℗ 2016 Republic Records, a division of UMG Recordings, Inc.
Released October 7, 2016
Duration 36m 58s
Record Label Universal Records
Genre Alternative
 

Three

Phantogram

Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
  • Select Format
    • AIFF 44.1 kHz | 24-bit
    • FLAC 44.1 kHz | 24-bit
Add to cart
discounted price

 
1.1
Funeral Pyre
Phantogram
4:06
1.2
Same Old Blues
Phantogram
3:31
1.3
You Don’t Get Me High Anymore
Phantogram
3:40
1.4
Cruel World
Phantogram
2:58
1.5
Barking Dog
Phantogram
3:03
1.6
You're Mine
Phantogram
2:51
1.7
Answer
Phantogram
3:52
1.8
Run Run Blood
Phantogram
4:59
1.9
Destroyer
Phantogram
4:17
1.10
Calling All
Phantogram
3:41
Billboard 200 - #9, 2016 Grammy Award nomination - Producer of the Year, Non-Classical, 2016 "The hip-hop-influenced electro-pop duo have clearly grown a bit more comfortable with the conventional pop world; single You Don't Get Me High Anymore is as radio friendly as anything they've done and has some mainstream success to show for it ... Phantogram's creativity shines through when they embrace the past ... Three's high points come when some of the pop veneer is pulled back to let more raw, real feeling through. Overall, it's a solid record that should draw a wider audience to Phantogram's music." - Exclaim! On Phantogram’s third album, Josh Carter and Sarah Barthel take their sound in an intriguing, darkly shaded direction, adding new textures to their signature style. Three represents a new creative peak that Phantogram has been building towards for nearly a decade. Recent collaborations with outside artists pushed the duo musically and Three displays a surging energy and appealing experimentation, effectively showcasing a band reaching for and achieving new aesthetic heights. Carter found fresh perspective in AfroBeat and ‘60s R&B when creating the steady beats that form the foundation of the album. Despite the new influences and a strong experimental motivation, Three still sounds unmistakably like Phantogram, with plenty of thick, buzzing beats and snaking melodic lines. “It’s about heartbreak and having to push forward and move on and how challenging that is. It’s made us the people we really are and it’s a huge part of what this record means to us." - Sarah Barthel
44.1 kHz / 24-bit PCM – Universal Records Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
0.00
0.00 to 0.00
-10.26
-12.91 to -8.51
-7.85
-9.80 to -7.00
5
4 to 7
1
Funeral Pyre
0.00-10.19-7.55
2
Same Old Blues
0.00-9.28-7.05
3
You Don’t Get Me High Anymore
0.00-9.79-7.25
4
Cruel World
0.00-9.78-7.64
5
Barking Dog
0.00-12.91-9.87
6
You're Mine
0.00-8.51-7.15
7
Answer
0.00-11.25-9.25
8
Run Run Blood
0.00-10.36-8.15
9
Destroyer
0.00-11.05-7.65
10
Calling All
0.00-9.49-7.45

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions