℗ 1969, 2021 Warner Music UK Limited; A Warner Classics/Teldec release,
| Released | July 16, 2021 |
| Duration | 46m 27s |
| Record Label | Warner Classics |
| Genre | Classical |
Isaac: Missa super "O praeclara", Motets & Songs
Konrad Ruhland, Capella Antiqua München
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Missa super "O praeclara"
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1.1
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Kyrie
Heinrich Isaac; Konrad Ruhland; Capella Antiqua München |
1:57 | |||
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1.2
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Gloria
Heinrich Isaac; Konrad Ruhland; Capella Antiqua München |
3:48 | |||
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1.3
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Credo
Heinrich Isaac; Konrad Ruhland; Capella Antiqua München |
5:42 | |||
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1.4
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Sanctus
Heinrich Isaac; Konrad Ruhland; Capella Antiqua München |
6:23 | |||
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1.5
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Agnus Dei
Heinrich Isaac; Konrad Ruhland; Capella Antiqua München |
4:22 | |||
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1.6
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La mi la sol
Heinrich Isaac; Konrad Ruhland; Capella Antiqua München |
3:18 | |||
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1.7
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Tota pulchra es
Heinrich Isaac; Konrad Ruhland; Capella Antiqua München |
6:37 | |||
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1.8
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Illumina oculos meos
Heinrich Isaac; Konrad Ruhland; Capella Antiqua München |
5:57 | |||
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1.9
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Maria, Jungfrau hochgeborn
Heinrich Isaac; Konrad Ruhland; Capella Antiqua München |
3:06 | |||
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1.10
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Carmen
Heinrich Isaac; Konrad Ruhland; Capella Antiqua München |
1:29 | |||
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1.11
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Es het ein Baur ein Töchterlein
Heinrich Isaac; Konrad Ruhland; Capella Antiqua München |
2:04 | |||
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1.12
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Donna di dentro dalla tua casa
Heinrich Isaac; Konrad Ruhland; Capella Antiqua München |
1:44 | |||
Mostly remembered for being the subject of a thesis by Anton Webern, the prolific Heinrich Isaac is not the most famous Franco-Flemish composer but nonetheless had a considerable influence on the later rise of polyphony in Germany, where he spent most of his career (and is still very well-regarded by early music ensembles).
This album by pioneering Renaissance ensemble Capella Antiqua München features one of only two existing recordings of the parody mass on “O praeclara”, also called “La mi la sol” (after the name of one of Isaac’s own songs which serves as melodic theme for the mass). The other recording not being available online, this is the first time this work can be heard digitally!
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Warner Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.38 -7.57 to -1.48 | -20.30 -23.83 to -18.23 | -17.04 -21.00 to -15.00 | 10 10 to 12 | |
| 1 | Kyrie | -3.48 | -19.29 | -15.8 | 10 |
| 2 | Gloria | -2.29 | -18.23 | -15.0 | 10 |
| 3 | Credo | -1.48 | -19.50 | -16.3 | 11 |
| 4 | Sanctus | -2.35 | -20.26 | -17.2 | 11 |
| 5 | Agnus Dei | -3.30 | -19.04 | -15.9 | 10 |
| 6 | La mi la sol | -7.57 | -23.83 | -21.0 | 10 |
| 7 | Tota pulchra es | -2.80 | -20.38 | -17.1 | 11 |
| 8 | Illumina oculos meos | -4.50 | -23.12 | -20.0 | 12 |
| 9 | Maria, Jungfrau hochgeborn | -4.01 | -22.01 | -18.8 | 10 |
| 10 | Carmen | -3.35 | -19.13 | -15.8 | 10 |
| 11 | Es het ein Baur ein Töchterlein | -2.79 | -19.88 | -16.4 | 10 |
| 12 | Donna di dentro dalla tua casa | -2.59 | -18.95 | -15.2 | 10 |