℗ 2021 Sub Pop Records
| Released | August 4, 2021 |
| Duration | 53m 44s |
| Record Label | Sub Pop Records |
| Genre | Alternative (Rock) |
|
1.1
|
Pulse (Live)
METZ |
4:51 | |||
|
1.2
|
Blind Youth Industrial Park (Live)
METZ |
2:55 | |||
|
1.3
|
The Mirror (Live)
METZ |
5:09 | |||
|
1.4
|
No Ceiling (Live)
METZ |
1:44 | |||
|
1.5
|
Hail Taxi (Live)
METZ |
4:23 | |||
|
1.6
|
Draw Us In (Live)
METZ |
3:59 | |||
|
1.7
|
Framed by the Comet's Tail (Live)
METZ |
4:39 | |||
|
1.8
|
Sugar Pill (Live)
METZ |
2:54 | |||
|
1.9
|
Parasite (Live)
METZ |
2:34 | |||
|
1.10
|
A Boat to Drown In (Live)
METZ |
12:14 | |||
|
1.11
|
Negative Space (Live)
METZ |
3:04 | |||
|
1.12
|
Wet Blanket (Live)
METZ |
5:18 |
Long considered one of the planet's most bombastic live acts and foremost purveyors of abrasive melodicism, METZ have spent the majority of their 11 year tenure criss-crossing the globe and bringing their unparalleled energy directly to the people. The release of their stunning new LP, Atlas Vending, saw the band pushing into new sonic territory while retaining their trademark aural maelstrom. Forced to adapt to a world without live performance and touring, METZ were determined to connect with their fans and create a live experience as dynamic as Atlas Vending within the confines and challenges of the pandemic.
On October 15th, 2020 METZ took to the stage at the Opera House in Toronto, a hometown favorite independent venue, to livestream a performance of Atlas Vending in its entirety. They enlisted long-time video collaborator Scott Cudmore to direct the concert film and Graham Walsh and Seth Manchester to oversee the recording and mixing, respectively. METZ: Live at the Opera House, delivers a raw, powerful, incredibly loud auditory experience paired with a stunning visual concert film that grabs you, shakes you, and doesn't let go until the final crushing blow and the feedback subsides.
48 kHz / 24-bit PCM – Sub Pop Records Studio Masters
Track 1 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track 1 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.30 -0.30 to -0.30 | -8.65 -9.21 to -8.22 | -5.44 -6.00 to -4.60 | 5 4 to 5 | |
| 1 | Pulse (Live) | -0.30 | -8.36 | -5.0 | 4 |
| 2 | Blind Youth Industrial Park (Live) | -0.30 | -8.64 | -5.6 | 5 |
| 3 | The Mirror (Live) | -0.30 | -8.83 | -6.0 | 5 |
| 4 | No Ceiling (Live) | -0.30 | -8.77 | -5.6 | 5 |
| 5 | Hail Taxi (Live) | -0.30 | -8.33 | -5.0 | 5 |
| 6 | Draw Us In (Live) | -0.30 | -8.95 | -5.9 | 5 |
| 7 | Framed by the Comet's Tail (Live) | -0.30 | -8.55 | -5.8 | 5 |
| 8 | Sugar Pill (Live) | -0.30 | -8.51 | -5.4 | 5 |
| 9 | Parasite (Live) | -0.30 | -9.21 | -6.0 | 5 |
| 10 | A Boat to Drown In (Live) | -0.30 | -8.22 | -4.6 | 4 |
| 11 | Negative Space (Live) | -0.30 | -8.93 | -5.6 | 5 |
| 12 | Wet Blanket (Live) | -0.30 | -8.53 | -4.8 | 5 |