015
Grammy Nomination - Best Engineered Album, Classical, 2015
"... this beautifully recorded disc is a knockout."
- The Seattle Times
"Four Stars ... the technical standard of the playing is extremely high."
- BBC Music Magazine
This triple Grammy-nominated album features three works by contemporary French composer Henri Dutilleux: Symphony No. 1 along with Tout un monde lointain, a cello concerto with Xavier Phillips as soloist and The Shadows of Time with three boy sopranos. The Seattle Symphony is conducted by Ludovic Morlot, a longtime champion of Dutilleux's music.
“I first met Henri Dutilleux in the fall of 2001 ... I had the privilege of sitting next to Dutilleux during rehearsals ... I witnessed firsthand his considerable creative powers, as he was a perfectionist in the best sense of the word and always engaged. We subsequently met over martinis in Paris, discussing music and literature. He made an important era of 20th century music come alive for me and in the process deepened and enriched my understanding. I feel grateful to have known him."
- Ludovic Morlot
96 kHz / 24-bit PCM – Seattle Symphony Media Studio Masters
Produced, engineered and edited by Dmitriy Lipay Executive producer: Simon Woods Art direction and design: Jessica Forsythe Recorded in the S. Mark Taper Foundation Auditorium, Benaroya Hall Symphony No. 1 was recorded on September 14 and 18, October 30 and November 13 and 16, 2012 Tout un monde lointain was recorded on September 14 and 18, 2012 The Shadows of Time was recorded live in concert on November 15 - 18, 2012
Produced, engineered and edited by Dmitriy Lipay Executive producer: Simon Woods Art direction and design: Jessica Forsythe Recorded in the S. Mark Taper Foundation Auditorium, Benaroya Hall Symphony No. 1 was recorded on September 14 and 18, October 30 and November 13 and 16, 2012 Tout un monde lointain was recorded on September 14 and 18, 2012 The Shadows of Time was recorded live in concert on November 15 - 18, 2012
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.66 -15.26 to -0.11 | -25.70 -36.10 to -21.32 | -21.69 -34.20 to -16.90 | 14 11 to 18 | |
1 | I. Passacaille | -0.44 | -23.14 | -17.1 | 13 |
2 | II. Scherzo. Molto vivace | -0.47 | -24.17 | -19.9 | 14 |
3 | III. Intermezzo | -8.42 | -31.18 | -27.9 | 15 |
4 | IV. Finale con variazione | -0.11 | -21.95 | -16.9 | 12 |
5 | I. Énigme | -1.24 | -26.19 | -22.2 | 16 |
6 | II. Regard | -0.70 | -28.64 | -24.5 | 18 |
7 | III. Houles | -2.24 | -23.41 | -20.2 | 14 |
8 | IV. Miroirs | -3.08 | -28.93 | -24.3 | 15 |
9 | V. Hymne | -0.46 | -21.32 | -18.2 | 13 |
10 | I. Les Heures | -1.49 | -22.20 | -18.6 | 13 |
11 | II. Ariel maléfique | -3.66 | -26.12 | -21.7 | 12 |
12 | III. Mémoire des ombres | -0.46 | -23.04 | -18.4 | 14 |
13 | Interlude | -15.26 | -36.10 | -34.2 | 11 |
14 | IV. Vagues de lumière | -0.30 | -22.22 | -18.0 | 14 |
15 | V. Dominante bleue? | -1.51 | -26.89 | -23.2 | 16 |